{"id":14114,"date":"2026-09-03T00:45:32","date_gmt":"2026-09-02T22:45:32","guid":{"rendered":"https:\/\/www.tablaosflamencos.com\/?p=14114"},"modified":"2026-09-03T01:44:17","modified_gmt":"2026-09-02T23:44:17","slug":"seville-flamenco-biennial-2026-guitar-must-see-shows","status":"publish","type":"post","link":"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026-guitar-must-see-shows.html","title":{"rendered":"Guitar at the 2026 Seville Flamenco Biennial: must-see shows"},"content":{"rendered":"<section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>The guitar, one of the major protagonists of the 2026 Flamenco Biennial<\/h2>\n<p>The <strong>flamenco guitar<\/strong> has an exceptional place at the <strong>24th Seville Flamenco Biennial 2026<\/strong>. Running from <strong>9 September to 3 October<\/strong>, this edition features a programme in which guitar playing is no longer merely accompaniment but becomes the absolute focus of concerts, premieres, intergenerational encounters and dialogues with other musical traditions.<\/p>\n<p>The Biennial itself has presented this edition as one of the major international events for the <strong>flamenco concert guitar<\/strong>, with around fifteen proposals directly linked to the instrument. <strong>Espacio Turina<\/strong> will be its main venue, hosting nine concerts between 11 and 27 September, while some of the most distinctive guitar events will also take place at San Luis de los Franceses, Teatro Lope de Vega and Teatro de la Maestranza.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p style=\"text-align: center; font-size: 54px; line-height: 1; margin-bottom: 10px;\"><strong>15<\/strong><\/p>\n<h3 style=\"text-align: center;\">events with the guitar in the spotlight<\/h3>\n<p style=\"text-align: center; font-size: 46px; line-height: 1; margin: 25px 0 10px;\"><strong>9<\/strong><\/p>\n<h3 style=\"text-align: center;\">concerts at Espacio Turina<\/h3>\n<p style=\"text-align: center; font-size: 42px; line-height: 1; margin: 25px 0 10px;\"><strong>11\u201327 SEP<\/strong><\/p>\n<h3 style=\"text-align: center;\">major guitar series<\/h3>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><blockquote>\n<p><strong>Quick answer:<\/strong> if you want to hear flamenco guitar at the 2026 Biennial, the standout dates include <strong>Antonio Rey, Jos\u00e9 Ferm\u00edn Fern\u00e1ndez, Juan Requena, Alejandro Hurtado, Juan Manuel Ca\u00f1izares, Rafael Riqueni, Diego del Morao and Dani de Mor\u00f3n<\/strong>. Espacio Turina hosts most of the recitals, while San Luis, Lope de Vega and the Maestranza stage some of the most exceptional proposals of the entire edition.<\/p>\n<\/blockquote>\n<p><strong>Last updated: 2 September 2026.<\/strong> Ticket availability can change quickly. We recommend always checking the official page for each performance before planning your visit.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-hwrapper valign_top wrap stack_on_mobiles align_center\" style=\"--hwrapper-gap:1.2rem\"><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026.html\"><span class=\"w-btn-label\">Complete 2026 Biennial guide<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026-tickets-prices-discounts.html\"><span class=\"w-btn-label\">Tickets, prices and discounts<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-3 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>What this guide covers<\/h2>\n<ul>\n<li><a href=\"#por-que-guitarra\">Why the guitar matters so much at the 2026 Biennial<\/a><\/li>\n<li><a href=\"#turina\">Espacio Turina: the great temple of the guitar<\/a><\/li>\n<li><a href=\"#imprescindibles\">The must-see guitar shows<\/a><\/li>\n<li><a href=\"#antonio-rey\">Antonio Rey: Historias de un flamenco<\/a><\/li>\n<li><a href=\"#jose-fermin\">Jos\u00e9 Ferm\u00edn Fern\u00e1ndez: Guitarra desnuda<\/a><\/li>\n<li><a href=\"#juan-requena\">Juan Requena: Requeneando<\/a><\/li>\n<li><a href=\"#alejandro-hurtado\">Alejandro Hurtado: Devenir de la guitarra<\/a><\/li>\n<li><a href=\"#canizares\">Ca\u00f1izares sinf\u00f3nico<\/a><\/li>\n<li><a href=\"#riqueni\">Rafael Riqueni &amp; Tim Ries: Tunisia<\/a><\/li>\n<li><a href=\"#diego-morao\">Diego del Morao: M\u00e1s Morao<\/a><\/li>\n<li><a href=\"#dani-moron\">Dani de Mor\u00f3n: Cuadro<\/a><\/li>\n<li><a href=\"#calendario\">Expanded guitar calendar<\/a><\/li>\n<li><a href=\"#elegir\">Which concert to choose for your tastes<\/a><\/li>\n<li><a href=\"#faq-guitarra\">Frequently asked questions<\/a><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-3 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_tilt pos_top hor_flip\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 7.9 L64 10 L0 10 L0 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"por-que-guitarra\">Why the guitar is so important at the 2026 Biennial<\/h2>\n<p>Not every edition of the Biennial gives the solo guitar such a prominent role. In 2026 we find several generations of performers, very different aesthetics and one shared idea: to show that contemporary flamenco guitar can sustain a complete artistic discourse on its own.