{"id":14275,"date":"2026-09-03T23:17:01","date_gmt":"2026-09-03T21:17:01","guid":{"rendered":"https:\/\/www.tablaosflamencos.com\/?p=14275"},"modified":"2026-09-03T23:56:33","modified_gmt":"2026-09-03T21:56:33","slug":"flamenco-dance-seville-biennial-2026","status":"publish","type":"post","link":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html","title":{"rendered":"Flamenco dance at the 2026 Biennial: from the great figures to the new generation"},"content":{"rendered":"<section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Flamenco dance at the 2026 Biennial: from the great figures to the new generation<\/h2>\n<p>The <strong>24th Seville Flamenco Biennial<\/strong> makes dance one of the main threads running through its programme. Between <strong>September 9 and October 3, 2026<\/strong>, the city will bring together more than one hundred dancers in an edition that covers almost the entire current map of flamenco dance: major companies, dance recitals, auteur creators, research-based works, tributes, ensemble pieces and young artists beginning to take centre stage.<\/p>\n<p>The line-up is especially broad. <strong>Sara Baras, Israel Galv\u00e1n, Manuel Li\u00f1\u00e1n, Farruquito, Andr\u00e9s Mar\u00edn, Olga Pericet, Ana Morales, Pastora Galv\u00e1n, David Coria, Alfonso Losa, Isabel Bay\u00f3n, Patricia Guerrero, Rafaela Carrasco and Mar\u00eda Moreno<\/strong> share the programme with names such as <strong>Juan Tom\u00e1s de la Mol\u00eda, \u00c1gueda Saavedra and Sara Jim\u00e9nez<\/strong>, three clear examples of a generation that no longer appears only in supporting roles, but at the head of its own creations.<\/p>\n<p>This guide organises the programme to understand <strong>which major figures define this edition, where new languages emerge and which events reveal the generation coming next<\/strong>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>An edition shaped by movement<\/h3>\n<ul>\n<li><strong>More than 100 flamenco dancers<\/strong> across the programme.<\/li>\n<li>Major figures and National Dance Award winners.<\/li>\n<li>World premieres in dance and stage creation.<\/li>\n<li>Traditional recitals alongside contemporary languages.<\/li>\n<li>Companies, soloists and dance ensembles.<\/li>\n<li>Debuts and original projects from a new generation.<\/li>\n<\/ul>\n<p><strong>Key idea:<\/strong> the 2026 Biennial does not offer a single definition of flamenco dance. It presents it as a language capable of preserving a school, revisiting its own history and opening itself at the same time to new stage forms.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><blockquote>\n<p><strong>Quick answer:<\/strong> if you want to follow dance at the Seville Flamenco Biennial 2026, the major dates include Sara Baras with <em>Infinita<\/em>, Manuel Li\u00f1\u00e1n with <em>Bailaor@<\/em>, Olga Pericet with <em>Perspectivas sobre un baile sonoro<\/em>, Andr\u00e9s Mar\u00edn with <em>Desierto<\/em>, Israel Galv\u00e1n with <em>Bolero de blanco y negro<\/em>, Pastora Galv\u00e1n with <em>TRIBUsssh!<\/em>, Farruquito with <em>Ser\u00e1s Farruquito: el musical<\/em>, David Coria with <em>Babel. Torre viva<\/em> and Alfonso Losa with <em>Gesto m\u00ednimo<\/em>.<\/p>\n<\/blockquote>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>The new generation also takes centre stage<\/h3>\n<p>This edition gives its own space to <strong>Juan Tom\u00e1s de la Mol\u00eda and \u00c1gueda Saavedra<\/strong> with <em>Te atrevo<\/em>, and to <strong>Sara Jim\u00e9nez<\/strong> with <em>La compa\u00f1\u00eda<\/em>. The generational handover does not appear as an appendix to the programme, but as one of its main lines of interpretation.<\/p>\n<p><strong>Last updated: September 3, 2026.<\/strong> Programme details, times and ticket availability may change. Always check the official event page before planning your visit.<\/p>\n<p><a href=\"https:\/\/www.tablaosflamencos.com\/bienal-flamenco-sevilla-2026.html\"><strong>Complete guide to the 2026 Biennial<\/strong><\/a> \u00b7 <a href=\"https:\/\/www.tablaosflamencos.com\/grandes-estrenos-bienal-flamenco-sevilla-2026.html\"><strong>Major premieres<\/strong><\/a> \u00b7 <a href=\"https:\/\/www.labienal.com\/programa-general\" target=\"_blank\" rel=\"noopener\"><strong>Official programme<\/strong><\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Contents of this guide<\/h2>\n<ul>\n<li><a href=\"#baile-mapa\">A map of flamenco dance today<\/a><\/li>\n<li><a href=\"#grandes-figuras\">The major figures<\/a><\/li>\n<li><a href=\"#otras-miradas\">Other established perspectives<\/a><\/li>\n<li><a href=\"#nueva-generacion\">The new generation<\/a><\/li>\n<li><a href=\"#estrenos-baile\">Dance premieres<\/a><\/li>\n<li><a href=\"#fechas-baile\">Key dates<\/a><\/li>\n<li><a href=\"#espacios-baile\">Where to see the best dance<\/a><\/li>\n<li><a href=\"#elegir-baile\">What to choose for your profile<\/a><\/li>\n<li><a href=\"#faq-baile\">Frequently asked questions<\/a><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>How to read the programme<\/h3>\n<p>It is not useful to divide dance in 2026 simply between \u201ctradition\u201d and \u201cavant-garde\u201d. The Biennial mixes schools, formats and generations. In the same week you may move from a major company to an almost stripped-back recital, from collective choreography to a research-based work, or from a tribute to a master to a solo debut.<\/p>\n<p>That is why this guide groups the shows by <strong>artistic position<\/strong> rather than by date alone: major figures, established authors, new creators, premieres and venues.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"baile-mapa\">The 2026 Biennial as a map of contemporary flamenco dance<\/h2>\n<p>One of the best ways to understand the 2026 programme is to see it as a map of artistic positions. The Biennial itself describes a journey that goes <strong>from essential, stripped-back dance to large dance ensembles<\/strong>, from the bata de cola to new stage codes and from school tradition to contemporary creation.