{"id":16304,"date":"2026-09-13T01:49:54","date_gmt":"2026-09-12T23:49:54","guid":{"rendered":"https:\/\/www.tablaosflamencos.com\/?p=16304"},"modified":"2026-09-13T02:17:42","modified_gmt":"2026-09-13T00:17:42","slug":"what-to-see-seville-flamenco-biennial-21-27-september-2026","status":"publish","type":"post","link":"https:\/\/www.tablaosflamencos.com\/en\/what-to-see-seville-flamenco-biennial-21-27-september-2026.html","title":{"rendered":"What to see at the Biennial from 21 to 27 September 2026"},"content":{"rendered":"<section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>What to see at the Biennial from 21 to 27 September 2026<\/h2>\n<p>The <strong>third full week of the Seville Flamenco Biennial 2026<\/strong>, from Monday 21 to Sunday 27 September, is one of the busiest and most varied of the entire edition. Over seven days there are <strong>21 official performances<\/strong> spread across Teatro Lope de Vega, Teatro de la Maestranza, Teatro Central, Teatro Alameda, Espacio Turina, the Royal Artillery Factory and San Luis de los Franceses.<\/p>\n<p>This week has three major themes. The first is <strong>dance<\/strong>, with Manuel Li\u00f1\u00e1n, Olga Pericet, Juan Tom\u00e1s de la Mol\u00eda and \u00c1gueda Saavedra, Andr\u00e9s Mar\u00edn, Israel Galv\u00e1n, Pastora Galv\u00e1n and Est\u00e9vez\/Pa\u00f1os. The second is <strong>guitar<\/strong>, with Rafael Riqueni, Diego del Morao and Dani de Mor\u00f3n. The third is a succession of one-off proposals, including <em>A canela y clavo<\/em>, the meeting of Aurora Vargas and Juana Amaya, and <em>Fue tu querer<\/em>.<\/p>\n<p>The difficulty is not finding something interesting, but <strong>choosing between overlapping performances<\/strong>. This guide organises the programme from 21 to 27 September and suggests what to choose depending on whether you are looking for major artists, contemporary creation, singing, guitar or distinctive Biennial experiences.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p style=\"text-align: center; font-size: 52px; line-height: 1; margin-bottom: 10px;\"><strong>21\u201327<\/strong><\/p>\n<h3 style=\"text-align: center;\">September 2026<\/h3>\n<p style=\"text-align: center;\"><strong>Monday to Sunday<\/strong><\/p>\n<p style=\"text-align: center;\">21 official performances<\/p>\n<p style=\"text-align: center;\">Dance \u00b7 singing \u00b7 guitar \u00b7 premieres \u00b7 Unique Nights \u00b7 matin\u00e9es<\/p>\n<p style=\"text-align: center;\">Lope de Vega \u00b7 Maestranza \u00b7 Central \u00b7 Alameda \u00b7 Turina \u00b7 Artillery \u00b7 San Luis<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><blockquote>\n<p><strong>Quick answer:<\/strong> if you only want the week\u2019s key decisions, <strong>Monday 21<\/strong> pits the meeting of Rafael Riqueni and Tim Ries against Olga Pericet\u2019s premiere; <strong>Tuesday 22<\/strong> brings together Manuel Li\u00f1\u00e1n, Pablo Mart\u00edn Caminero and Joselito Acedo; <strong>Wednesday 23<\/strong> forces a choice between the second part of Caminero\u2019s trilogy and <em>Te atrevo<\/em>; <strong>Thursday 24<\/strong> features <em>A canela y clavo<\/em>, Caminero with David Carpio and Ezequiel Ben\u00edtez; <strong>Friday 25<\/strong> adds Diego del Morao, Aurora Vargas with Juana Amaya and Andr\u00e9s Mar\u00edn; <strong>Saturday 26<\/strong> lets you start with a matin\u00e9e and ends with Israel and Pastora Galv\u00e1n; and <strong>Sunday 27<\/strong> crosses Dani de Mor\u00f3n\u2019s guitar, the sevillanas of <em>Fue tu querer<\/em> and the creation by Est\u00e9vez\/Pa\u00f1os.<\/p>\n<\/blockquote>\n<p><strong>Last updated: 12 September 2026.<\/strong> Times and programme checked against the official XXIV Biennial schedule. Ticket availability may change: always check the official performance page before finalising your plans.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-hwrapper valign_top wrap stack_on_mobiles align_center\" style=\"--hwrapper-gap:1.2rem\"><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026.html\"><span class=\"w-btn-label\">Complete Biennial 2026 guide<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026-tickets-prices-discounts.html\"><span class=\"w-btn-label\">Tickets, prices and discounts<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" target=\"_blank\" href=\"https:\/\/www.labienal.com\/programa-general\"><span class=\"w-btn-label\">Official programme<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-3 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Contents of this guide<\/h2>\n<ul>\n<li><a href=\"#semana-21-27\">Why this week is special<\/a><\/li>\n<li><a href=\"#programa-21-27\">Full programme from 21 to 27 September<\/a><\/li>\n<li><a href=\"#lunes-21\">Monday 21: Riqueni and Tim Ries or Olga Pericet<\/a><\/li>\n<li><a href=\"#martes-22\">Tuesday 22: Manuel Li\u00f1\u00e1n and the start of Caminero\u2019s trilogy<\/a><\/li>\n<li><a href=\"#miercoles-23\">Wednesday 23: Mar\u00eda Moreno or Te atrevo<\/a><\/li>\n<li><a href=\"#jueves-24\">Thursday 24: A canela y clavo and a night of singing<\/a><\/li>\n<li><a href=\"#viernes-25\">Friday 25: Diego del Morao, Aurora Vargas, Juana Amaya and Andr\u00e9s Mar\u00edn<\/a><\/li>\n<li><a href=\"#sabado-26\">Saturday 26: Israel and Pastora Galv\u00e1n<\/a><\/li>\n<li><a href=\"#domingo-27\">Sunday 27: