{"id":16500,"date":"2026-09-17T00:34:02","date_gmt":"2026-09-16T22:34:02","guid":{"rendered":"https:\/\/www.tablaosflamencos.com\/?p=16500"},"modified":"2026-09-18T01:26:33","modified_gmt":"2026-09-17T23:26:33","slug":"final-days-seville-flamenco-biennial-september-28-october-3-2026","status":"publish","type":"post","link":"https:\/\/www.tablaosflamencos.com\/en\/final-days-seville-flamenco-biennial-september-28-october-3-2026.html","title":{"rendered":"Final days of the 2026 Biennial: what to see from September 28 to October 3"},"content":{"rendered":"<section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Final days of the 2026 Biennial: what to see from September 28 to October 3<\/h2>\n<p>The <strong>24th Seville Flamenco Biennial enters its final stretch<\/strong>. From Monday, September 28 to Saturday, October 3, 2026, six days and <strong>11 official performances<\/strong> remain to close an edition that began on September 9 and, for almost a month, has brought singing, dance, guitar, premieres and Noches \u00danicas to some of the city\u2019s main stages.<\/p>\n<p>The final stretch does not lower the bar. It begins with <strong>Farruquito<\/strong> at Teatro de la Maestranza, continues with David Coria, Sara Jim\u00e9nez, Mayte Mart\u00edn, Capullo de Jerez, Jos\u00e9 de los Camarones, Marina Heredia with the Royal Seville Symphony Orchestra, Los Parrilla, Alfonso Losa, Sandra Carrasco and David de Arahal, and culminates on Saturday, October 3 with <strong>Carmen Linares<\/strong> and a celebration of the 30th anniversary of <em>Antolog\u00eda de la Mujer en el Cante<\/em>.<\/p>\n<p>Unlike other weeks of the Biennial, the schedule is somewhat easier here: on most days there is one performance at 8:00 pm and another at 10:30 pm. That makes double evenings possible in theory, although they should not be taken for granted without knowing the duration of each show. This guide organizes the full program from September 28 to October 3 and helps you decide <strong>what to see depending on whether you are looking for major names, singing, dance, flamenco memory or contemporary creation<\/strong>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p style=\"text-align: center; font-size: 52px; line-height: 1; margin-bottom: 10px;\"><strong>SEP 28<br \/>\nOCT 3<\/strong><\/p>\n<h3 style=\"text-align: center;\">final days of the 2026 Biennial<\/h3>\n<p style=\"text-align: center;\"><strong>6 days \u00b7 11 official performances<\/strong><\/p>\n<p style=\"text-align: center;\">Maestranza \u00b7 Lope de Vega \u00b7 Central \u00b7 Alameda<\/p>\n<p style=\"text-align: center;\">Dance \u00b7 singing \u00b7 memory \u00b7 premieres \u00b7 Noches \u00danicas<\/p>\n<p style=\"text-align: center;\">Closing night: Carmen Linares \u00b7 October 3<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><blockquote>\n<p><strong>Quick answer:<\/strong> on <strong>Monday 28<\/strong> the week begins with Farruquito at the Maestranza and ends with a tribute to Manuel Vallejo at the Alameda; on <strong>Tuesday 29<\/strong> David Coria\u2019s large-scale choreographic language contrasts with Sara Jim\u00e9nez\u2019s premiere; on <strong>Wednesday 30<\/strong> one of the strongest days for flamenco singing brings Mayte Mart\u00edn together with the meeting of Capullo de Jerez and Jos\u00e9 de los Camarones; on <strong>Thursday 1<\/strong> Marina Heredia\u2019s symphonic project meets the family memory of Los Parrilla; on <strong>Friday 2<\/strong> dance returns to the foreground with Alfonso Losa before the premiere by Sandra Carrasco and David de Arahal; and on <strong>Saturday 3<\/strong> the Biennial says goodbye with Carmen Linares, Marina Heredia, Mar\u00eda Terremoto, Rafaela Carrasco and Roc\u00edo Luna.<\/p>\n<\/blockquote>\n<p><strong>Last updated: September 16, 2026.<\/strong> Dates, times and formats checked against the official program of the 24th Biennial. Ticket availability may change as the performances approach: always check the official sales channel before planning your evening.