<\/p>\n<p>The programme combines <strong>established masters<\/strong>, guitarists with a strong creative identity, artists presenting their own show for the first time, and musicians who expand the traditional boundaries of the instrument through jazz, symphonic music, early music and roots traditions.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"turina\">Espacio Turina: the great temple of flamenco guitar<\/h2>\n<p><strong>Espacio Turina<\/strong>, on Calle Lara\u00f1a, hosts nine concerts between 11 and 27 September. Its acoustics and relatively intimate format make it especially suitable for hearing nuances of attack, comp\u00e1s, harmony and dynamics that can feel different in larger venues.<\/p>\n<p>Turina will welcome Antonio Rey, Canito &amp; Ra\u00fal Rodr\u00edguez, Jos\u00e9 Ferm\u00edn Fern\u00e1ndez, Juan Requena, Mar\u00eda Mar\u00edn, Manuel de la Luz &amp; Manuel Im\u00e1n, Diego del Morao, Juan Medina and Dani de Mor\u00f3n. It is probably the most coherent section of the entire programme for anyone who wants to follow the current evolution of flamenco guitar playing.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"imprescindibles\" style=\"text-align: center;\">8 must-see shows for guitar lovers<\/h2>\n<p style=\"text-align: center;\">The following selection is not intended to turn the guitar into a competition. Each proposal comes from a different aesthetic, and that is precisely one of the great attractions of the 2026 Biennial.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"antonio-rey\">1. Antonio Rey \u2014 <em>Historias de un flamenco<\/em><\/h2>\n<p><strong>11 September \u00b7 19:00 \u00b7 Espacio Turina<\/strong><\/p>\n<p>Antonio Rey opens Turina&#8217;s major guitar series with <em>Historias de un flamenco<\/em>. His programme includes taranta, rumba, alegr\u00edas, buler\u00edas, minera and other pieces from his recent repertoire.<\/p>\n<p>It is one of the clearest choices for anyone looking for a contemporary guitar style that is technically brilliant yet deeply connected to tradition. The concert features Mara Rey on cante, Manuel Heredia as second guitarist, Juan Parrilla on flute and Bandolero on percussion.<\/p>\n<p><strong>Why we consider it essential:<\/strong> he is one of today&#8217;s leading Spanish concert guitarists and arrives in Seville with a mature repertoire after an international career and several recording awards.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"jose-fermin\">2. Jos\u00e9 Ferm\u00edn Fern\u00e1ndez \u2014 <em>Guitarra desnuda<\/em><\/h2>\n<p><strong>13 September \u00b7 19:00 \u00b7 Espacio Turina \u00b7 One-off performance<\/strong><\/p>\n<p>Here the concept changes completely: <strong>solo guitar<\/strong>, with no stage support or accompaniment. Jos\u00e9 Ferm\u00edn Fern\u00e1ndez presents a recital built around different traditional palos and the instrument&#8217;s narrative power.<\/p>\n<p>His solo debut at the Biennial is also an opportunity to hear one of the younger generation&#8217;s guitarists in a format that allows nothing to hide: sound, tuning, comp\u00e1s, intention and musicality are completely exposed.<\/p>\n<p><strong>Ideal for:<\/strong> enthusiasts who want to hear concert guitar in its most essential form.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top hor_flip\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"juan-requena\">3. Juan Requena \u2014 <em>Requeneando<\/em><\/h2>\n<p><strong>18 September \u00b7 19:00 \u00b7 Espacio Turina \u00b7 One-off performance<\/strong><\/p>\n<p>For the first time at the Biennial, Juan Requena takes centre stage with a show of his own. <em>Requeneando<\/em> is conceived as a journey through different palos chosen to reflect his career, sensitivity and musical language.