guitar, sevillanas and creation<\/a><\/li>\n<li><a href=\"#itinerarios-21-27\">Recommended itineraries<\/a><\/li>\n<li><a href=\"#perfiles-21-27\">What to choose according to your tastes<\/a><\/li>\n<li><a href=\"#logistica-21-27\">How to combine performances<\/a><\/li>\n<li><a href=\"#faq-21-27\">Frequently asked questions<\/a><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-3 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"semana-21-27\">The week when dance takes centre stage at the Biennial<\/h2>\n<p>From 21 to 27 September, the programme shows especially clearly the breadth of flamenco dance today. In just seven days, such different names and artistic languages as <strong>Olga Pericet, Manuel Li\u00f1\u00e1n, Juan Tom\u00e1s de la Mol\u00eda, \u00c1gueda Saavedra, Andr\u00e9s Mar\u00edn, Israel Galv\u00e1n, Pastora Galv\u00e1n and Est\u00e9vez\/Pa\u00f1os<\/strong> come together.<\/p>\n<p>There is no single aesthetic line. Teatro Central again concentrates the most exploratory proposals, while the Maestranza welcomes Manuel Li\u00f1\u00e1n and Israel Galv\u00e1n on two very different scales. Teatro Alameda, meanwhile, hosts Pastora Galv\u00e1n\u2019s proposal and other events that offer more intimate formats.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"w-image us_custom_89826a5b has_aspect_ratio align_center\"><div class=\"w-image-h\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"572\" src=\"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/bienal-flamenco-sevilla-semana-21-27-septiembre-2026-1024x572.webp\" class=\"attachment-large size-large\" alt=\"Bienal de Flamenco de Sevilla 2026 durante la semana del 21 al 27 de septiembre\" loading=\"eager\" srcset=\"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/bienal-flamenco-sevilla-semana-21-27-septiembre-2026-1024x572.webp 1024w, https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/bienal-flamenco-sevilla-semana-21-27-septiembre-2026-300x168.webp 300w, https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/bienal-flamenco-sevilla-semana-21-27-septiembre-2026-1536x858.webp 1536w, https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/bienal-flamenco-sevilla-semana-21-27-septiembre-2026-600x335.webp 600w, https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/bienal-flamenco-sevilla-semana-21-27-septiembre-2026-150x84.webp 150w, https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/bienal-flamenco-sevilla-semana-21-27-septiembre-2026.webp 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Three nights following one idea: Pablo Mart\u00edn Caminero\u2019s trilogy<\/h2>\n<p>The Royal Artillery Factory becomes another focal point of the week thanks to Pablo Mart\u00edn Caminero\u2019s <strong>Trilogy<\/strong>. The double bassist proposes three consecutive performances devoted to the three pillars of staged flamenco: <strong>guitar playing, dance and singing<\/strong>.<\/p>\n<p>On Tuesday 22 he presents <em>Al toque<\/em>; on Wednesday 23, <em>Al baile<\/em> with Mar\u00eda Moreno; and on Thursday 24, <em>Al cante<\/em> with David Carpio. Following all three makes it possible to understand the proposal as a single journey, although every night competes with other especially attractive shows.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>A week to choose for uniqueness, not only fame<\/h2>\n<p>At a Biennial it is tempting to build your schedule around the best-known names. This week, however, it is worth looking at the exceptional character of each performance as well. <em>Tunisia<\/em> brings Rafael Riqueni together with saxophonist Tim Ries; <em>A canela y clavo<\/em> gathers several heavyweight voices; Aurora Vargas and Juana Amaya share a Unique Night; and <em>Fue tu querer<\/em> brings sevillanas back to the programme with performers closely connected to flamenco.<\/p>\n<p>For a broader view of the edition, see our <a href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026.html\"><strong>complete guide to the Flamenco Biennial 2026<\/strong><\/a> and, if dance is your priority, our selection of <a href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html\"><strong>dance at the Biennial 2026<\/strong><\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"programa-21-27\">Full Biennial programme from 21 to 27 September 2026<\/h2>\n<div style=\"overflow-x: auto;\">\n<table>\n<thead>\n<tr>\n<th>Date<\/th>\n<th>Time<\/th>\n<th>Venue<\/th>\n<th>Artist \/ performance<\/th>\n<th>Format<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>Mon. 21<\/strong><\/td>\n<td>20:00<\/td>\n<td>Teatro Lope de Vega<\/td>\n<td>Rafael Riqueni &amp; Tim Ries \u2014 <em>Tunisia<\/em><\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>Mon. 21<\/strong><\/td>\n<td>22:30<\/td>\n<td>Teatro Central<\/td>\n<td>Olga Pericet \u2014 <em>Perspectiva sobre un baile sonoro<\/em><\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>Tue. 22<\/strong><\/td>\n<td>20:00<\/td>\n<td>Teatro de la Maestranza<\/td>\n<td>Manuel Li\u00f1\u00e1n \u2014 <em>Bailaor@. Recital de baile + artistas invitados<\/em><\/td>\n<td>Unique Night<\/td>\n<\/tr>\n<tr>\n<td><strong>Tue. 22<\/strong><\/td>\n<td>21:00<\/td>\n<td>Real F\u00e1brica de Artiller\u00eda<\/td>\n<td>Pablo Mart\u00edn Caminero \u2014 <em>Trilog\u00eda. Al toque<\/em><\/td>\n<td>Guitar<\/td>\n<\/tr>\n<tr>\n<td><strong>Tue. 