The Andalusian Flamenco Club Circuit in Córdoba 2026 will take place from 6 to 28 November with 30 flamenco singing, dance and guitar performances. The official programme includes 26 singing recitals, one dance performance and three events centred on the guitar, all with free admission until capacity is reached.
The schedule is spread across a wide network of flamenco clubs throughout the province and brings one of the most concentrated programmes of the 2026 Andalusian Flamenco Club Circuit to a close. In this guide you will find every published performance, artists, times, towns, the 4th Gala of the Provincial Federation and practical advice for checking changes before travelling.
Quick answer: the Andalusian Flamenco Club Circuit in Córdoba 2026 runs from 6 to 28 November with 30 free performances: 26 singing recitals, one dance performance and three guitar recitals. The programme visits flamenco clubs across the province, pays tribute to photographer and flamenco promoter Antonio González del Moral, and holds the 4th Gala of the Provincial Federation of Flamenco Clubs in Córdoba on 21 November. Admission is free until capacity is reached and the programme is subject to change.
| Item | 2026 programme |
|---|---|
| Dates | 6–28 November |
| Performances | 30 |
| Flamenco singing | 26 performances |
| Flamenco dance | 1 performance |
| Guitar | 3 performances |
| Towns listed by the organisers | 28 |
| Price | Free admission until capacity is reached |
| Tribute | Antonio González del Moral |
| Organisers | Andalusian Flamenco Institute and Provincial Federation of Flamenco Clubs of Córdoba |
Unlike other provinces, where the circuit stretches over several months, Córdoba concentrates almost its entire programme into three weeks in November. This makes it possible to find several performances on the same weekend, but it also means having to choose when recitals take place at the same time in different towns.
Flamenco singing clearly dominates the programme, although there is room for one dance performance and three events in which the guitar is the main discipline. The combination of Córdoba city, the Campiña, the Subbética, the Guadalquivir Valley, Los Pedroches and towns in Sierra Morena turns the circuit into a broad journey through Córdoba’s flamenco geography.
The first event opens the programme on Friday 6 November. The circuit begins in Córdoba’s Campiña before expanding the following day into one of the dates with the highest number of simultaneous performances.
Saturday 7 offers three recitals at the same lunchtime hour and an evening guitar performance. For visitors staying in Córdoba city, El Rincón Flamenco is the simplest option; those willing to travel can choose between La Rambla, Baena or Fuente Palmera.
The two Sunday performances start only half an hour apart, so in practice they are alternatives. Both follow the classic format of flamenco singing with guitar and close the first weekend of the circuit.
Between 6 and 8 November there are seven performances. Most are flamenco singing recitals, but on Saturday evening Alberto Lucena presents the first of the province’s three announced guitar events.
If these are the only days you have available, it is worth deciding in advance which town best fits your route. Free admission does not guarantee a place, and flamenco clubs can have limited capacity.
The second weekend begins with two evening recitals. The start times differ, but the distance between Montilla and Priego makes it unrealistic to attend both in full. They are two good options for combining flamenco with a short trip through the Campiña or Subbética.
With six performances, Saturday 14 is one of the busiest days of the entire Córdoba circuit. There are three options at lunchtime and another three in the evening.
On Sunday 15 the pace drops to two recitals. Once again the times overlap, so the sensible choice is to pick one according to your starting point and planned route through the province.
From 13 to 15 November there are ten performances. On 14 November alone there are six. It is a good example of how this circuit works: it is not designed for one person to attend every event, but to distribute flamenco simultaneously across different clubs and towns.
For visitors, the best strategy is to choose one area and combine the recital with other plans. If you are staying overnight in Córdoba city, you can consult our guide to flamenco in Córdoba to discover regular-programme alternatives on other dates.
Friday 20 brings together three very different proposals: the programme’s only dance performance in Pozoblanco, a guitar event in Palma del Río and a flamenco singing recital in Montoro. It is probably the day with the greatest variety of disciplines.
The 4th Gala of the Provincial Federation of Flamenco Clubs of Córdoba will be held on 21 November at 11:00 at the Faculty of Labour Sciences of the University of Córdoba.