<\/p>\n<p>He will be joined by Los Makarines on backing vocals and palmas, with a special appearance by singer and multi-instrumentalist Jos\u00e9 \u00c1ngel Carmona.<\/p>\n<p><strong>What makes it different:<\/strong> it is not simply a virtuoso recital, but the presentation of a personal creative universe that also previews material from his next recording project.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"alejandro-hurtado\">4. Alejandro Hurtado &amp; Enrike Solin\u00eds \u2014 <em>Devenir de la guitarra<\/em><\/h2>\n<p><strong>19 and 20 September \u00b7 12:00 \u00b7 Church of San Luis de los Franceses<\/strong><\/p>\n<p>This is one of the most conceptually interesting proposals of the edition. Alejandro Hurtado places flamenco guitar in dialogue with <strong>historical guitar and early music<\/strong>, alongside Enrike Solin\u00eds and in collaboration with the Seville Early Music Festival.<\/p>\n<p>The programme includes Hurtado&#8217;s own compositions alongside historical references and a journey connecting different stages in the guitar&#8217;s history.<\/p>\n<p>The Baroque setting of <strong>San Luis de los Franceses<\/strong> adds a particularly distinctive spatial and acoustic dimension.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"canizares\">5. Ca\u00f1izares &amp; ROSS \u2014 <em>Ca\u00f1izares sinf\u00f3nico<\/em><\/h2>\n<p><strong>19 September \u00b7 20:00 \u00b7 Teatro de la Maestranza \u00b7 One-off performance<\/strong><\/p>\n<p>Juan Manuel Ca\u00f1izares appears as solo guitarist with the <strong>Royal Seville Symphony Orchestra<\/strong>, conducted by Santiago Serrate.<\/p>\n<p>The programme includes the <em>Concierto Al-\u00c1ndalus para guitarra y orquesta<\/em>, dedicated to the memory of Paco de Luc\u00eda, and the <em>Concierto Mediterr\u00e1neo<\/em>, dedicated to Joaqu\u00edn Rodrigo.<\/p>\n<p><strong>Why it is special:<\/strong> this is the most overtly symphonic option in the entire guitar programme. For anyone who wants to hear how flamenco guitar projects against a full orchestra, this is one of the Biennial&#8217;s key nights.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"riqueni\">6. Rafael Riqueni &amp; Tim Ries \u2014 <em>Tunisia<\/em><\/h2>\n<p><strong>21 September \u00b7 20:00 \u00b7 Teatro Lope de Vega \u00b7 World premiere<\/strong><\/p>\n<p>One of the most distinctive encounters of 2026 brings together Seville guitarist <strong>Rafael Riqueni<\/strong> and American saxophonist and flautist <strong>Tim Ries<\/strong>.<\/p>\n<p>The repertoire crosses compositions linked to Riqueni&#8217;s musical world with other pieces, opening a conversation between flamenco guitar, jazz and chamber-music sensitivity.<\/p>\n<p><strong>Ideal for:<\/strong> anyone looking for a less orthodox proposal that is more open to dialogue between genres, while keeping one of the historic names of Seville guitar at its centre.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top hor_flip\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"diego-morao\">7. Diego del Morao \u2014 <em>M\u00e1s Morao<\/em><\/h2>\n<p><strong>25 September \u00b7 19:00 \u00b7 Espacio Turina \u00b7 One-off performance<\/strong><\/p>\n<p>Diego del Morao represents one of the most recognisable sounds in contemporary Jerez guitar. <em>M\u00e1s Morao<\/em> places his playing front and centre, driven by an ensemble closely tied to the aesthetics of Jerez and the Santiago neighbourhood.<\/p>\n<p>He will be joined by An\u00e9 Carrasco on percussion and Maloko on cante, with further collaborators still to be confirmed.<\/p>\n<p><strong>Why we would not miss it:<\/strong> few current guitarists have such an identifiable rhythmic personality. It is especially recommended for listeners who value comp\u00e1s, the sound of Jerez and a highly personal way of accompanying and building falsetas.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"dani-moron\">8. Dani de Mor\u00f3n \u2014 <em>Cuadro<\/em><\/h2>\n<p><strong>27 September \u00b7 19:00 \u00b7 Espacio Turina \u00b7 One-off performance<\/strong><\/p>\n<p>Dani de Mor\u00f3n closes the Turina series with a proposal that revives the idea of the <strong>flamenco cuadro as a living organism<\/strong>. His guitar enters into dialogue with the voices of Sergio El Colorao, Amparo Lagares and Ismael El Bola, the dancing of Claudia La Debla and the palmas of Los Mellis.