22<\/strong><\/td>\n<td>22:30<\/td>\n<td>Teatro Alameda<\/td>\n<td>Joselito Acedo \u2014 <em>Patio<\/em><\/td>\n<td>Unique Night<\/td>\n<\/tr>\n<tr>\n<td><strong>Wed. 23<\/strong><\/td>\n<td>21:00<\/td>\n<td>Real F\u00e1brica de Artiller\u00eda<\/td>\n<td>Pablo Mart\u00edn Caminero + Mar\u00eda Moreno \u2014 <em>Trilog\u00eda. Al baile<\/em><\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>Wed. 23<\/strong><\/td>\n<td>22:30<\/td>\n<td>Teatro Central<\/td>\n<td>Juan Tom\u00e1s de la Mol\u00eda &amp; \u00c1gueda Saavedra \u2014 <em>Te atrevo<\/em><\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>Thu. 24<\/strong><\/td>\n<td>20:00<\/td>\n<td>Teatro de la Maestranza<\/td>\n<td>Esperanza Fern\u00e1ndez, Duquende, Jos\u00e9 Valencia, Pepe Torres and Nazaret Reyes \u2014 <em>A canela y clavo<\/em><\/td>\n<td>Unique Night<\/td>\n<\/tr>\n<tr>\n<td><strong>Thu. 24<\/strong><\/td>\n<td>21:00<\/td>\n<td>Real F\u00e1brica de Artiller\u00eda<\/td>\n<td>Pablo Mart\u00edn Caminero + David Carpio \u2014 <em>Trilog\u00eda. Al cante<\/em><\/td>\n<td>Trilogy<\/td>\n<\/tr>\n<tr>\n<td><strong>Thu. 24<\/strong><\/td>\n<td>22:30<\/td>\n<td>Teatro Alameda<\/td>\n<td>Ezequiel Ben\u00edtez \u2014 <em>Lo que nadie ve<\/em><\/td>\n<td>Singing<\/td>\n<\/tr>\n<tr>\n<td><strong>Fri. 25<\/strong><\/td>\n<td>19:00<\/td>\n<td>Espacio Turina<\/td>\n<td>Diego del Morao \u2014 <em>M\u00e1s Morao<\/em><\/td>\n<td>Unique Night<\/td>\n<\/tr>\n<tr>\n<td><strong>Fri. 25<\/strong><\/td>\n<td>20:00<\/td>\n<td>Teatro Lope de Vega<\/td>\n<td>Aurora Vargas &amp; Juana Amaya \u2014 <em>Hazme con los ojos se\u00f1as<\/em><\/td>\n<td>Unique Night<\/td>\n<\/tr>\n<tr>\n<td><strong>Fri. 25<\/strong><\/td>\n<td>22:30<\/td>\n<td>Teatro Central<\/td>\n<td>Andr\u00e9s Mar\u00edn \u2014 <em>Desierto<\/em><\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>Sat. 26<\/strong><\/td>\n<td>12:00<\/td>\n<td>San Luis de los Franceses<\/td>\n<td>Encarna Anillo + Miguel Rinc\u00f3n \u2014 <em>Camino de flores<\/em><\/td>\n<td>Unique Matin\u00e9e<\/td>\n<\/tr>\n<tr>\n<td><strong>Sat. 26<\/strong><\/td>\n<td>19:00<\/td>\n<td>Espacio Turina<\/td>\n<td>Juan Medina \u2014 <em>Fugaz<\/em><\/td>\n<td>Guitar<\/td>\n<\/tr>\n<tr>\n<td><strong>Sat. 26<\/strong><\/td>\n<td>20:00<\/td>\n<td>Teatro de la Maestranza<\/td>\n<td>Israel Galv\u00e1n \u2014 <em>Bolero de blanco y negro<\/em><\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>Sat. 26<\/strong><\/td>\n<td>22:30<\/td>\n<td>Teatro Alameda<\/td>\n<td>Pastora Galv\u00e1n \u2014 <em>TRIBUsssh!<\/em><\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>Sun. 27<\/strong><\/td>\n<td>12:00<\/td>\n<td>San Luis de los Franceses<\/td>\n<td>Encarna Anillo + Miguel Rinc\u00f3n \u2014 <em>Camino de flores<\/em><\/td>\n<td>Unique Matin\u00e9e<\/td>\n<\/tr>\n<tr>\n<td><strong>Sun. 27<\/strong><\/td>\n<td>19:00<\/td>\n<td>Espacio Turina<\/td>\n<td>Dani de Mor\u00f3n \u2014 <em>Cuadro<\/em><\/td>\n<td>Unique Night<\/td>\n<\/tr>\n<tr>\n<td><strong>Sun. 27<\/strong><\/td>\n<td>20:00<\/td>\n<td>Teatro Lope de Vega<\/td>\n<td>Macarena de la Torre, Juan de Mairena, Lidia Hern\u00e1ndez and guest artists \u2014 <em>Fue tu querer<\/em><\/td>\n<td>Unique Night \u00b7 sevillanas<\/td>\n<\/tr>\n<tr>\n<td><strong>Sun. 27<\/strong><\/td>\n<td>22:30<\/td>\n<td>Teatro Central<\/td>\n<td>Est\u00e9vez \/ Pa\u00f1os y Compa\u00f1\u00eda \u2014 <em>Doncellas (juerga permanente)<\/em><\/td>\n<td>Dance<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<p><strong>Tip:<\/strong> do not read this table as an itinerary. Many performances are only one hour or ninety minutes apart and, even when venues are relatively close, you should always allow for the real running time, leaving the venue and travelling between locations.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"lunes-21\">Monday 21: Rafael Riqueni and Tim Ries open the week at the Lope<\/h2>\n<p>Monday begins at <strong>20:00 at Teatro Lope de Vega<\/strong> with <em>Tunisia<\/em>, a world premiere bringing together Rafael Riqueni and Tim Ries. Riqueni contributes one of the most personal and recognisable guitar voices in Seville flamenco; Ries comes from a career rooted in jazz and collaborations with top international artists.<\/p>\n<p>The announced programme combines compositions linked to Riqueni\u2019s universe with pieces that open the dialogue to other repertoires. For anyone looking for <strong>guitar, attentive listening and a meeting of musical languages<\/strong>, this is one of the week\u2019s most distinctive events.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>22:30: Olga Pericet and the memory of the body<\/h2>\n<p>At <strong>22:30 at Teatro Central<\/strong>, Olga Pericet premieres <em>Perspectiva sobre un baile sonoro<\/em>. The work revisits decades of her career and returns to material from her <em>Baile Sonoro<\/em> project to explore how tradition, identity and the creative present can coexist in a contemporary recital.<\/p>\n<p>On paper, Riqueni and Pericet make one of the most attractive double bills of the week. Even so, we would not treat it as guaranteed without knowing the exact duration of the Lope concert. If you want to avoid rushing, Monday is best chosen according to your priority: <strong>guitar and musical dialogue<\/strong> or <strong>dance and stage research<\/strong>.