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-hwrapper valign_top wrap stack_on_mobiles align_center\" style=\"--hwrapper-gap:1.2rem\"><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026.html\"><span class=\"w-btn-label\">Complete 2026 Biennial guide<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026-tickets-prices-discounts.html\"><span class=\"w-btn-label\">Tickets, prices and discounts<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" target=\"_blank\" href=\"https:\/\/www.labienal.com\/programa-general\"><span class=\"w-btn-label\">Official program<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-3 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Contents of this guide<\/h2>\n<ul>\n<li><a href=\"#programa-ultimos-dias\">Full program from September 28 to October 3<\/a><\/li>\n<li><a href=\"#lunes-28\">Monday 28: Farruquito and Por Vallejo<\/a><\/li>\n<li><a href=\"#martes-29\">Tuesday 29: David Coria and Sara Jim\u00e9nez<\/a><\/li>\n<li><a href=\"#miercoles-30\">Wednesday 30: Mayte Mart\u00edn, Capullo de Jerez and Jos\u00e9 de los Camarones<\/a><\/li>\n<li><a href=\"#jueves-1\">Thursday 1: Marina Heredia with the ROSS and Los Parrilla<\/a><\/li>\n<li><a href=\"#viernes-2\">Friday 2: Alfonso Losa and Poema de la libertad<\/a><\/li>\n<li><a href=\"#sabado-3\">Saturday 3: Carmen Linares closes the Biennial<\/a><\/li>\n<li><a href=\"#que-elegir-final\">What to choose according to your tastes<\/a><\/li>\n<li><a href=\"#combinar-final\">Can two performances be combined?<\/a><\/li>\n<li><a href=\"#despues-bienal\">What to do when the Biennial ends<\/a><\/li>\n<li><a href=\"#faq-final-bienal\">Frequently asked questions<\/a><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-3 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>A final stretch with fewer performances, but plenty of important decisions<\/h2>\n<p>After especially packed weeks, the Biennial enters six days that are easier to read. There are no longer three or four stages competing at the same time: from September 28 to October 2 the dominant pattern is a main performance at <strong>8:00 pm<\/strong> and another at <strong>10:30 pm<\/strong>, while Saturday 3 is reserved for the grand closing night at the Maestranza.<\/p>\n<p>That does not mean it is possible to see everything. An 8:00 pm performance may end too late to reach a 10:30 pm one comfortably. That is why this guide distinguishes between <strong>combinations that work on paper<\/strong> and nights when it is better to choose a single event and enjoy it without watching the clock.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Flamenco singing gains weight in the final days<\/h2>\n<p>Although there are two major dance premieres \u2014Farruquito and Alfonso Losa\u2014 and choreographic proposals by David Coria and Sara Jim\u00e9nez, the final stretch has a strong component of <strong>flamenco singing memory<\/strong>.<\/p>\n<p><em>Por Vallejo<\/em> reclaims the legacy of Manuel Vallejo; Mayte Mart\u00edn returns to older repertoires with <em>Arqueolog\u00eda de lo puro<\/em>; Capullo de Jerez and Jos\u00e9 de los Camarones present a Noche \u00danica shaped by two very different personalities; Sandra Carrasco and David de Arahal take Pepe Marchena as their starting point; and Carmen Linares closes the Biennial by recovering the spirit of her historic <em>Antolog\u00eda de la Mujer en el Cante<\/em>.<\/p>\n<p>To explore this theme further, you can also read our guide to <a href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-singing-seville-biennial-2026.html\"><strong>flamenco singing at the 2026 Biennial<\/strong><\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"programa-ultimos-dias\">Full Biennial program from September 28 to October 3, 2026<\/h2>\n<div style=\"overflow-x: auto;\">\n<table>\n<thead>\n<tr>\n<th>Date<\/th>\n<th>Time<\/th>\n<th>Venue<\/th>\n<th>Artist \/ show<\/th>\n<th>Format<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>Mon. 28<\/strong><\/td>\n<td>8:00 pm<\/td>\n<td>Teatro de la Maestranza<\/td>\n<td>Farruquito \u2014 <em>Ser\u00e1s Farruquito: el musical<\/em><\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>Mon. 28<\/strong><\/td>\n<td>10:30 pm<\/td>\n<td>Teatro Alameda<\/td>\n<td>Manuel Cuevas &amp; Miguel de Tena \u2014 <em>Por Vallejo<\/em><\/td>\n<td>Noche \u00danica<\/td>\n<\/tr>\n<tr>\n<td><strong>Tue. 29<\/strong><\/td>\n<td>8:00 pm<\/td>\n<td>Teatro Lope de Vega<\/td>\n<td>David Coria Company \u2014 <em>Babel. Torre viva.<\/em><\/td>\n<td>National premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>Tue. 29<\/strong><\/td>\n<td>10:30 pm<\/td>\n<td>Teatro Central<\/td>\n<td>Sara Jim\u00e9nez en Compa\u00f1\u00eda \u2014 <em>La compa\u00f1\u00eda<\/em><\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>Wed. 30<\/strong><\/td>\n<td>8:00 pm<\/td>\n<td>Teatro Lope de Vega<\/td>\n<td>Mayte Mart\u00edn \u2014 <em>Arqueolog\u00eda de lo puro<\/em><\/td>\n<td>Noche \u00danica<\/td>\n<\/tr>\n<tr>\n<td><strong>Wed. 30<\/strong><\/td>\n<td>10:30 pm<\/td>\n<td>Teatro Alameda<\/td>\n<td>Capullo de Jerez &amp; Jos\u00e9 de los Camarones \u2014 <em>Los flamencos no van a la barber\u00eda<\/em><\/td>\n<td>Noche \u00danica<\/td>\n<\/tr>\n<tr>\n<td><strong>Thu. 