<\/p>\n<p>The programme moves through buler\u00edas, sole\u00e1, ton\u00e1s, tientos, canti\u00f1as, romance, farruca, seguiriya, tangos and other styles.<\/p>\n<p><strong>What it adds:<\/strong> it lets you hear the guitar not only as a solo instrument, but as the musical architecture organising cante, dance, comp\u00e1s and collective creation.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"calendario\">Expanded guitar calendar for the 2026 Biennial<\/h2>\n<div style=\"overflow-x: auto;\">\n<table>\n<thead>\n<tr>\n<th>Date<\/th>\n<th>Artist \/ show<\/th>\n<th>Venue<\/th>\n<th>Focus<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>11 sep<\/td>\n<td><strong>Antonio Rey \u2014 Historias de un flamenco<\/strong><\/td>\n<td>Espacio Turina<\/td>\n<td>Contemporary recital<\/td>\n<\/tr>\n<tr>\n<td>12 sep<\/td>\n<td><strong>Canito &amp; Ra\u00fal Rodr\u00edguez \u2014 La cuerda al aire<\/strong><\/td>\n<td>Espacio Turina<\/td>\n<td>Guitar and tres flamenco<\/td>\n<\/tr>\n<tr>\n<td>13 sep<\/td>\n<td><strong>Jos\u00e9 Ferm\u00edn Fern\u00e1ndez \u2014 Guitarra desnuda<\/strong><\/td>\n<td>Espacio Turina<\/td>\n<td>Solo guitar<\/td>\n<\/tr>\n<tr>\n<td>18 sep<\/td>\n<td><strong>Juan Requena \u2014 Requeneando<\/strong><\/td>\n<td>Espacio Turina<\/td>\n<td>Personal creation<\/td>\n<\/tr>\n<tr>\n<td>18 sep<\/td>\n<td><strong>Antonio Reyes \u2014 Seis cuerdas, seis<\/strong><\/td>\n<td>Teatro Lope de Vega<\/td>\n<td>Cante and guitar<\/td>\n<\/tr>\n<tr>\n<td>19 sep<\/td>\n<td><strong>Alejandro Hurtado &amp; Enrike Solin\u00eds \u2014 Devenir de la guitarra<\/strong><\/td>\n<td>San Luis<\/td>\n<td>Flamenco and historical guitar<\/td>\n<\/tr>\n<tr>\n<td>19 sep<\/td>\n<td><strong>Mar\u00eda Mar\u00edn \u2014 Las Tres Mar\u00edas<\/strong><\/td>\n<td>Espacio Turina<\/td>\n<td>Guitar and voice \u00b7 premiere<\/td>\n<\/tr>\n<tr>\n<td>19 sep<\/td>\n<td><strong>Ca\u00f1izares &amp; ROSS \u2014 Ca\u00f1izares sinf\u00f3nico<\/strong><\/td>\n<td>Maestranza<\/td>\n<td>Guitar and orchestra<\/td>\n<\/tr>\n<tr>\n<td>20 sep<\/td>\n<td><strong>Alejandro Hurtado &amp; Enrike Solin\u00eds \u2014 Devenir de la guitarra<\/strong><\/td>\n<td>San Luis<\/td>\n<td>Second performance<\/td>\n<\/tr>\n<tr>\n<td>20 sep<\/td>\n<td><strong>Manuel de la Luz &amp; Manuel Im\u00e1n \u2014 Manos que hablan<\/strong><\/td>\n<td>Espacio Turina<\/td>\n<td>Dialogue between guitars<\/td>\n<\/tr>\n<tr>\n<td>21 sep<\/td>\n<td><strong>Rafael Riqueni &amp; Tim Ries \u2014 Tunisia<\/strong><\/td>\n<td>Lope de Vega<\/td>\n<td>Premiere \u00b7 flamenco and jazz<\/td>\n<\/tr>\n<tr>\n<td>25 sep<\/td>\n<td><strong>Diego del Morao \u2014 M\u00e1s Morao<\/strong><\/td>\n<td>Espacio Turina<\/td>\n<td>Jerez guitar<\/td>\n<\/tr>\n<tr>\n<td>26 sep<\/td>\n<td><strong>Juan Medina \u2014 Fugaz<\/strong><\/td>\n<td>Espacio Turina<\/td>\n<td>New generation<\/td>\n<\/tr>\n<tr>\n<td>27 sep<\/td>\n<td><strong>Dani de Mor\u00f3n \u2014 Cuadro<\/strong><\/td>\n<td>Espacio Turina<\/td>\n<td>Guitar, cante and dance<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top hor_flip\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"elegir\">Which concert should you choose?<\/h2>\n<ul>\n<li><strong>Essential solo guitar:<\/strong> Jos\u00e9 Ferm\u00edn Fern\u00e1ndez.<\/li>\n<li><strong>Major contemporary concert guitar:<\/strong> Antonio Rey.<\/li>\n<li><strong>Comp\u00e1s and the Jerez school:<\/strong> Diego del Morao.<\/li>\n<li><strong>Flamenco and historical tradition:<\/strong> Alejandro Hurtado &amp; Enrike Solin\u00eds.<\/li>\n<li><strong>Guitar with orchestra:<\/strong> Ca\u00f1izares &amp; ROSS.<\/li>\n<li><strong>Flamenco open to jazz:<\/strong> Rafael Riqueni &amp; Tim Ries.<\/li>\n<li><strong>Guitar within the flamenco cuadro:<\/strong> Dani de Mor\u00f3n.<\/li>\n<li><strong>New voices of the toque:<\/strong> Juan Requena, Jos\u00e9 Ferm\u00edn Fern\u00e1ndez, Mar\u00eda Mar\u00edn or Juan Medina.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Is it worth reserving several afternoons for Turina?<\/h2>\n<p>Yes, especially if the guitar is one of your main reasons for attending the Biennial. Turina&#8217;s programme does not repeat a single recital model: there is solo guitar, accompaniment, dialogue between instruments, guitar and voice, the Jerez school and collective proposals.<\/p>\n<p>A good strategy is to choose <strong>two or three concerts with different profiles<\/strong>. For example, Jos\u00e9 Ferm\u00edn to hear the instrument completely exposed, Diego del Morao to enter the language of Jerez and Dani de Mor\u00f3n to see how the guitar structures a complete cuadro.