<\/p>\n<p>You can complete your selection with our guide to <a href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026-guitar-must-see-shows.html\"><strong>guitar at the Biennial 2026<\/strong><\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"martes-22\">Tuesday 22: Manuel Li\u00f1\u00e1n in a special edition of Bailaor@<\/h2>\n<p>At <strong>20:00 at Teatro de la Maestranza<\/strong>, Manuel Li\u00f1\u00e1n presents a special edition of <em>Bailaor@. Recital de baile<\/em> with guest artists. The proposal follows a recent body of work in which Li\u00f1\u00e1n has made the coexistence of tradition, identity and creative freedom one of the most recognisable strands of contemporary flamenco dance.<\/p>\n<p>For a first-time Biennial visitor who wants to see a <strong>major dance production at the Maestranza<\/strong>, this is one of the easiest recommendations of the whole week.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>21:00 and 22:30: Caminero or Joselito Acedo<\/h2>\n<p>One hour later at the Royal Artillery Factory comes the first part of Pablo Mart\u00edn Caminero\u2019s trilogy: <em>Al toque<\/em>. The double bassist shares the stage with Mois\u00e9s P. S\u00e1nchez on piano and Paquito Gonz\u00e1lez on percussion. The programme includes original compositions and a view of flamenco through a language in dialogue with jazz.<\/p>\n<p>At <strong>22:30<\/strong>, Teatro Alameda welcomes Joselito Acedo with <em>Patio<\/em>. Tuesday therefore calls for an early decision: build the night around Li\u00f1\u00e1n\u2019s large-scale production, follow Caminero\u2019s trilogy from day one, or reserve the late slot for a guitar proposal at the Alameda. We do not recommend trying to plan all three.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"miercoles-23\">Wednesday 23: Caminero and Mar\u00eda Moreno<\/h2>\n<p>The second part of the trilogy shifts the focus. At <strong>21:00<\/strong>, Pablo Mart\u00edn Caminero presents <em>Al baile<\/em> with <strong>Mar\u00eda Moreno<\/strong>. It is the ideal night for anyone following the complete project and wanting to see how the same musical language changes when dance moves to the centre of the stage.<\/p>\n<p>The Royal Artillery Factory also contributes an important spatial element: this is not a conventional theatre, and its industrial character is part of the appeal of this section of the programme.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>22:30: Juan Tom\u00e1s de la Mol\u00eda and \u00c1gueda Saavedra present Te atrevo<\/h2>\n<p>Teatro Central welcomes <strong>Juan Tom\u00e1s de la Mol\u00eda and \u00c1gueda Saavedra<\/strong> with <em>Te atrevo<\/em>, a world premiere directed by Manuel Li\u00f1\u00e1n. Both represent a generation of performers with enormous potential and arrive at the Biennial with a proposal that makes Wednesday an especially strong day for dance.<\/p>\n<p>Because of the times, we do not recommend trying to see both performances in full. If you are following the trilogy, Artillery should be your priority. If you want to discover two young artists in a premiere conceived for the Central, we would choose <em>Te atrevo<\/em>.<\/p>\n<p>To organise all the dance options in the edition, also see <a href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html\"><strong>dance at the Biennial 2026<\/strong><\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"jueves-24\">Thursday 24: A canela y clavo brings major voices to the Maestranza<\/h2>\n<p>Thursday offers one of the great singing nights of the week. At <strong>20:00<\/strong>, Teatro de la Maestranza hosts <em>A canela y clavo<\/em>, with <strong>Esperanza Fern\u00e1ndez, Duquende and Jos\u00e9 Valencia<\/strong>, as well as Pepe Torres and Nazaret Reyes. Direction is by Pedro Mar\u00eda Pe\u00f1a.<\/p>\n<p>The programme moves through sole\u00e1, cantes de levante, canastera, petenera, buler\u00edas, saeta, seguiriyas and other forms. More than an individual recital, it is conceived as a gathering of voices and generations around Gitano tradition and an open reading of flamenco.<\/p>\n<p>If your week should include one major singing event, this is one of our priorities.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>The trilogy ends with David Carpio and the Alameda welcomes Ezequiel Ben\u00edtez<\/h2>\n<p>At <strong>21:00<\/strong>, Caminero closes his trilogy with <em>Al cante<\/em> and the collaboration of David Carpio. For anyone who attended the previous two nights, completing the cycle has clear value: it shows how the same idea is reorganised around guitar, dance and finally voice.<\/p>\n<p>At <strong>22:30<\/strong>, Ezequiel Ben\u00edtez presents <em>Lo que nadie ve<\/em> at Teatro Alameda. Thursday again presents a real choice, not an additive itinerary. <em>A canela y clavo<\/em> and Caminero overlap, and leaving Artillery for the Alameda leaves little room to turn the night into a race.<\/p>\n<p>Find more context in our guide to <a href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-singing-seville-biennial-2026.html\"><strong>singing at the Biennial 2026<\/strong><\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"viernes-25\">Friday 25: Diego del Morao opens the afternoon at Turina<\/h2>\n<p>At <strong>19:00<\/strong>, Espacio Turina welcomes Diego del Morao with <em>M\u00e1s Morao<\/em>. The Biennial reserves Turina as one of its key places for listening to guitar, and this event fits that line perfectly. Diego arrives with a sound deeply associated with Jerez and the Santiago neighbourhood, while his career has also moved through studios, stages and very different collaborations.