1<\/strong><\/td>\n<td>8:00 pm<\/td>\n<td>Teatro de la Maestranza<\/td>\n<td>Marina Heredia &amp; ROSS \u2014 <em>\u00a1En libertad! El camino de los gitanos<\/em><\/td>\n<td>Singing and orchestra<\/td>\n<\/tr>\n<tr>\n<td><strong>Thu. 1<\/strong><\/td>\n<td>10:30 pm<\/td>\n<td>Teatro Alameda<\/td>\n<td>Los Parrilla with Diego Carrasco and Carrete de M\u00e1laga \u2014 <em>Herencia<\/em><\/td>\n<td>Noche \u00danica<\/td>\n<\/tr>\n<tr>\n<td><strong>Fri. 2<\/strong><\/td>\n<td>8:00 pm<\/td>\n<td>Teatro Lope de Vega<\/td>\n<td>Alfonso Losa \u2014 <em>Gesto m\u00ednimo<\/em><\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>Fri. 2<\/strong><\/td>\n<td>10:30 pm<\/td>\n<td>Teatro Central<\/td>\n<td>Sandra Carrasco &amp; David de Arahal \u2014 <em>Poema de la libertad<\/em><\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>Sat. 3<\/strong><\/td>\n<td>8:00 pm<\/td>\n<td>Teatro de la Maestranza<\/td>\n<td>Carmen Linares with Marina Heredia, Mar\u00eda Terremoto, Rafaela Carrasco and Roc\u00edo Luna \u2014 <em>Perlas a millares<\/em><\/td>\n<td>Noche \u00danica \u00b7 closing night<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<p><strong>Important:<\/strong> the official program may update practical information or availability. If you plan to buy tickets for two performances on the same night, confirm the duration of the first and the actual travel time between venues.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"lunes-28\">Monday 28: Farruquito premieres Ser\u00e1s Farruquito: el musical<\/h2>\n<p>The final week begins on a grand scale. At <strong>8:00 pm at Teatro de la Maestranza<\/strong>, Farruquito presents the world premiere of <em>Ser\u00e1s Farruquito: el musical<\/em>.<\/p>\n<p>This is not a small recital. The cast brings together Farruquito and Juan el Moreno in dance, a six-member corps de ballet, guitar, several singers, drums, percussion and keyboards. Farruquito also signs the artistic and musical direction.<\/p>\n<p>For anyone who wants to reserve one of the Biennial\u2019s final nights for a <strong>large-scale flamenco dance production<\/strong>, it is one of the clearest choices in the closing stretch. It also connects with a central question in this edition: how the great flamenco schools and families transmit their own language and take it into larger stage formats.<\/p>\n<p>You can expand the context with our article on <a href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html\"><strong>dance at the 2026 Flamenco Biennial<\/strong><\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>10:30 pm: Manuel Cuevas and Miguel de Tena sing Por Vallejo<\/h2>\n<p>Teatro Alameda changes register completely at <strong>10:30 pm<\/strong>. Manuel Cuevas and Miguel de Tena present <em>Por Vallejo<\/em>, a Noche \u00danica dedicated to <strong>Manuel Vallejo<\/strong>, one of the major references of 20th-century Sevillian flamenco singing.<\/p>\n<p>The proposal also arrives in the centenary year of Vallejo receiving the second Golden Key of Flamenco Singing. Cuevas and De Tena approach his repertoire from two careers strongly linked to pe\u00f1as, festivals and competitions, accompanied respectively by Ni\u00f1o Seve and Patrocinio hijo on guitar.<\/p>\n<p>Monday therefore offers two very different ways into the final week: <strong>scale and dance<\/strong> with Farruquito or <strong>memory and classic flamenco singing<\/strong> with <em>Por Vallejo<\/em>. Combining both performances is attractive on paper, but we would not consider it safe without knowing the exact duration of the Maestranza premiere.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"martes-29\">Tuesday 29: David Coria and a Babel built through dance<\/h2>\n<p>At <strong>8:00 pm at Teatro Lope de Vega<\/strong>, David Coria\u2019s company presents the national premiere of <em>Babel. Torre viva.<\/em>. Coria signs the original idea and artistic direction, with dramaturgy by Alberto Conejero and extensive choreographic work built together with the cast.<\/p>\n<p>It is one of the most stage-driven proposals of this final stretch. The project brings together performers from different backgrounds and works with a company language, moving away from the individual recital format. For anyone following the evolution of flamenco dance toward contemporary creation models, it is an important event.<\/p>\n<p>The Lope de Vega once again becomes the place where tradition, dramaturgy and choreographic composition meet on a theatrical scale.