<\/p>\n<p>This approach avoids reducing the programme to a simple split between \u201ctraditional\u201d and \u201cavant-garde\u201d. In fact, many works combine both worlds.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>Tradition, authorship and experimentation<\/h3>\n<p>Manuel Li\u00f1\u00e1n returns to the recital format to speak about identity; Olga Pericet revisits the recital from a contemporary perspective; Israel Galv\u00e1n enters into dialogue with Ravel; Farruquito turns his own biography and family heritage into a musical; Ana Morales uses the body to explore an imagined underground Seville; and Alfonso Losa proposes a work whose very title, <em>Gesto m\u00ednimo<\/em>, points towards refinement.<\/p>\n<p>The central question is <strong>how dance can evolve while still being recognised as flamenco<\/strong>. Each artist answers from a different position.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"grandes-figuras\">The major figures: from Sara Baras to Farruquito<\/h2>\n<h3>Sara Baras: the major return<\/h3>\n<p><strong>Sara Baras<\/strong> returns to the Biennial after fourteen years with the world premiere of <em>Infinita<\/em>, scheduled for <strong>September 11, 12 and 13<\/strong> at the Teatro de la Maestranza. The work is built around eight female perspectives and an idea of Andalusian identity expressed through dance.<\/p>\n<p>It represents the major-company format and an established international career, while also arriving with a new work created for this edition. You can find more information in our guide to <a href=\"https:\/\/www.tablaosflamencos.com\/sara-baras-sevilla-2026-infinita-bienal.html\"><strong>Sara Baras in Seville 2026<\/strong><\/a>.<\/p>\n<h3>Manuel Li\u00f1\u00e1n: recital and identity<\/h3>\n<p>On <strong>September 22<\/strong>, Manuel Li\u00f1\u00e1n presents at the Teatro de la Maestranza <em>Bailaor@. Recital de baile<\/em>. The proposal returns to something apparently simple: dancing. But that simplicity contains a clear statement about identity, gender and artistic construction.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>Israel Galv\u00e1n: Ravel through the flamenco body<\/h3>\n<p>On <strong>September 26<\/strong>, Israel Galv\u00e1n premieres at the Teatro de la Maestranza <em>Bolero de blanco y negro<\/em>. The work begins with Maurice Ravel and adds two pianos, flamenco singing, percussion and voice. The interest lies in how Galv\u00e1n dismantles the material, searches for its rhythmic machinery and turns it into his own choreographic terrain.<\/p>\n<h3>Farruquito: heritage, biography and large-scale staging<\/h3>\n<p>On <strong>September 28<\/strong>, Farruquito premieres <em>Ser\u00e1s Farruquito: el musical<\/em> at the Teatro de la Maestranza. The show follows his life through five acts \u2014blood, learning, the world, shadow and legacy\u2014 and turns his biography into stage material.<\/p>\n<p>The production includes an ensemble and a broad narrative, but keeps as its central axis <strong>family transmission<\/strong>: an inherited school transformed into a personal language and projected towards the future.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top hor_flip\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"otras-miradas\">Other established perspectives<\/h2>\n<h3>Ana Morales<\/h3>\n<p>winner of the 2022 National Dance Award, presents on <strong>September 13 and 14<\/strong> at the Royal Artillery Factory the world premiere of <em>Rapsodia. Fantas\u00eda subterr\u00e1nea<\/em>. The work imagines a descent into an underground Seville and uses the body to explore the telluric, the jondo and the creative process.<\/p>\n<h3>Olga Pericet<\/h3>\n<p>winner of the 2018 National Dance Award, premieres on <strong>September 21<\/strong> at Teatro Central <em>Perspectivas sobre un baile sonoro<\/em>. After thirty-five years of career, she revisits the recital format through the memory of the body and its creative present.<\/p>\n<h3>Andr\u00e9s Mar\u00edn<\/h3>\n<p>Premieres <em>Desierto<\/em> on <strong>September 25<\/strong> at Teatro Central. It approaches the memory of the Alameda de H\u00e9rcules through poetic truth and a reflection on solitude, traces and what remains.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>Pastora Galv\u00e1n<\/h3>\n<p>On <strong>September 26<\/strong> at Teatro Alameda she presents the world premiere of <em>TRIBUsssh!<\/em>, with artistic direction and curation by Israel Galv\u00e1n. The piece brings her dance together with two drum kits and other sounds without losing its flamenco pulse.<\/p>\n<h3>David Coria<\/h3>\n<p>On <strong>September 29<\/strong> brings to the Teatro Lope de Vega <em>Babel. Torre viva<\/em>, the Spanish premiere of a work about difference, power, fragmentation and the possibility of building something common. The collective body becomes stage architecture.<\/p>\n<h3>Isabel Bay\u00f3n, Mar\u00eda Moreno and Alfonso Losa<\/h3>\n<p>This map also includes <strong>Isabel Bay\u00f3n<\/strong>, honoured on September 15; <strong>Mar\u00eda Moreno<\/strong>, featured in <em>Trilog\u00eda. Al baile<\/em> on September 23 at the Artillery Factory; and <strong>Alfonso Losa<\/strong>, who will premiere <em>Gesto m\u00ednimo<\/em> on October 2 at the Teatro Lope de Vega.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"nueva-generacion\">The new generation is no longer just a promise<\/h2>\n<p>One of the most important developments in this Biennial is that several young artists now appear <strong>at the head of their own projects<\/strong>. They are not only members of an ensemble or guest artists: they hold titles, directing roles and spaces of creation.<\/p>\n<h3>Juan Tom\u00e1s de la Mol\u00eda and \u00c1gueda Saavedra: <em>Te atrevo<\/em><\/h3>\n<p>On <strong>September 23<\/strong>, Teatro Central hosts the world premiere of <em>Te atrevo<\/em>, by <strong>Juan Tom\u00e1s de la Mol\u00eda and \u00c1gueda Saavedra<\/strong>, directed by Manuel Li\u00f1\u00e1n.