<\/p>\n<p>For visitors travelling to Seville in search of toque, comp\u00e1s and a guitar with its own identity, this is an easy recommendation. The problem is that another of the week\u2019s major Unique Nights begins only an hour later, so you have to choose.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Aurora Vargas and Juana Amaya, or Andr\u00e9s Mar\u00edn<\/h2>\n<p>At <strong>20:00 at the Lope de Vega<\/strong>, Aurora Vargas and Juana Amaya present <em>Hazme con los ojos se\u00f1as<\/em>. The meeting combines one of Seville\u2019s most distinctive singing voices with a dancer of enormous stage power. It is exactly the kind of encounter that is difficult to reproduce outside a Biennial.<\/p>\n<p>At <strong>22:30<\/strong>, Andr\u00e9s Mar\u00edn premieres <em>Desierto<\/em> at Teatro Central. The creation incorporates dance, guitar, piano, electronics, texts and Jos\u00e9 el de la Tomasa as a guest artist. It is one of the most openly experimental proposals of the week.<\/p>\n<p>If you value the <strong>flamenco uniqueness of a Unique Night<\/strong>, we would choose Aurora Vargas and Juana Amaya. If you are looking for stage research and the language of a creator who has spent years expanding the limits of dance, Andr\u00e9s Mar\u00edn should be among your priorities.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"sabado-26\">Saturday 26: a matin\u00e9e to start without rushing<\/h2>\n<p>Saturday begins at <strong>12:00 at San Luis de los Franceses<\/strong> with Encarna Anillo and <em>Camino de flores<\/em>. The programme connects different flamenco forms with emotional stages and floral essences, building a journey from innocence and disappointment to transformation and celebration.<\/p>\n<p>The matin\u00e9e is also easy to combine with any evening performance. If you want to experience the Biennial from midday and use the afternoon to explore Seville, this is an especially comfortable structure. See our guide to the <a href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026-unique-matinees.html\"><strong>Biennial\u2019s Unique Matin\u00e9es<\/strong><\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>19:00, 20:00 and 22:30: Juan Medina, Israel Galv\u00e1n and Pastora Galv\u00e1n<\/h2>\n<p>At <strong>19:00<\/strong>, Juan Medina presents <em>Fugaz<\/em> at Turina. An hour later, the Maestranza welcomes <strong>Israel Galv\u00e1n<\/strong> with the world premiere of <em>Bolero de blanco y negro<\/em>, a creation in dialogue with Ravel and other boleros, featuring two pianos, singing, percussion and his own choreographic conception.<\/p>\n<p>At <strong>22:30<\/strong>, Pastora Galv\u00e1n premieres <em>TRIBUsssh!<\/em> at Teatro Alameda. The project crosses her dance with two drummers and a musical selection bringing flamenco and rock closer together, with Israel Galv\u00e1n as artistic director and curator.<\/p>\n<p>The possibility of seeing Israel and Pastora on the same night is tempting, but it should not be sold as a guaranteed combination: it depends on the actual duration of <em>Bolero de blanco y negro<\/em> and on the time needed to leave and travel. If you prefer to enjoy the evening without rushing, Saturday once again requires a choice.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"domingo-27\">Sunday 27: a second chance for Camino de flores<\/h2>\n<p>Encarna Anillo returns to San Luis de los Franceses at <strong>12:00<\/strong>. It is especially useful for anyone who spent Saturday on other activities or would rather reserve that day for Israel and Pastora Galv\u00e1n.<\/p>\n<p>Afterwards, the programme leaves several free hours before the afternoon and evening block. It is one of the easiest days to combine heritage, gastronomy and the Biennial without chaining activities together in a rush.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Dani de Mor\u00f3n, Fue tu querer and Doncellas<\/h2>\n<p>At <strong>19:00 at Turina<\/strong>, Dani de Mor\u00f3n presents <em>Cuadro<\/em>, a proposal that recovers the spirit of the flamenco cuadro as a living organism, with Sergio El Colorao, Amparo Lagares and Ismael El Bola singing, Claudia La Debla dancing and Los Mellis on palmas.<\/p>\n<p>At <strong>20:00 at the Lope de Vega<\/strong>, <em>Fue tu querer<\/em> brings sevillanas back to the Biennial with Macarena de la Torre, Juan de Mairena, Lidia Hern\u00e1ndez, Fran Fern\u00e1ndez and guest artists including Rafael de Utrera, Carmen Lozano, Manolo Mar\u00edn and Ana Mar\u00eda Bueno. The proposal seeks to show the shared territory between folklore and flamenco.<\/p>\n<p>At <strong>22:30<\/strong>, Est\u00e9vez\/Pa\u00f1os y Compa\u00f1\u00eda close the day at the Central with <em>Doncellas (juerga permanente)<\/em>, a work in dialogue with historical dances, flamenco memory and contemporary creation. It is an especially attractive end to the week for audiences interested in the history of dance and its current reinterpretation.