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Tickets and planning<\/h2>\n<p>Shows at Espacio Turina are generally more affordable than some of the major Maestranza productions. However, several dates are announced as <strong>Unique Nights<\/strong>, meaning there is only one opportunity to see them during the Biennial.<\/p>\n<p>For updated prices, discounts, Hora Joven and official sales channels, use our guide to <a href=\"https:\/\/www.tablaosflamencos.com\/bienal-flamenco-2026-entradas-precios-descuentos.html\"><strong>tickets, prices and discounts for the 2026 Biennial<\/strong><\/a>.<\/p>\n<p>We also recommend checking the <a href=\"https:\/\/www.labienal.com\/programa-general\" target=\"_blank\" rel=\"noopener\"><strong>official Biennial programme<\/strong><\/a> before travelling, as availability changes as each date approaches.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-hwrapper valign_top wrap stack_on_mobiles align_center\" style=\"--hwrapper-gap:1.2rem\"><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026-unique-matinees.html\"><span class=\"w-btn-label\">View the Unique Matinees<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026-unique-nights.html\"><span class=\"w-btn-label\">View the Unique Nights<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 style=\"text-align: center;\">A Biennial for hearing how today&#8217;s flamenco guitar sounds<\/h2>\n<p style=\"text-align: center;\">The guitar does not appear at the 2026 Biennial as a single homogeneous block. Tradition, experimentation, accompaniment, solo recitals, orchestra, jazz, early music and new generations all coexist.<\/p>\n<p style=\"text-align: center;\">That contrast makes the programme an especially valuable opportunity to understand <strong>where contemporary flamenco guitar is heading without losing sight of its roots<\/strong>.<\/p>\n<p style=\"text-align: center;\">If guitar is a priority on your trip to Seville, this edition practically lets you build a festival within the festival.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge with_shape\"><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-3\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"faq-guitarra\" style=\"text-align: center;\">Frequently asked questions about guitar at the 2026 Biennial<\/h2>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-tabs accordion toggle_style_1 has_scrolling\" style=\"--sections-title-size:inherit;--sections-gap:0.5rem;\"><div class=\"w-tabs-sections titles-align_none icon_chevron cpos_right\"><div class=\"w-tabs-section\" id=\"m020\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-m020\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">How many guitar shows are there at the 2026 Biennial?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-m020\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The Biennial has highlighted around <strong>fifteen proposals<\/strong> in which flamenco concert guitar plays a central role, spread across Espacio Turina, San Luis de los Franceses, Teatro Lope de Vega and Teatro de la Maestranza, among other venues.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"q11a\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-q11a\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Where is the guitar programme concentrated?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-q11a\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The main venue is <strong>Espacio Turina<\/strong>, which hosts nine guitar concerts between 11 and 27 September 2026.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"q204\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-q204\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Which major guitarists are performing at the 2026 Biennial?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-q204\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Among others, the programme includes Antonio Rey, Rafael Riqueni, Juan Manuel Ca\u00f1izares, Diego del Morao, Dani de Mor\u00f3n, Alejandro Hurtado, Jos\u00e9 Ferm\u00edn Fern\u00e1ndez, Juan Requena, Mar\u00eda Mar\u00edn, Manuel de la Luz, Manuel Im\u00e1n and Juan Medina.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"x2e0\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-x2e0\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Are there solo guitar recitals?