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>10:30 pm: Sara Jim\u00e9nez turns the Central into a travelling company<\/h2>\n<p>At <strong>10:30 pm<\/strong>, Sara Jim\u00e9nez premieres <em>La compa\u00f1\u00eda<\/em> at Teatro Central. The work begins with the image of a travelling troupe and uses references to circus, caravans, theatre of the absurd and wandering characters to reflect on the artist\u2019s identity and public exposure.<\/p>\n<p>Musically, the project opens flamenco toward territories ranging from early music to Balkan sounds. Choreographically, it moves through forms such as romance, mariana, guajira and rumba through a logic of transformation and crossover.<\/p>\n<p>Tuesday is probably the night most clearly focused on <strong>contemporary creation<\/strong> in these final days. If that is your interest, both Coria and Jim\u00e9nez deserve attention. Again, attempting both performances depends on the duration of the first and the transfer from the Lope de Vega to Teatro Central.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"miercoles-30\">Wednesday 30: Mayte Mart\u00edn and the archaeology of repertoire<\/h2>\n<p>On Wednesday at <strong>8:00 pm<\/strong>, Mayte Mart\u00edn presents <em>Arqueolog\u00eda de lo puro<\/em> at Teatro Lope de Vega, accompanied by Jos\u00e9 G\u00e1lvez on guitar.<\/p>\n<p>The very concept of the show is based on preserving and returning older flamenco works to the stage, including some that are rarely performed. The official program does not set a fixed repertoire, reinforcing the living character of a proposal centered on singing and musical memory.<\/p>\n<p>For anyone who wants to finish the Biennial listening to flamenco through the <strong>essentiality of voice and guitar<\/strong>, this is one of the clearest nights. It does not need a large stage device to be singular: its strength lies precisely in concentration and knowledge of the repertoire.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>10:30 pm: Capullo de Jerez and Jos\u00e9 de los Camarones, without compromise<\/h2>\n<p>Teatro Alameda welcomes at <strong>10:30 pm<\/strong> Capullo de Jerez and Jos\u00e9 de los Camarones with <em>Los flamencos no van a la barber\u00eda<\/em>. The title already points to a declaration of freedom and a night shaped by two very distinctive personalities of Jerez flamenco singing.<\/p>\n<p>The structure brings together traditional styles, original repertoire and a dialogue that the organizers present as a space for improvisation, tension and complicity. Capullo arrives with guitar, percussion and palmas; Jos\u00e9 de los Camarones expands the instrumental color with guitar, keyboards, drums and bass.<\/p>\n<p>September 30 is possibly the most attractive day of this final stretch if your absolute priority is <strong>flamenco singing<\/strong>. Mayte Mart\u00edn and the Alameda encounter represent two almost opposite ways of approaching the same root.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"jueves-1\">Thursday 1: Marina Heredia and the ROSS take flamenco into symphonic form<\/h2>\n<p>On October 1, at <strong>8:00 pm at Teatro de la Maestranza<\/strong>, Marina Heredia presents with the Royal Seville Symphony Orchestra <em>\u00a1En libertad! El camino de los gitanos<\/em>.<\/p>\n<p>The project takes as its reference the six centuries since the documented arrival of the Roma people on the Iberian Peninsula and builds a work combining historical research, narrative and musical creation. This is not entirely unfamiliar territory for Marina Heredia: throughout her career she has frequently engaged with other music and formats that expand the usual framework of a flamenco recital.<\/p>\n<p>If you are looking for a show with <strong>large-scale sound<\/strong> in the Biennial\u2019s final days, this performance has a place of its own. It is not simply a recital with accompaniment, but a proposal conceived around the relationship between a singer and a symphony orchestra.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>10:30 pm: Herencia brings together Los Parrilla, Diego Carrasco and Carrete de M\u00e1laga<\/h2>\n<p>At <strong>10:30 pm<\/strong> Teatro Alameda hosts <em>Herencia<\/em>, with Juan Parrilla, Bernardo Parrilla, Diego Carrasco and Carrete de M\u00e1laga.<\/p>\n<p>The central idea is precisely transmission. Juan Parrilla and Bernardo Parrilla start from a family legacy linked to Jerez and cross it with decades of experience alongside major figures in flamenco and dance. The presence of Diego Carrasco and Carrete expands that idea of heritage into two very personal ways of understanding the stage.