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"itinerarios-21-27\" style=\"text-align: center;\">Four recommended itineraries from 21 to 27 September<\/h2>\n<p style=\"text-align: center;\">You do not need to see everything. Choosing a line of interest helps build a more coherent Biennial and avoids impossible journeys.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"g-cols wpb_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-3 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>1. Major figures<\/h3>\n<p><strong>Mon.:<\/strong> Rafael Riqueni &amp; Tim Ries<\/p>\n<p><strong>Tue.:<\/strong> Manuel Li\u00f1\u00e1n<\/p>\n<p><strong>Thu.:<\/strong> <em>A canela y clavo<\/em><\/p>\n<p><strong>Fri.:<\/strong> Aurora Vargas &amp; Juana Amaya<\/p>\n<p><strong>Sat.:<\/strong> Israel Galv\u00e1n<\/p>\n<p>The most direct route for anyone seeking reference names and performances with strong artistic weight.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-3 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>2. Dance and creation<\/h3>\n<p><strong>Mon.:<\/strong> Olga Pericet<\/p>\n<p><strong>Wed.:<\/strong> <em>Te atrevo<\/em><\/p>\n<p><strong>Fri.:<\/strong> Andr\u00e9s Mar\u00edn<\/p>\n<p><strong>Sat.:<\/strong> Pastora Galv\u00e1n<\/p>\n<p><strong>Sun.:<\/strong> Est\u00e9vez\/Pa\u00f1os<\/p>\n<p>A selection for following how tradition, research and new dance languages coexist.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-3 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>3. Guitar<\/h3>\n<p><strong>Mon.:<\/strong> Rafael Riqueni<\/p>\n<p><strong>Fri.:<\/strong> Diego del Morao<\/p>\n<p><strong>Sun.:<\/strong> Dani de Mor\u00f3n<\/p>\n<p>You can complete the route with Juan Medina or the first night of Pablo Mart\u00edn Caminero\u2019s trilogy.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-3 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>4. Singular nights<\/h3>\n<p><strong>Thu.:<\/strong> <em>A canela y clavo<\/em><\/p>\n<p><strong>Fri.:<\/strong> Aurora Vargas &amp; Juana Amaya<\/p>\n<p><strong>Sat.:<\/strong> Israel or Pastora Galv\u00e1n<\/p>\n<p><strong>Sun.:<\/strong> <em>Fue tu querer<\/em><\/p>\n<p>For anyone prioritising experiences unlikely to return with the same combination of artists and context.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"perfiles-21-27\">If this is your first Biennial<\/h2>\n<p>For a first experience, I would not try to follow an overly specialised line. The most balanced combination would be <strong>a major theatre, a guitar performance and a Unique Night<\/strong>. For example: Manuel Li\u00f1\u00e1n at the Maestranza, Rafael Riqueni with Tim Ries at the Lope and Aurora Vargas with Juana Amaya.<\/p>\n<p>If an official performance sells out, Seville still offers flamenco every night. Our guide to <a href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-seville-biennial-2026-shows-beyond-official-programme.html\"><strong>flamenco in Seville during the Biennial outside the official programme<\/strong><\/a> brings together reliable alternatives.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>If you already know flamenco well<\/h2>\n<p>This is probably one of the best weeks for choosing by uniqueness. <em>Te atrevo<\/em>, <em>Desierto<\/em>, <em>TRIBUsssh!<\/em>, Caminero\u2019s trilogy and <em>Doncellas<\/em> offer very different ways of observing where staged flamenco is heading.<\/p>\n<p>There are also meetings that are interesting precisely because they are not conventional repertoire shows: <em>A canela y clavo<\/em> or the encounter between Aurora Vargas and Juana Amaya are good examples. The useful question is not only \u201cwho do I like most?\u201d, but \u201cwhich performance will be hardest to see again outside this edition?\u201d.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>If dance is your priority<\/h2>\n<p>This is one of the strongest weeks of the entire Biennial. Olga Pericet opens Monday; Manuel Li\u00f1\u00e1n takes the Maestranza on Tuesday; Juan Tom\u00e1s de la Mol\u00eda and \u00c1gueda Saavedra arrive on Wednesday; Andr\u00e9s Mar\u00edn premieres on Friday; Israel and Pastora Galv\u00e1n dominate Saturday; and Est\u00e9vez\/Pa\u00f1os close on Sunday.<\/p>\n<p>It is impossible to see everything without giving up other strands of the festival, but it does allow for an almost monographic week. To plan it, we recommend pairing this guide with our article on <a href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html\"><strong>dance performances at the Biennial 2026<\/strong><\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>If you are looking for special venues<\/h2>\n<p>San Luis de los Franceses and the Royal Artillery Factory are the two venues that most transform the experience this week. The matin\u00e9e lets you experience a concert in a Baroque space at midday; Artillery, by contrast, turns Caminero\u2019s trilogy into an experience linked to restored industrial architecture.<\/p>\n<p>If the venue is an important part of your decision, see our guide to <a href=\"https:\/\/www.tablaosflamencos.com\/en\/most-spectacular-venues-seville-flamenco-biennial-2026.html\"><strong>the Biennial\u2019s most spectacular venues<\/strong><\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"logistica-21-27\">Combinations that may make sense<\/h2>\n<ul>\n<li><strong>Encarna Anillo matin\u00e9e + any evening performance:<\/strong> a comfortable combination on Saturday or Sunday.