<\/p>\n<p>The pairing is significant: two emerging performers work under the eye of a creator who has spent years expanding the limits of contemporary flamenco dance. The Biennial presents them as an example of a generation with technique, personality and the ability to sustain an original work.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>Sara Jim\u00e9nez: company, creation and authorship<\/h3>\n<p>On <strong>September 29<\/strong>, also at Teatro Central, <strong>Sara Jim\u00e9nez<\/strong> premieres <em>La compa\u00f1\u00eda<\/em>. She signs the original concept, direction and choreography and shares the stage with Julio Ruiz and Mariana Collado.<\/p>\n<p>The new generation is defined not only by age, but by the capacity to assume <strong>authorship, discourse, direction and stage responsibility<\/strong>.<\/p>\n<h3>\u00c1gueda Saavedra, also with Alfonso Losa<\/h3>\n<p>\u00c1gueda Saavedra appears again on <strong>October 2<\/strong> in <em>Gesto m\u00ednimo<\/em> by Alfonso Losa, alongside Karen Lugo and Yoel Vargas. This double presence shows how young artists move between their own projects and work with established creators.<\/p>\n<p><strong>The new generation does not replace the figures before it: it coexists with them.<\/strong> That crossover is one of the keys to 2026.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"estrenos-baile\">Premieres make dance one of the creative engines of 2026<\/h2>\n<p>The importance of dance is especially visible in the premieres. Sara Baras, Ana Morales, Olga Pericet, Andr\u00e9s Mar\u00edn, Israel Galv\u00e1n, Pastora Galv\u00e1n, Farruquito, Sara Jim\u00e9nez and Alfonso Losa present new works or versions created specifically for this edition. Juan Tom\u00e1s de la Mol\u00eda and \u00c1gueda Saavedra make their joint debut with <em>Te atrevo<\/em> and Mar\u00eda Moreno takes part in the premiere of <em>Trilog\u00eda. Al baile<\/em>.<\/p>\n<p>Many of these works <strong>will be born in Seville<\/strong> and may later tour other theatres and festivals. Attending a premiere means seeing a work before criticism, touring and time itself have fully fixed its interpretation.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>Especially notable premieres<\/h3>\n<ul>\n<li>Sara Baras \u00b7 <em>Infinita<\/em><\/li>\n<li>Ana Morales \u00b7 <em>Rapsodia. Fantas\u00eda subterr\u00e1nea<\/em><\/li>\n<li>Olga Pericet \u00b7 <em>Perspectivas sobre un baile sonoro<\/em><\/li>\n<li>Juan Tom\u00e1s de la Mol\u00eda and \u00c1gueda Saavedra \u00b7 <em>Te atrevo<\/em><\/li>\n<li>Andr\u00e9s Mar\u00edn \u00b7 <em>Desierto<\/em><\/li>\n<li>Israel Galv\u00e1n \u00b7 <em>Bolero de blanco y negro<\/em><\/li>\n<li>Pastora Galv\u00e1n \u00b7 <em>TRIBUsssh!<\/em><\/li>\n<li>Farruquito \u00b7 <em>Ser\u00e1s Farruquito: el musical<\/em><\/li>\n<li>Sara Jim\u00e9nez \u00b7 <em>La compa\u00f1\u00eda<\/em><\/li>\n<li>Alfonso Losa \u00b7 <em>Gesto m\u00ednimo<\/em><\/li>\n<\/ul>\n<p>For more on this part of the programme, see <a href=\"https:\/\/www.tablaosflamencos.com\/grandes-estrenos-bienal-flamenco-sevilla-2026.html\"><strong>the major premieres of the 2026 Biennial<\/strong><\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"fechas-baile\">Key dance dates at the 2026 Biennial<\/h2>\n<div style=\"overflow-x: auto;\">\n<table>\n<thead>\n<tr>\n<th>Date<\/th>\n<th>Artist \/ show<\/th>\n<th>Venue<\/th>\n<th>Key point<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>September 10<\/strong><\/td>\n<td>Ballet Flamenco de Andaluc\u00eda with Patricia Guerrero \u00b7 <em>El mundo por montera<\/em><\/td>\n<td>Real Maestranza<\/td>\n<td>Gala and large-scale format<\/td>\n<\/tr>\n<tr>\n<td><strong>September 11\u201313<\/strong><\/td>\n<td>Sara Baras \u00b7 <em>Infinita<\/em><\/td>\n<td>Teatro de la Maestranza<\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>September 13\u201314<\/strong><\/td>\n<td>Ana Morales \u00b7 <em>Rapsodia. Fantas\u00eda subterr\u00e1nea<\/em><\/td>\n<td>Royal Artillery Factory<\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>September 15<\/strong><\/td>\n<td>Tribute to Isabel Bay\u00f3n \u00b7 <em>Ep\u00edlogo de un cante que se hizo baile<\/em><\/td>\n<td>Teatro Central<\/td>\n<td>Memory and career<\/td>\n<\/tr>\n<tr>\n<td><strong>September 21<\/strong><\/td>\n<td>Olga Pericet \u00b7 <em>Perspectivas sobre un baile sonoro<\/em><\/td>\n<td>Teatro Central<\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>September 22<\/strong><\/td>\n<td>Manuel Li\u00f1\u00e1n \u00b7 <em>Bailaor@<\/em><\/td>\n<td>Teatro de la Maestranza<\/td>\n<td>Unique Night<\/td>\n<\/tr>\n<tr>\n<td><strong>September 23<\/strong><\/td>\n<td>Juan Tom\u00e1s de la Mol\u00eda &amp; \u00c1gueda Saavedra \u00b7 <em>Te atrevo<\/em><\/td>\n<td>Teatro Central<\/td>\n<td>New generation<\/td>\n<\/tr>\n<tr>\n<td><strong>September 23<\/strong><\/td>\n<td>Mar\u00eda Moreno \u00b7 <em>Trilog\u00eda. Al baile<\/em><\/td>\n<td>Royal Artillery Factory<\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>September 25<\/strong><\/td>\n<td>Andr\u00e9s Mar\u00edn \u00b7 <em>Desierto<\/em><\/td>\n<td>Teatro Central<\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>September 26<\/strong><\/td>\n<td>Israel Galv\u00e1n \u00b7 <em>Bolero de blanco y negro<\/em><\/td>\n<td>Teatro de la Maestranza<\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>September 26<\/strong><\/td>\n<td>Pastora Galv\u00e1n \u00b7 <em>TRIBUsssh!<\/em><\/td>\n<td>Teatro Alameda<\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>September 28<\/strong><\/td>\n<td>Farruquito \u00b7 <em>Ser\u00e1s Farruquito: el musical<\/em><\/td>\n<td>Teatro de la Maestranza<\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>September 29<\/strong><\/td>\n<td>David Coria \u00b7 <em>Babel. Torre viva<\/em><\/td>\n<td>Teatro Lope de Vega<\/td>\n<td>Spanish premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>September 29<\/strong><\/td>\n<td>Sara Jim\u00e9nez \u00b7 <em>La compa\u00f1\u00eda<\/em><\/td>\n<td>Teatro Central<\/td>\n<td>New generation<\/td>\n<\/tr>\n<tr>\n<td><strong>October 2<\/strong><\/td>\n<td>Alfonso Losa \u00b7 <em>Gesto m\u00ednimo<\/em><\/td>\n<td>Teatro Lope de Vega<\/td>\n<td>World premiere<\/td>\n<\/tr>\n<tr>\n<td><strong>October 3<\/strong><\/td>\n<td>Rafaela Carrasco in <em>Perlas a millares<\/em><\/td>\n<td>Teatro de la Maestranza<\/td>\n<td>Closing event<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<p><small>A selected list of especially relevant events for following dance. Other Biennial productions also include dance within galas, encounters and mixed-format shows.