The programme pays tribute to the Peña Flamenca Luis de Córdoba, from Posadas, and the Peña Flamenca Niño del Museo, from Adamuz. The gala includes two flamenco singing performances:
These two performances complete the provincial total of 30 events and explain the presence of Posadas and Adamuz in the official list of towns, even though the gala itself is held in Córdoba city.
The Fernán Núñez event closes the third weekend with a lunchtime flamenco singing and guitar recital. After the many clashes on the previous days, it is an especially straightforward day for anyone who wants to attend a single performance without having to choose between several towns.
The 20–22 November stretch sums up the circuit’s diversity better than any other: dance, guitar and flamenco singing appear within just three days. Lorena Doblas’s performance is the only one in the provincial schedule classified as dance, while Antonio Contíñez leads one of the three guitar events.
Saturday’s gala also adds an institutional and commemorative dimension by recognising the work of two historic flamenco clubs from Adamuz and Posadas.
Friday 27 includes the third performance in which guitar is the main discipline and an evening event in Córdoba city. For anyone visiting Córdoba that weekend, the Peña Fosforito recital is one of the last opportunities of the year within the provincial circuit.
Five recitals close the programme on Saturday 28. Two begin at lunchtime and three in the evening, once again in places that are far apart.
The Andalusian Regional Government lists Adamuz, Aguilar de la Frontera, Albendín, Baena, Bélmez, Bujalance, Cabra, Cañete de las Torres, Carcabuey, Córdoba, Doña Mencía, El Carpio, Espejo, Fernán Núñez, Fuente Palmera, La Carlota, La Guijarrosa, La Rambla, Montemayor, Montilla, Montoro, Moriles, Palma del Río, Peñarroya, Posadas, Pozoblanco, Priego de Córdoba and Villaharta.
This map makes the circuit one of the flamenco programmes with the broadest territorial reach in the province. It is not concentrated in Córdoba city: it reaches towns in the Campiña, Los Pedroches, the Guadiato Valley, the Subbética and the Guadalquivir Valley.
The provincial listing includes Adamuz and Posadas among the 28 towns, but the currently published detailed schedule does not show a separate recital in either municipality. Instead, the 4th Gala on 21 November, held in Córdoba, specifically honours the Peña Niño del Museo of Adamuz and the Peña Luis de Córdoba of Posadas, and includes two performances.
For that reason, we retain the official figure of 30 performances in the provincial programme and distinguish between the 28 events detailed at specific flamenco clubs or venues and the two performances included in the gala. If the organisers later publish new listings or correct the territorial distribution, this section should be updated.
Flamenco singing is at the heart of the Andalusian Flamenco Club Circuit in Córdoba 2026. The announced names include Morenín, Isco Heredia, Marcelo Sousa, El Calabrés, Esperanza Garrido, Laura Heredia, Juan Pinilla, El Jaro, Rocío de Dios, Ricardo Fernández del Moral, El Califa, Bernardo Miranda, Luis Heredia «El Polaco», Ana Jiménez, Anabel Castillo, Caracolillo de Cádiz, Filo de los Patios, Mari Ángeles Fernández, Gema Jiménez, Manuela Cordero, Emi Álvarez, Rafa del Calli, El Toto and Cristina Pedrosa, plus Rocío Segura and Rafael Mesa «El Guerra» at the gala.
The predominant format is a recital by a lead singer accompanied by guitar. It is a structure closely tied to the tradition of flamenco clubs, where listening to cante and understanding the styles are central.
The only event classified as dance is the performance by Lorena Doblas on 20 November in Pozoblanco. The three events in which guitar is the main discipline are by Alberto Lucena in Fuente Palmera, Antonio Contíñez in Palma del Río and Chaparro de Málaga in Albendín.
The guitar is, of course, also present in most flamenco singing recitals as accompaniment. The distinction between a «guitar recital» and «accompanying guitar» helps explain the official breakdown of 26 singing performances, one dance performance and three guitar events.
If you want to understand more clearly how these disciplines relate to one another, our guide to what flamenco is explains the role of singing, dance, guitar and compás.