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-x2e0\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Yes. One of the clearest examples is <em>Guitarra desnuda<\/em> by Jos\u00e9 Ferm\u00edn Fern\u00e1ndez, on 13 September at Espacio Turina, conceived to present the guitar in its most essential form.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"r3bb\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-r3bb\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Is there flamenco guitar with a symphony orchestra?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-r3bb\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Yes. Juan Manuel Ca\u00f1izares performs with the Royal Seville Symphony Orchestra on 19 September at Teatro de la Maestranza in <em>Ca\u00f1izares sinf\u00f3nico<\/em>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"y48b\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-y48b\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Which concert combines flamenco guitar and jazz?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-y48b\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p><em>Tunisia<\/em>, by Rafael Riqueni and Tim Ries, creates a dialogue between the Seville master&#8217;s flamenco guitar and the American musician&#8217;s saxophones and flute. It is a world premiere scheduled for 21 September at the Lope de Vega.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"u559\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-u559\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Where can I hear Diego del Morao?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-u559\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Diego del Morao presents <em>M\u00e1s Morao<\/em> on <strong>25 September at 19:00<\/strong> at Espacio Turina. It is announced as a one-off performance.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"b636\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-b636\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">When does Dani de Mor\u00f3n perform?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-b636\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Dani de Mor\u00f3n presents <em>Cuadro<\/em> on <strong>27 September at 19:00<\/strong> at Espacio Turina, also as a one-off performance.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"i711\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-i711\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Is there guitar in the Unique Matinees?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-i711\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Yes. Alejandro Hurtado presents <em>Devenir de la guitarra<\/em> with Enrike Solin\u00eds on 19 and 20 September at 12:00 in the Church of San Luis de los Franceses.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"i7d4\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-i7d4\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Where can I buy tickets for the guitar concerts?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-i7d4\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The safest option is to open each performance page from the Biennial&#8217;s official programme. Tablaos Flamencos also maintains a dedicated guide with prices, discounts, box-office information and purchasing advice.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"<p>A guide to the must-see flamenco guitar shows at the 2026 Seville Flamenco Biennial, with Antonio Rey, Riqueni, Ca\u00f1izares, Diego del Morao, Dani de Mor\u00f3n and more.<\/p>\n","protected":false},"author":1,"featured_media":14100,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"wpai_generated_summary":"","_ayudawp_aiss_exclude":false,"_ayudawp_aiss_exclude_summary":false,"_ayudawp_aiss_summary":"","_ayudawp_aiss_summary_provider":"","_ayudawp_aiss_summary_hash":"","footnotes":""},"categories":[1427],"tags":[1232,1233,1234,1235,1144,1389,1236],"class_list":["post-14114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-flamenco-biennial","tag-agenda-flamenca","tag-bienal-2026","tag-bienal-de-flamenco","tag-festivales-flamencos","tag-flamenco-en-sevilla","tag-flamenco-guitar","tag-sevilla"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.4 (Yoast SEO v28.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Guitar at the 2026 Seville Flamenco Biennial: must-see 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