<\/small><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top hor_flip\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"espacios-baile\">The venues change the way dance is seen<\/h2>\n<p>Dance is probably the discipline in which the relationship between body and space is most visible at the Biennial. A large company at the Teatro de la Maestranza is not the same experience as a research-based work at Teatro Central or a piece inside the industrial architecture of the Royal Artillery Factory.<\/p>\n<p>The <strong>Teatro de la Maestranza<\/strong> concentrates several major productions: Sara Baras, Manuel Li\u00f1\u00e1n, Israel Galv\u00e1n and Farruquito.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>A route through four venues<\/h3>\n<p>The <strong>Teatro Central<\/strong> acts as a laboratory for Olga Pericet, Juan Tom\u00e1s de la Mol\u00eda and \u00c1gueda Saavedra, Andr\u00e9s Mar\u00edn and Sara Jim\u00e9nez. The <strong>Royal Artillery Factory<\/strong> offers a distinctive setting for Ana Morales and Mar\u00eda Moreno, while the <strong>Teatro Lope de Vega<\/strong> hosts David Coria and Alfonso Losa.<\/p>\n<p>This distribution makes it possible to build a dance route without repeating the same stage experience. You can compare the venues in <a href=\"https:\/\/www.tablaosflamencos.com\/espacios-espectaculares-bienal-flamenco-sevilla-2026.html\"><strong>the most spectacular venues of the 2026 Biennial<\/strong><\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"elegir-baile\">Which show to choose depending on the kind of dance you want<\/h2>\n<h3>If you want a major production<\/h3>\n<p>Start with <strong>Sara Baras<\/strong> or <strong>Farruquito<\/strong>. Both work with large formats, dramaturgy, scenography and a language designed for major theatres. The Ballet Flamenco de Andaluc\u00eda in <em>El mundo por montera<\/em> also offers the chance to see an institutional dance ensemble in an exceptional production.<\/p>\n<h3>If you are looking for auteur dance<\/h3>\n<p><strong>Israel Galv\u00e1n, Andr\u00e9s Mar\u00edn, Ana Morales, Olga Pericet and David Coria<\/strong> offer five very different ways to see how flamenco enters into dialogue with other music, dramaturgy, concepts and physical languages.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>If you prefer recital and a direct relationship with flamenco<\/h3>\n<p><strong>Manuel Li\u00f1\u00e1n<\/strong> makes the recital itself the centre of his proposal. <strong>Alfonso Losa<\/strong> may also be especially interesting for those seeking choreographic refinement and attention to gesture.<\/p>\n<h3>If you want to discover the new generation<\/h3>\n<p>Make room for <strong>Juan Tom\u00e1s de la Mol\u00eda and \u00c1gueda Saavedra<\/strong> and for <strong>Sara Jim\u00e9nez<\/strong>.<\/p>\n<h3>If you want a balanced Biennial<\/h3>\n<p>Combine at least three profiles: a major figure, an auteur creator and a young proposal. For example: Sara Baras or Farruquito; Israel Galv\u00e1n, Ana Morales or Olga Pericet; and <em>Te atrevo<\/em> or <em>La compa\u00f1\u00eda<\/em>.<\/p>\n<p><a href=\"https:\/\/www.tablaosflamencos.com\/bienal-flamenco-2026-entradas-precios-descuentos.html\"><strong>Tickets, prices and discounts<\/strong><\/a> \u00b7 <a href=\"https:\/\/www.tablaosflamencos.com\/cante-bienal-flamenco-sevilla-2026.html\"><strong>Flamenco singing at the 2026 Biennial<\/strong><\/a> \u00b7 <a href=\"https:\/\/www.tablaosflamencos.com\/guitarra-bienal-flamenco-2026-espectaculos-imprescindibles.html\"><strong>The guitar at the 2026 Biennial<\/strong><\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-3\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"faq-baile\">Frequently asked questions about dance at the 2026 Biennial<\/h2>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-tabs accordion toggle_style_1 has_scrolling\" style=\"--sections-title-size:inherit;--sections-gap:0.5rem;\"><div class=\"w-tabs-sections titles-align_none icon_plus cpos_left\"><div class=\"w-tabs-section\" id=\"yb2f\" itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-yb2f\" aria-expanded=\"false\"><h3 class=\"w-tabs-section-title\" itemprop=\"name\">How many dancers are taking part in the 2026 Biennial?<\/h3><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-yb2f\" itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"><div class=\"w-tabs-section-content-h i-cf\" itemprop=\"text\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The organisers refer to <strong>more than one hundred dancers<\/strong> across the edition. The figure includes soloists, companies, ensembles and artists taking part in galas and mixed-format shows.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"ic18\" itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-ic18\" aria-expanded=\"false\"><h3 class=\"w-tabs-section-title\" itemprop=\"name\">Who are the major dance figures at the 2026 Biennial?<\/h3><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-ic18\" itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"><div class=\"w-tabs-section-content-h i-cf\" itemprop=\"text\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Among the leading names are Sara Baras, Israel Galv\u00e1n, Manuel Li\u00f1\u00e1n, Farruquito, Andr\u00e9s Mar\u00edn, Olga Pericet, Ana Morales, Pastora Galv\u00e1n, David Coria, Alfonso Losa, Isabel Bay\u00f3n, Patricia Guerrero, Rafaela Carrasco and Mar\u00eda Moreno.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"oceb\" itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-oceb\" aria-expanded=\"false\"><h3 class=\"w-tabs-section-title\" itemprop=\"name\">Which young dancers stand out in 2026?