<\/p>\n<p>Flute, violin, singing, guitars, keyboards, percussion and dance turn this Noche \u00danica into a celebration of roots without treating them as a museum piece. For anyone who values <strong>unrepeatable gatherings of artists<\/strong>, it is one of the performances that best embodies the Biennial concept.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"viernes-2\">Friday 2: Alfonso Losa premieres Gesto m\u00ednimo<\/h2>\n<p>The penultimate day begins at <strong>8:00 pm at Teatro Lope de Vega<\/strong> with the world premiere of <em>Gesto m\u00ednimo<\/em>, Alfonso Losa\u2019s new creation.<\/p>\n<p>The work starts from the idea of the group and of a <strong>dancing community<\/strong>. Losa shares the stage with Karen Lugo, \u00c1gueda Saavedra and Yoel Vargas, accompanied by Francisco Vinuesa on guitar and the singing of Antonio N\u00fa\u00f1ez \u201cEl Pulga\u201d and Ismael de la Rosa \u201cEl Bola\u201d.<\/p>\n<p>It is an especially interesting proposal for anyone who wants to observe the relationship between a deeply established dance school and today\u2019s codes of dance. Losa has built much of his identity precisely in that tension: preserving a recognizable verticality and way of dancing while placing them within contemporary structures.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>10:30 pm: Sandra Carrasco and David de Arahal present Poema de la libertad<\/h2>\n<p>Teatro Central welcomes at <strong>10:30 pm<\/strong> the world premiere of <em>Poema de la libertad<\/em>, with Sandra Carrasco singing and David de Arahal on guitar.<\/p>\n<p>The creation takes as its starting point the figure of <strong>Pepe Marchena<\/strong>, a decisive artist for understanding an open and personal way of developing flamenco singing. The cast also includes Jos\u00e9 Maldonado in dance, Juan Parrilla on flute, Bernardo Parrilla on violin, percussion and a large group of palmas and backing voices.<\/p>\n<p>The result promises a look at Marchena not through literal reproduction, but through the freedom his figure represents. For a final Friday of the Biennial, it is a very coherent way of closing the circle between <strong>memory, reinterpretation and new creation<\/strong>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"sabado-3\">Saturday 3: Carmen Linares closes the 24th Biennial<\/h2>\n<p>The Biennial ends on <strong>Saturday, October 3 at 8:00 pm at Teatro de la Maestranza<\/strong> with Carmen Linares and <em>Perlas a millares<\/em>, a Noche \u00danica celebrating the 30th anniversary of <em>Antolog\u00eda de la Mujer en el Cante<\/em>.<\/p>\n<p>Carmen Linares is joined as guest artists by <strong>Marina Heredia, Mar\u00eda Terremoto, Roc\u00edo Luna and Rafaela Carrasco<\/strong>. The concept revives a fundamental work in reclaiming the memory of numerous female flamenco singers and creators.<\/p>\n<p>The announced program moves through fandangos, ronde\u00f1a, alegr\u00edas and cantinas, tientos, bamberas, Huelva fandangos, grana\u00edna, malague\u00f1a, taranta, buler\u00eda por sole\u00e1, tangos, seguiriyas, buler\u00edas and ton\u00e1s, linking styles with names such as La Ni\u00f1a de los Peines, La Serneta, La Trini, La Repompa and T\u00eda Marina Habichuela.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>A closing night conceived as memory and transmission<\/h2>\n<p>The choice of Carmen Linares to close the edition has a clear meaning within this final week as a whole. Many of the performances from September 28 to October 3 look toward artists, repertoires and genealogies that have built flamenco: Manuel Vallejo, Pepe Marchena, Los Parrilla or the women gathered in Carmen Linares\u2019s anthology.<\/p>\n<p>But the closing night is not limited to commemoration. The guest artists connect different generations and bring that memory into the present. That is why <em>Perlas a millares<\/em> works not only as a tribute, but as a form of <strong>transmission between artists<\/strong> that neatly sums up one of the Biennial\u2019s major themes.<\/p>\n<p>We have already dedicated a specific guide to this show: <a href=\"https:\/\/www.tablaosflamencos.com\/en\/carmen-linares-seville-flamenco-biennial-2026-perlas-a-millares.html\"><strong>Carmen Linares will close the 2026 Biennial: Perlas a millares<\/strong><\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"que-elegir-final\" style=\"text-align: center;\">What to choose according to your tastes<\/h2>\n<p style=\"text-align: center;\">Across six days there are fewer overlaps than in previous weeks, but it is still better to choose a line of interest than to try to see everything.