The Córdoba programme in 2026 is dedicated to Antonio González del Moral, in recognition of his career and his contribution to flamenco through photography and specialised online media.
The Provincial Federation of Flamenco Clubs of Córdoba announced his death in August 2026 and remembered him as a familiar presence, camera in hand, at events, recitals and gatherings throughout Córdoba’s flamenco club community. The dedication makes this edition a tribute not only to the artists who take the stage, but also to those who have documented and promoted the clubs’ activities for years.
The regional edition announces 225 performances across Andalusia’s eight provinces and at least 470 artists. Córdoba contributes 30 of those events and is among the provinces with the largest programmes, although concentrated into a much shorter period than Seville, Málaga or Jaén.
The programme forms part of the collaboration between the Andalusian Flamenco Institute and the provincial federations, and is based on a public call for flamenco singing, dance and guitar artists. You can find more context in our general guide to the 2026 Andalusian Flamenco Club Circuit.
The Andalusian Cultural Agenda lists admission as free until capacity is reached. This means you do not need to buy a ticket, but it does not guarantee a place if the venue is already full.
Each flamenco club may organise door opening, invitations or public admission differently. The official programme is also subject to changes in times, artists or venues. If you are travelling specifically to another town, it is worth checking the information again on the same day.
In smaller towns, a particular performance may attract more people than the club’s usual capacity. Arriving early is especially important on dates featuring well-known artists or at venues with limited capacity.
A flamenco club and a tablao offer different but complementary experiences. A club brings you closer to the local association scene on a specific date; a tablao maintains a regular programme and makes advance booking easier. If your trip does not coincide with the circuit, see where to see flamenco in Córdoba.
The programme is organised through the Andalusian Agency of Cultural Institutions and the Andalusian Flamenco Institute, in collaboration with the Provincial Federation of Flamenco Clubs of Córdoba.
The circuit aims to strengthen flamenco clubs as spaces for preserving, promoting and disseminating flamenco. The network enables professional artists to perform not only in provincial capitals and major theatres, but also in towns where these associations play a particularly important cultural role.
The main reference is the Andalusian Cultural Agenda, which publishes a provincial listing and individual pages for many performances. The programme is expressly stated to be subject to change.
It is also advisable to check the channels of the Provincial Federation of Flamenco Clubs of Córdoba and, whenever possible, those of the host club. For this guide we have used the dates and performances detailed in the provincial listing and in the available individual event pages.
It takes place from 6 to 28 November 2026, with performances across Córdoba city and numerous towns throughout the province.
The official programme announces 30 performances: 26 flamenco singing recitals, one dance performance and three guitar recitals.
Yes. Admission is listed as free until capacity is reached. Some flamenco clubs may organise invitations or an advance system for managing places, so it is advisable to confirm each event.
There are recitals at El Rincón Flamenco on 7 November, Peña Flamenca de Córdoba on the 14th, the 4th Gala of the Provincial Federation on the 21st and a performance at Peña Fosforito on 27 November.
The only performance classified as dance is by Lorena Doblas, on 20 November at 21:00 at Peña Flamenca Agustín Fernández in Pozoblanco.
There are three: Alberto Lucena on 7 November in Fuente Palmera, Antonio Contíñez on 20 November in Palma del Río and Chaparro de Málaga on 27 November in Albendín.
It is dedicated to Antonio González del Moral, in recognition of his career and his contribution to flamenco through photography and specialised media.
It is an event on 21 November at the Faculty of Labour Sciences of the University of Córdoba. It honours the Peña Luis de Córdoba from Posadas and the Peña Niño del Museo from Adamuz, and includes performances by Rocío Segura and Rafael Mesa «El Guerra».
Yes. The organisers state that the schedule is subject to change. We recommend checking the artist, time, venue and admission conditions shortly before travelling.
In many cities, flamenco tablaos sell out easily, especially on weekends and during peak season. That’s why, if your dates are set, the most important thing is to book online.
Direct recommendation: book online through our website to guarantee your seat and arrive with everything confirmed. If you already have your destination, go straight to your city to see available options and clear recommendations.
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