<\/h3><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-oceb\" itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"><div class=\"w-tabs-section-content-h i-cf\" itemprop=\"text\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The Biennial particularly highlights Juan Tom\u00e1s de la Mol\u00eda, \u00c1gueda Saavedra and Sara Jim\u00e9nez, who take on their own leading roles in the programme. Young performers also appear in companies and projects by established artists.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"edd1\" itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-edd1\" aria-expanded=\"false\"><h3 class=\"w-tabs-section-title\" itemprop=\"name\">When is Sara Baras performing?<\/h3><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-edd1\" itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"><div class=\"w-tabs-section-content-h i-cf\" itemprop=\"text\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Sara Baras presents <em>Infinita<\/em> at the Teatro de la Maestranza on September 11, 12 and 13, 2026. It is a world premiere and marks her return to the Biennial after fourteen years.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"dea6\" itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-dea6\" aria-expanded=\"false\"><h3 class=\"w-tabs-section-title\" itemprop=\"name\">What show is Israel Galv\u00e1n presenting?<\/h3><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-dea6\" itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"><div class=\"w-tabs-section-content-h i-cf\" itemprop=\"text\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Israel Galv\u00e1n premieres <em>Bolero de blanco y negro<\/em> on September 26 at the Teatro de la Maestranza. The work enters into dialogue with Maurice Ravel\u2019s music and other boleros through his choreographic language.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"of6a\" itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-of6a\" aria-expanded=\"false\"><h3 class=\"w-tabs-section-title\" itemprop=\"name\">Where is the most experimental dance concentrated?<\/h3><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-of6a\" itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"><div class=\"w-tabs-section-content-h i-cf\" itemprop=\"text\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Teatro Central brings together several of the works most focused on research and contemporary creation, with Olga Pericet, Juan Tom\u00e1s de la Mol\u00eda and \u00c1gueda Saavedra, Andr\u00e9s Mar\u00edn and Sara Jim\u00e9nez, among others.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"k034\" itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-k034\" aria-expanded=\"false\"><h3 class=\"w-tabs-section-title\" itemprop=\"name\">Are there dance shows at the Royal Artillery Factory?<\/h3><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-k034\" itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"><div class=\"w-tabs-section-content-h i-cf\" itemprop=\"text\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Yes. Ana Morales premieres there <em>Rapsodia. Fantas\u00eda subterr\u00e1nea<\/em> on September 13 and 14, and Mar\u00eda Moreno takes part on September 23 in <em>Trilog\u00eda. Al baile<\/em> with Pablo Mart\u00edn Caminero.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"d108\" itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-d108\" aria-expanded=\"false\"><h3 class=\"w-tabs-section-title\" itemprop=\"name\">What is a good option for discovering the new generation?<\/h3><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-d108\" itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"><div class=\"w-tabs-section-content-h i-cf\" itemprop=\"text\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p><em>Te atrevo<\/em>, by Juan Tom\u00e1s de la Mol\u00eda and \u00c1gueda Saavedra on September 23, and <em>La compa\u00f1\u00eda<\/em>, by Sara Jim\u00e9nez on September 29, are two of the clearest events for following new creators.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"c1db\" itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-c1db\" aria-expanded=\"false\"><h3 class=\"w-tabs-section-title\" itemprop=\"name\">Where can I see prices and buy tickets?<\/h3><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-c1db\" itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"><div class=\"w-tabs-section-content-h i-cf\" itemprop=\"text\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Tickets are sold through the official channels listed on each Biennial event page. You can also consult our <a href=\"https:\/\/www.tablaosflamencos.com\/bienal-flamenco-2026-entradas-precios-descuentos.html\"><strong>guide to tickets, prices and discounts for the 2026 Biennial<\/strong><\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>From legacy to the future: a Biennial explained through dance<\/h2>\n<p>Dance at the 2026 Biennial does not function as an isolated block within the festival. It is connected to singing, guitar playing, memory, venues and the evolution of flamenco itself as a performing art.<\/p>\n<p>The major figures show how far a mature career can go. Established creators demonstrate that there are many ways to investigate without breaking with the roots. And the younger generation is beginning to occupy a space in which good execution is no longer enough: <strong>you have to propose, direct, sign and build your own perspective<\/strong>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>A physical reading of generational change<\/h3>\n<p>This dialogue between authority and renewal makes dance one of the best ways into understanding the 24th Seville Flamenco Biennial.<\/p>\n<p>If singing lets us hear transmission and guitar lets us observe how playing changes, dance makes that transition physically visible: <strong>past, present and future sharing the same stage<\/strong>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Sources and updates<\/h2>\n<p>Information checked against the <a href=\"https:\/\/www.labienal.com\/programa-general\" target=\"_blank\" rel=\"noopener\"><strong>official programme of the 24th Seville Flamenco Biennial<\/strong><\/a>, the individual show pages and the official information published by the Biennial on dance and choreographic creation in 2026.