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"g-cols wpb_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-3 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>Major names<\/h3>\n<p><strong>Sep. 28:<\/strong> Farruquito<\/p>\n<p><strong>Sep. 30:<\/strong> Mayte Mart\u00edn<\/p>\n<p><strong>Oct. 1:<\/strong> Marina Heredia<\/p>\n<p><strong>Oct. 3:<\/strong> Carmen Linares<\/p>\n<p>A very direct route for anyone who wants to close the Biennial with leading names and main stages.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-3 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>Singing and memory<\/h3>\n<p><strong>Sep. 28:<\/strong> <em>Por Vallejo<\/em><\/p>\n<p><strong>Sep. 30:<\/strong> Mayte Mart\u00edn or Capullo + Jos\u00e9 de los Camarones<\/p>\n<p><strong>Oct. 2:<\/strong> <em>Poema de la libertad<\/em><\/p>\n<p><strong>Oct. 3:<\/strong> Carmen Linares<\/p>\n<p>The most coherent selection for following repertoire, genealogies and different ways of reading tradition.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-3 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>Dance and creation<\/h3>\n<p><strong>Sep. 28:<\/strong> Farruquito<\/p>\n<p><strong>Sep. 29:<\/strong> David Coria or Sara Jim\u00e9nez<\/p>\n<p><strong>Oct. 2:<\/strong> Alfonso Losa<\/p>\n<p>A route that moves from large-scale flamenco to company creation and a contemporary reading of dance.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-3 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>Unrepeatable nights<\/h3>\n<p><strong>Sep. 28:<\/strong> <em>Por Vallejo<\/em><\/p>\n<p><strong>Sep. 30:<\/strong> <em>Los flamencos no van a la barber\u00eda<\/em><\/p>\n<p><strong>Oct. 1:<\/strong> <em>Herencia<\/em><\/p>\n<p><strong>Oct. 3:<\/strong> <em>Perlas a millares<\/em><\/p>\n<p>Ideal for anyone who prioritizes encounters and formats that are difficult to repeat with the same combination of artists.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"combinar-final\">Can you see two performances on the same night?<\/h2>\n<p>On the calendar, from September 28 to October 2 there are five nights with one performance at 8:00 pm and another at 10:30 pm. That may tempt you to book both, but caution is advisable.<\/p>\n<p>A large-scale performance can approach or exceed two hours. You also need to add applause, leaving the venue, travel and access to the next theater. Therefore, <strong>we do not recommend buying a second performance simply because there is a two-and-a-half-hour gap<\/strong>.<\/p>\n<p>The Lope de Vega and Alameda are in relatively nearby areas of the city center, but Teatro Central is on Isla de la Cartuja and requires more margin. The Maestranza also requires careful calculation of exit and travel time to the Alameda.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>The most tempting double evenings<\/h2>\n<ul>\n<li><strong>Farruquito 8:00 pm + Por Vallejo 10:30 pm:<\/strong> attractive, but dependent on the duration of the Maestranza premiere.<\/li>\n<li><strong>David Coria 8:00 pm + Sara Jim\u00e9nez 10:30 pm:<\/strong> possible only with enough time to travel to Teatro Central.<\/li>\n<li><strong>Mayte Mart\u00edn 8:00 pm + Capullo\/Jos\u00e9 10:30 pm:<\/strong> probably one of the most desirable combinations for flamenco singing fans, but it should not be taken for granted.<\/li>\n<li><strong>Marina Heredia 8:00 pm + Herencia 10:30 pm:<\/strong> two major formats with very different concepts; check the duration before buying.<\/li>\n<li><strong>Alfonso Losa 8:00 pm + Sandra Carrasco\/David de Arahal 10:30 pm:<\/strong> the transfer to the Central makes it advisable to leave extra time.<\/li>\n<\/ul>\n<p>The rule is simple: if the second performance is essential for you, first check the actual duration of the first or book different nights.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>If you can only attend three performances<\/h2>\n<p>A balanced selection could be <strong>Farruquito<\/strong> to see a major dance premiere, <strong>Mayte Mart\u00edn<\/strong> for a proposal centered on singing and repertoire, and <strong>Carmen Linares<\/strong> to experience the official closing of the Biennial.<\/p>\n<p>If you are looking for contemporary creation, we would replace one of those events with <strong>David Coria, Sara Jim\u00e9nez or Alfonso Losa<\/strong>. If your absolute priority is flamenco singing, we would build the route around <em>Por Vallejo<\/em>, Mayte Mart\u00edn, <em>Poema de la libertad<\/em> and Carmen Linares\u2019s closing night.<\/p>\n<p>There is no single correct way to finish the Biennial: these final days are designed precisely for very different audiences.