<\/li>\n<li><strong>One 20:00 performance + another at 22:30:<\/strong> possible in some cases, but only after checking duration and travel time.<\/li>\n<li><strong>Riqueni 20:00 + Olga Pericet 22:30:<\/strong> possible on paper, but not something to take for granted.<\/li>\n<li><strong>Israel Galv\u00e1n 20:00 + Pastora Galv\u00e1n 22:30:<\/strong> a very attractive double night, although it depends entirely on the actual duration of the Maestranza performance.<\/li>\n<li><strong>Fue tu querer 20:00 + Doncellas 22:30:<\/strong> can work if the first performance ends with enough time to reach the Central.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Combinations we would avoid<\/h2>\n<ul>\n<li><strong>Manuel Li\u00f1\u00e1n 20:00 + Caminero 21:00:<\/strong> incompatible.<\/li>\n<li><strong>Caminero 21:00 + Te atrevo 22:30:<\/strong> too tight to enjoy both in full.<\/li>\n<li><strong>A canela y clavo 20:00 + Caminero 21:00:<\/strong> incompatible.<\/li>\n<li><strong>Diego del Morao 19:00 + Aurora Vargas and Juana Amaya 20:00:<\/strong> incompatible.<\/li>\n<li><strong>Juan Medina 19:00 + Israel Galv\u00e1n 20:00:<\/strong> incompatible.<\/li>\n<li><strong>Dani de Mor\u00f3n 19:00 + Fue tu querer 20:00:<\/strong> incompatible.<\/li>\n<\/ul>\n<p>With so much on offer, it is better to give up one performance on paper than spend half the night watching the clock. The Biennial is much more enjoyable when you leave time to enter, leave and move around calmly.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 style=\"text-align: center;\">Our selection if you can only attend four performances<\/h2>\n<p style=\"text-align: center;\"><strong>Rafael Riqueni &amp; Tim Ries<\/strong> for the uniqueness of the meeting and Riqueni\u2019s return to the Lope; <strong>Manuel Li\u00f1\u00e1n<\/strong> as one of the week\u2019s major dance events; <strong>A canela y clavo<\/strong> for bringing several essential voices together in a Unique Night; and <strong>Israel Galv\u00e1n<\/strong> for the premiere of <em>Bolero de blanco y negro<\/em> at the Maestranza.<\/p>\n<p style=\"text-align: center;\">If guitar is your main interest, we would replace one of those events with <strong>Diego del Morao<\/strong> or <strong>Dani de Mor\u00f3n<\/strong>. If you are looking for contemporary creation, we would make room for <strong>Olga Pericet<\/strong>, <strong>Andr\u00e9s Mar\u00edn<\/strong> or <strong>Est\u00e9vez\/Pa\u00f1os<\/strong>.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-hwrapper valign_top wrap stack_on_mobiles align_center\" style=\"--hwrapper-gap:1.2rem\"><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026.html\"><span class=\"w-btn-label\">See the Flamenco Biennial 2026<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026-unique-nights.html\"><span class=\"w-btn-label\">Unique Nights 2026<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-in-seville\"><span class=\"w-btn-label\">See flamenco in Seville<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-3\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"faq-21-27\" style=\"text-align: center;\">Frequently asked questions about the Biennial from 21 to 27 September<\/h2>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-tabs accordion toggle_style_1 has_scrolling\" style=\"--sections-title-size:inherit;--sections-gap:0.5rem;\"><div class=\"w-tabs-sections titles-align_none icon_chevron cpos_right\"><div class=\"w-tabs-section\" id=\"ya08\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-ya08\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">How many performances are there at the Biennial from 21 to 27 September 2026?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-ya08\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The official programme includes <strong>21 performances<\/strong> between Monday 21 and Sunday 27 September 2026, including the two performances of <em>Camino de flores<\/em> by Encarna Anillo at San Luis de los Franceses.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"sb32\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-sb32\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">What is on Monday 21 September?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-sb32\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Monday features Rafael Riqueni and Tim Ries with <em>Tunisia<\/em> at 20:00 at Teatro Lope de Vega and Olga Pericet with <em>Perspectiva sobre un baile sonoro<\/em> at 22:30 at Teatro Central.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"xc2b\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-xc2b\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">When does Manuel Li\u00f1\u00e1n perform at the Biennial 2026?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-xc2b\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Manuel Li\u00f1\u00e1n presents a special edition of <em>Bailaor@. Recital de baile<\/em> on <strong>Tuesday 22 September 2026 at 20:00<\/strong> at Teatro de la Maestranza.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"id0b\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-id0b\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">When is Pablo Mart\u00edn Caminero\u2019s trilogy?