<\/p>\n<p>Data reviewed on <strong>September 3, 2026<\/strong>. The organisers may change times, availability, casts or production details.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"<p>Guide to flamenco dance at the Seville Flamenco Biennial 2026: major figures, emerging talents, premieres, venues and key dates to follow dance throughout the festival.<\/p>\n","protected":false},"author":1,"featured_media":14270,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"wpai_generated_summary":"","_ayudawp_aiss_exclude":false,"_ayudawp_aiss_exclude_summary":false,"_ayudawp_aiss_summary":"","_ayudawp_aiss_summary_provider":"","_ayudawp_aiss_summary_hash":"","footnotes":""},"categories":[1427],"tags":[1232,1233,1234,1235,1388,1144,1236,1851,1867],"class_list":["post-14275","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-flamenco-biennial","tag-agenda-flamenca","tag-bienal-2026","tag-bienal-de-flamenco","tag-festivales-flamencos","tag-flamenco-dance","tag-flamenco-en-sevilla","tag-sevilla","tag-things-to-do-in-seville","tag-what-to-see-in-seville"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.4 (Yoast SEO v28.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Flamenco dance at the Seville Biennial 2026: figures and new generation<\/title>\n<meta name=\"description\" content=\"Guide to flamenco dance at the Seville Biennial 2026: Sara Baras, Israel Galv\u00e1n, Manuel Li\u00f1\u00e1n, Farruquito, new talents, premieres and key dates.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Flamenco dance at the 2026 Biennial: from the great figures to the new generation\" \/>\n<meta property=\"og:description\" content=\"Guide to flamenco dance at the Seville Biennial 2026: Sara Baras, Israel Galv\u00e1n, Manuel Li\u00f1\u00e1n, Farruquito, new talents, premieres and key dates.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html\" \/>\n<meta property=\"og:site_name\" content=\"Tablaos Flamencos\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/tablaosflamencos\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-03T21:17:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-03T21:56:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/el-baile-en-la-bienal-2026-de-las-grandes-figuras-a-la-nueva-generacion-01.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1672\" \/>\n\t<meta property=\"og:image:height\" content=\"941\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"Miguel Ortiz\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@tablaosflamenco\" \/>\n<meta name=\"twitter:site\" content=\"@tablaosflamenco\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Miguel Ortiz\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"18 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/flamenco-dance-seville-biennial-2026.html#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/flamenco-dance-seville-biennial-2026.html\"},\"author\":{\"name\":\"Miguel Ortiz\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en#\\\/schema\\\/person\\\/e7a9ebe14eb75a52ceabfbffb3c54f5d\"},\"headline\":\"Flamenco dance at the 2026 Biennial: from the great figures to the new generation\",\"datePublished\":\"2026-09-03T21:17:01+00:00\",\"dateModified\":\"2026-09-03T21:56:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/flamenco-dance-seville-biennial-2026.html\"},\"wordCount\":3649,\"publisher\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/flamenco-dance-seville-biennial-2026.html#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/wp-content\\\/uploads\\\/el-baile-en-la-bienal-2026-de-las-grandes-figuras-a-la-nueva-generacion-01.webp\",\"keywords\":[\"agenda flamenca\",\"Bienal 2026\",\"Bienal de Flamenco\",\"festivales flamencos\",\"flamenco dance\",\"flamenco en Sevilla\",\"sevilla\",\"things to do in Seville\",\"what to see in Seville\"],\"articleSection\":[\"Flamenco Biennial\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/flamenco-dance-seville-biennial-2026.html\",\"url\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/flamenco-dance-seville-biennial-2026.html\",\"name\":\"Flamenco dance at the Seville Biennial 2026: figures and new generation\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/flamenco-dance-seville-biennial-2026.html#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/flamenco-dance-seville-biennial-2026.html#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/wp-content\\\/uploads\\\/el-baile-en-la-bienal-2026-de-las-grandes-figuras-a-la-nueva-generacion-01.webp\",\"datePublished\":\"2026-09-03T21:17:01+00:00\",\"dateModified\":\"2026-09-03T21:56:33+00:00\",\"description\":\"Guide to flamenco dance at the Seville Biennial 2026: Sara Baras, Israel Galv\u00e1n, Manuel Li\u00f1\u00e1n, Farruquito, new talents, premieres and key dates.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/flamenco-dance-seville-biennial-2026.html#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/flamenco-dance-seville-biennial-2026.html\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/flamenco-dance-seville-biennial-2026.html#primaryimage\",\"url\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/wp-content\\\/uploads\\\/el-baile-en-la-bienal-2026-de-las-grandes-figuras-a-la-nueva-generacion-01.webp\",\"contentUrl\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/wp-content\\\/uploads\\\/el-baile-en-la-bienal-2026-de-las-grandes-figuras-a-la-nueva-generacion-01.webp\",\"width\":1672,\"height\":941,\"caption\":\"El baile en la Bienal 2026: de las grandes figuras a la nueva generaci\u00f3n\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/flamenco-dance-seville-biennial-2026.html#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Flamenco dance at the 2026 Biennial: from the great figures to the new generation\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en#website\",\"url\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\",\"name\":\"Tablaos