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>If this is your first Biennial<\/h2>\n<p>For a first experience, I would try to combine three scales: <strong>a major theater<\/strong>, <strong>a Noche \u00danica<\/strong> and <strong>a show that engages with the history of flamenco<\/strong>.<\/p>\n<p>For example, Farruquito at the Maestranza, <em>Herencia<\/em> at the Alameda and Carmen Linares on the final day offer three different experiences without turning your schedule into a race.<\/p>\n<p>And if a performance is sold out, that does not mean you have to go without flamenco that night. Seville maintains a stable program of tablaos and shows outside the Biennial. You can consult our guide to <a href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-seville-biennial-2026-shows-beyond-official-programme.html\"><strong>flamenco in Seville during the Biennial outside the official program<\/strong><\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"despues-bienal\">And after October 3?<\/h2>\n<p>The Biennial ends, but flamenco in Seville does not. The city\u2019s tablaos continue to offer daily performances throughout the year and are also an especially useful option for visitors arriving just after the festival or unable to get tickets for one of the final performances.<\/p>\n<p>If you are staying in Seville after Saturday, October 3, we have prepared a specific guide with alternatives for <a href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-after-biennial-where-to-see-seville.html\"><strong>continuing to see flamenco after the Biennial<\/strong><\/a>.<\/p>\n<p>You can also go directly to our page on <a href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-in-seville\"><strong>flamenco in Seville<\/strong><\/a>, compare shows and arrange a booking for the date you need.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-hwrapper valign_top wrap stack_on_mobiles align_center\" style=\"--hwrapper-gap:1.2rem\"><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-in-seville\"><span class=\"w-btn-label\">See flamenco in Seville<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-after-biennial-where-to-see-seville.html\"><span class=\"w-btn-label\">Flamenco after the Biennial<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" target=\"_blank\" href=\"https:\/\/www.labienal.com\/programa-general\"><span class=\"w-btn-label\">Official program<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-3\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"faq-final-bienal\" style=\"text-align: center;\">Frequently asked questions about the final days of the 2026 Biennial<\/h2>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-tabs accordion toggle_style_1 has_scrolling\" style=\"--sections-title-size:inherit;--sections-gap:0.5rem;\"><div class=\"w-tabs-sections titles-align_none icon_chevron cpos_right\"><div class=\"w-tabs-section\" id=\"w766\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-w766\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">When does the Seville Flamenco Biennial 2026 end?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-w766\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The 24th Seville Flamenco Biennial ends on <strong>Saturday, October 3, 2026<\/strong>. The closing performance begins at 8:00 pm at Teatro de la Maestranza.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"t86a\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-t86a\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">How many performances remain from September 28 to October 3?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-t86a\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The official program includes <strong>11 performances<\/strong> between Monday, September 28 and Saturday, October 3, 2026.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"n95b\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-n95b\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">When does Farruquito perform at the 2026 Biennial?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-n95b\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Farruquito presents <em>Ser\u00e1s Farruquito: el musical<\/em> on <strong>Monday, September 28 at 8:00 pm<\/strong> at Teatro de la Maestranza. It is a world premiere.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"ga4d\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-ga4d\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">When does Mayte Mart\u00edn perform?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-ga4d\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Mayte Mart\u00edn presents <em>Arqueolog\u00eda de lo puro<\/em> on <strong>Wednesday, September 30 at 8:00 pm<\/strong> at Teatro Lope de Vega, accompanied by Jos\u00e9 G\u00e1lvez on guitar.