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-id0b\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The trilogy takes place over three consecutive nights at the Royal Artillery Factory: <em>Al toque<\/em> on Tuesday 22 at 21:00, <em>Al baile<\/em> with Mar\u00eda Moreno on Wednesday 23 at 21:00 and <em>Al cante<\/em> with David Carpio on Thursday 24 at 21:00.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"ide3\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-ide3\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">What day is A canela y clavo?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-ide3\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p><em>A canela y clavo<\/em> takes place on <strong>Thursday 24 September at 20:00<\/strong> at Teatro de la Maestranza with Esperanza Fern\u00e1ndez, Duquende, Jos\u00e9 Valencia, Pepe Torres and Nazaret Reyes.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"jecc\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-jecc\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">When do Israel Galv\u00e1n and Pastora Galv\u00e1n perform?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-jecc\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Both perform on Saturday 26. Israel Galv\u00e1n premieres <em>Bolero de blanco y negro<\/em> at 20:00 at Teatro de la Maestranza and Pastora Galv\u00e1n presents <em>TRIBUsssh!<\/em> at 22:30 at Teatro Alameda.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"ofaf\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-ofaf\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Are there matin\u00e9es between 21 and 27 September?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-ofaf\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Yes. Encarna Anillo presents <em>Camino de flores<\/em> on Saturday 26 and Sunday 27 at 12:00 at the Church of San Luis de los Franceses.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"b078\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-b078\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Which guitar performances stand out this week?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-b078\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Key guitar dates include Rafael Riqueni with Tim Ries on Monday 21, the first part of Pablo Mart\u00edn Caminero\u2019s trilogy on Tuesday 22, Diego del Morao on Friday 25 and Dani de Mor\u00f3n on Sunday 27, as well as Juan Medina on Saturday 26.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"h138\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-h138\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Can I see several performances on the same day?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-h138\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Yes in some cases, especially by combining a matin\u00e9e with an evening performance. Many 19:00, 20:00 and 21:00 shows overlap, however. For 20:00 and 22:30 performances, check the actual running time and travel time between venues first.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"a203\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-a203\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Where can I buy Biennial tickets?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-a203\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The safest option is to go to the <a href=\"https:\/\/www.labienal.com\/programa-general\" target=\"_blank\" rel=\"noopener\"><strong>official Biennial programme<\/strong><\/a>, open the performance page and use the official sales channel shown there. Availability may change as the dates approach.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"<p>Guide to choosing what to see at the Seville Flamenco Biennial from 21 to 27 September 2026: 21 performances, times, recommendations, itineraries and realistic combinations.<\/p>\n","protected":false},"author":1,"featured_media":16295,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"wpai_generated_summary":"","_ayudawp_aiss_exclude":false,"_ayudawp_aiss_exclude_summary":false,"_ayudawp_aiss_summary":"","_ayudawp_aiss_summary_provider":"","_ayudawp_aiss_summary_hash":"","footnotes":""},"categories":[1427],"tags":[1234,1233,1232,1235,708,1236],"class_list":["post-16304","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-flamenco-biennial","tag-flamenco-biennial","tag-flamenco-biennial-2026-guides","tag-flamenco-events-calendar-en","tag-flamenco-festivals-guides","tag-flamenco-in-seville","tag-seville-guides"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.4 (Yoast SEO v28.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Flamenco Biennial 21\u201327 September 2026: what to see<\/title>\n<meta name=\"description\" content=\"What to see at the Seville Flamenco Biennial from 21 to 27 September 2026: 21 performances, times, recommendations, itineraries and what to choose each day.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.tablaosflamencos.com\/en\/what-to-see-seville-flamenco-biennial-21-27-september-2026.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"What to see at the Biennial from 21 to 27 September 2026\" \/>\n<meta property=\"og:description\" content=\"What to see at the Seville Flamenco Biennial from 21 to 27 September 2026: 21 performances, times, recommendations, itineraries and what to choose each day.\" \/>\n<meta property=\"og:url\" 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