Flamencos\",\"description\":\"Entradas para tablaos flamencos de Espa\u00f1a\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en#organization\"},\"alternateName\":\"Tablaos Flamencos\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":[\"Organization\",\"Place\",\"EntertainmentBusiness\"],\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en#organization\",\"name\":\"Tablaos Flamencos\",\"alternateName\":\"Tablaos Flamencos\",\"url\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\",\"logo\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/flamenco-dance-seville-biennial-2026.html#local-main-organization-logo\"},\"image\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/flamenco-dance-seville-biennial-2026.html#local-main-organization-logo\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/tablaosflamencos\",\"https:\\\/\\\/x.com\\\/tablaosflamenco\",\"https:\\\/\\\/mastodon.social\\\/@tablaosflamencos\",\"https:\\\/\\\/www.instagram.com\\\/tablaosflamencos\",\"https:\\\/\\\/tiktok.com\\\/@tablaosflamencos\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/109408238\\\/\"],\"description\":\"Venta de entradas para espect\u00e1culos flamencos\",\"legalName\":\"Tablaos Flamencos\",\"foundingDate\":\"2015-01-01\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"1\",\"maxValue\":\"10\"},\"address\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/flamenco-dance-seville-biennial-2026.html#local-main-place-address\"},\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"37.3868072\",\"longitude\":\"-5.993280299999999\"},\"telephone\":[\"+34623787787\"],\"contactPoint\":{\"@type\":\"ContactPoint\",\"telephone\":\"+34623787787\",\"email\":\"info@tablaosflamencos.com\"},\"openingHoursSpecification\":{\"@type\":\"OpeningHoursSpecification\",\"dayOfWeek\":[\"Monday\",\"Tuesday\",\"Wednesday\",\"Thursday\",\"Friday\",\"Saturday\",\"Sunday\"],\"opens\":\"00:00\",\"closes\":\"23:59\"},\"email\":\"info@tablaosflamencos.com\",\"priceRange\":\"$$$\",\"currenciesAccepted\":\"\u20ac\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en#\\\/schema\\\/person\\\/e7a9ebe14eb75a52ceabfbffb3c54f5d\",\"name\":\"Miguel Ortiz\",\"description\":\"Miguel Ortiz es un empresario flamenco, con una s\u00f3lida trayectoria dentro del sector. Ha presidido entidades culturales vinculadas al flamenco y, cuenta con un amplio recorrido profesional en la gesti\u00f3n y promoci\u00f3n de espect\u00e1culos y tablaos flamencos. Su pasi\u00f3n por la historia y el arte flamenco se refleja en cada art\u00edculo, donde combina experiencia, criterio y un profundo respeto por la tradici\u00f3n.\",\"sameAs\":[\"https:\\\/\\\/www.tablaosflamencos.com\",\"https:\\\/\\\/www.instagra.com\\\/miguelortizfe\",\"https:\\\/\\\/www.linkedin.com\\\/in\\\/miguelortizf\\\/\"],\"birthDate\":\"1984-11-22\",\"gender\":\"hombre\",\"knowsLanguage\":[\"espa\u00f1ol\",\"ingl\u00e9s\"],\"jobTitle\":\"Empresario flamenco\"},{\"@type\":\"PostalAddress\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/flamenco-dance-seville-biennial-2026.html#local-main-place-address\",\"streetAddress\":\"C\\\/ Alemanes, 19\",\"addressLocality\":\"Sevilla\",\"postalCode\":\"41004\",\"addressRegion\":\"Sevilla\",\"addressCountry\":\"ES\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/flamenco-dance-seville-biennial-2026.html#local-main-organization-logo\",\"url\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/wp-content\\\/uploads\\\/tablaos-flamencos-06-3.webp\",\"contentUrl\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/wp-content\\\/uploads\\\/tablaos-flamencos-06-3.webp\",\"width\":600,\"height\":620,\"caption\":\"Tablaos Flamencos\"}]}<\/script>\n<meta name=\"geo.placename\" content=\"Sevilla\" \/>\n<meta name=\"geo.position\" content=\"37.3868072;-5.993280299999999\" \/>\n<meta name=\"geo.region\" content=\"Spain\" \/>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Flamenco dance at the Seville Biennial 2026: figures and new generation","description":"Guide to flamenco dance at the Seville Biennial 2026: Sara Baras, Israel Galv\u00e1n, Manuel Li\u00f1\u00e1n, Farruquito, new talents, premieres and key dates.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html","og_locale":"en_US","og_type":"article","og_title":"Flamenco dance at the 2026 Biennial: from the great figures to the new generation","og_description":"Guide to flamenco dance at the Seville Biennial 2026: Sara Baras, Israel Galv\u00e1n, Manuel Li\u00f1\u00e1n, Farruquito, new talents, premieres and key dates.","og_url":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html","og_site_name":"Tablaos Flamencos","article_publisher":"https:\/\/www.facebook.com\/tablaosflamencos","article_published_time":"2026-09-03T21:17:01+00:00","article_modified_time":"2026-09-03T21:56:33+00:00","og_image":[{"width":1672,"height":941,"url":"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/el-baile-en-la-bienal-2026-de-las-grandes-figuras-a-la-nueva-generacion-01.webp","type":"image\/webp"}],"author":"Miguel Ortiz","twitter_card":"summary_large_image","twitter_creator":"@tablaosflamenco","twitter_site":"@tablaosflamenco","twitter_misc":{"Written by":"Miguel Ortiz","Est. reading time":"18 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html#article","isPartOf":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html"},"author":{"name":"Miguel Ortiz","@id":"https:\/\/www.tablaosflamencos.com\/en#\/schema\/person\/e7a9ebe14eb75a52ceabfbffb3c54f5d"},"headline":"Flamenco dance at the 2026 Biennial: from the great figures to the new generation","datePublished":"2026-09-03T21:17:01+00:00","dateModified":"2026-09-03T21:56:33+00:00","mainEntityOfPage":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html"},"wordCount":3649,"publisher":{"@id":"https:\/\/www.tablaosflamencos.com\/en#organization"},"image":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html#primaryimage"},"thumbnailUrl":"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/el-baile-en-la-bienal-2026-de-las-grandes-figuras-a-la-nueva-generacion-01.webp","keywords":["agenda