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"wc76\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-wc76\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">What is on at the Biennial on October 1?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-wc76\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>On Thursday, October 1, Marina Heredia is scheduled with the Royal Seville Symphony Orchestra in <em>\u00a1En libertad! El camino de los gitanos<\/em> at 8:00 pm at the Maestranza, and <em>Herencia<\/em> by Los Parrilla with Diego Carrasco and Carrete de M\u00e1laga at 10:30 pm at Teatro Alameda.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"cf41\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-cf41\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">When does Alfonso Losa perform?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-cf41\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Alfonso Losa premieres <em>Gesto m\u00ednimo<\/em> on <strong>Friday, October 2 at 8:00 pm<\/strong> at Teatro Lope de Vega.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"o0da\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-o0da\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Who closes the 2026 Flamenco Biennial?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-o0da\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The closing performance is led by <strong>Carmen Linares<\/strong> with Marina Heredia, Mar\u00eda Terremoto, Rafaela Carrasco and Roc\u00edo Luna in <em>Perlas a millares<\/em>, on Saturday, October 3 at 8:00 pm at Teatro de la Maestranza.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"a216\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-a216\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Can I see two shows on the same day?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-a216\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>On several days there is one performance at 8:00 pm and another at 10:30 pm, but the combination is not guaranteed. Check the actual duration, exit time and travel before buying both tickets.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"i32c\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-i32c\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Where can I buy Biennial tickets?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-i32c\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The safest option is to go to the <a href=\"https:\/\/www.labienal.com\/programa-general\" target=\"_blank\" rel=\"noopener\"><strong>official Biennial program<\/strong><\/a>, open the page for each show and use the corresponding official sales channel from there.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"q43e\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-q43e\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Where can I see flamenco in Seville after the Biennial ends?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-q43e\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Seville\u2019s tablaos continue to offer performances throughout the year. You can consult our guide to <a href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-after-biennial-where-to-see-seville.html\"><strong>flamenco after the Biennial<\/strong><\/a> or compare options for <a href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-in-seville\"><strong>flamenco in Seville<\/strong><\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"<p>Guide to choosing what to see during the final days of the Seville Flamenco Biennial 2026, from September 28 to October 3: 11 performances, times, premieres, Noches \u00danicas and recommendations.<\/p>\n","protected":false},"author":1,"featured_media":16480,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"wpai_generated_summary":"","_ayudawp_aiss_exclude":false,"_ayudawp_aiss_exclude_summary":false,"_ayudawp_aiss_summary":"","_ayudawp_aiss_summary_provider":"","_ayudawp_aiss_summary_hash":"","footnotes":""},"categories":[1427],"tags":[1234,1233,1232,1235,708,1236],"class_list":["post-16500","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-flamenco-biennial","tag-flamenco-biennial","tag-flamenco-biennial-2026-guides","tag-flamenco-events-calendar-en","tag-flamenco-festivals-guides","tag-flamenco-in-seville","tag-seville-guides"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.5 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Seville Flamenco Biennial Sept 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