flamenca","Bienal 2026","Bienal de Flamenco","festivales flamencos","flamenco dance","flamenco en Sevilla","sevilla","things to do in Seville","what to see in Seville"],"articleSection":["Flamenco Biennial"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html","url":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html","name":"Flamenco dance at the Seville Biennial 2026: figures and new generation","isPartOf":{"@id":"https:\/\/www.tablaosflamencos.com\/en#website"},"primaryImageOfPage":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html#primaryimage"},"image":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html#primaryimage"},"thumbnailUrl":"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/el-baile-en-la-bienal-2026-de-las-grandes-figuras-a-la-nueva-generacion-01.webp","datePublished":"2026-09-03T21:17:01+00:00","dateModified":"2026-09-03T21:56:33+00:00","description":"Guide to flamenco dance at the Seville Biennial 2026: Sara Baras, Israel Galv\u00e1n, Manuel Li\u00f1\u00e1n, Farruquito, new talents, premieres and key dates.","breadcrumb":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html#primaryimage","url":"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/el-baile-en-la-bienal-2026-de-las-grandes-figuras-a-la-nueva-generacion-01.webp","contentUrl":"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/el-baile-en-la-bienal-2026-de-las-grandes-figuras-a-la-nueva-generacion-01.webp","width":1672,"height":941,"caption":"El baile en la Bienal 2026: de las grandes figuras a la nueva generaci\u00f3n"},{"@type":"BreadcrumbList","@id":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.tablaosflamencos.com\/en"},{"@type":"ListItem","position":2,"name":"Flamenco dance at the 2026 Biennial: from the great figures to the new generation"}]},{"@type":"WebSite","@id":"https:\/\/www.tablaosflamencos.com\/en#website","url":"https:\/\/www.tablaosflamencos.com\/en","name":"Tablaos Flamencos","description":"Entradas para tablaos flamencos de Espa\u00f1a","publisher":{"@id":"https:\/\/www.tablaosflamencos.com\/en#organization"},"alternateName":"Tablaos Flamencos","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.tablaosflamencos.com\/en?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":["Organization","Place","EntertainmentBusiness"],"@id":"https:\/\/www.tablaosflamencos.com\/en#organization","name":"Tablaos Flamencos","alternateName":"Tablaos Flamencos","url":"https:\/\/www.tablaosflamencos.com\/en","logo":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html#local-main-organization-logo"},"image":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html#local-main-organization-logo"},"sameAs":["https:\/\/www.facebook.com\/tablaosflamencos","https:\/\/x.com\/tablaosflamenco","https:\/\/mastodon.social\/@tablaosflamencos","https:\/\/www.instagram.com\/tablaosflamencos","https:\/\/tiktok.com\/@tablaosflamencos","https:\/\/www.linkedin.com\/company\/109408238\/"],"description":"Venta de entradas para espect\u00e1culos flamencos","legalName":"Tablaos Flamencos","foundingDate":"2015-01-01","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"1","maxValue":"10"},"address":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html#local-main-place-address"},"geo":{"@type":"GeoCoordinates","latitude":"37.3868072","longitude":"-5.993280299999999"},"telephone":["+34623787787"],"contactPoint":{"@type":"ContactPoint","telephone":"+34623787787","email":"info@tablaosflamencos.com"},"openingHoursSpecification":{"@type":"OpeningHoursSpecification","dayOfWeek":["Monday","Tuesday","Wednesday","Thursday","Friday","Saturday","Sunday"],"opens":"00:00","closes":"23:59"},"email":"info@tablaosflamencos.com","priceRange":"$$$","currenciesAccepted":"\u20ac"},{"@type":"Person","@id":"https:\/\/www.tablaosflamencos.com\/en#\/schema\/person\/e7a9ebe14eb75a52ceabfbffb3c54f5d","name":"Miguel Ortiz","description":"Miguel Ortiz es un empresario flamenco, con una s\u00f3lida trayectoria dentro del sector. Ha presidido entidades culturales vinculadas al flamenco y, cuenta con un amplio recorrido profesional en la gesti\u00f3n y promoci\u00f3n de espect\u00e1culos y tablaos flamencos. Su pasi\u00f3n por la historia y el arte flamenco se refleja en cada art\u00edculo, donde combina experiencia, criterio y un profundo respeto por la tradici\u00f3n.","sameAs":["https:\/\/www.tablaosflamencos.com","https:\/\/www.instagra.com\/miguelortizfe","https:\/\/www.linkedin.com\/in\/miguelortizf\/"],"birthDate":"1984-11-22","gender":"hombre","knowsLanguage":["espa\u00f1ol","ingl\u00e9s"],"jobTitle":"Empresario flamenco"},{"@type":"PostalAddress","@id":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html#local-main-place-address","streetAddress":"C\/ Alemanes, 19","addressLocality":"Sevilla","postalCode":"41004","addressRegion":"Sevilla","addressCountry":"ES"},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.tablaosflamencos.com\/en\/flamenco-dance-seville-biennial-2026.html#local-main-organization-logo","url":"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/tablaos-flamencos-06-3.webp","contentUrl":"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/tablaos-flamencos-06-3.webp","width":600,"height":620,"caption":"Tablaos Flamencos"}]},"geo.placename":"Sevilla","geo.position":{"lat":"37.3868072","long":"-5.993280299999999"},"geo.region":"Spain"},"_links":{"self":[{"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/posts\/14275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/comments?post=14275"}],"version-history":[{"count":2,"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/posts\/14275\/revisions"}],"predecessor-version":[{"id":14290,"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/posts\/14275\/revisions\/14290"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/media\/14270"}],"wp:attachment":[{"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/media?parent=14275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/categories?post=14275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/tags?post=14275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}