{"id":14106,"date":"2026-09-03T01:13:43","date_gmt":"2026-09-02T23:13:43","guid":{"rendered":"https:\/\/www.tablaosflamencos.com\/?p=14106"},"modified":"2026-09-03T01:32:33","modified_gmt":"2026-09-02T23:32:33","slug":"carmen-linares-seville-flamenco-biennial-2026-perlas-a-millares","status":"publish","type":"post","link":"https:\/\/www.tablaosflamencos.com\/en\/carmen-linares-seville-flamenco-biennial-2026-perlas-a-millares.html","title":{"rendered":"Carmen Linares will close the 2026 Biennial: Perlas a millares"},"content":{"rendered":"<section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>A closing night built around a historic work<\/h2>\n<p>The <strong>24th Seville Flamenco Biennial<\/strong> will close on <strong>3 October 2026<\/strong> with one of its most symbolically significant events. <strong>Carmen Linares<\/strong> will come to the <strong>Teatro de la Maestranza<\/strong> with <em>Perlas a millares<\/em>, a show created to celebrate the <strong>30th anniversary of <em>Antolog\u00eda de la mujer en el cante<\/em><\/strong>, the album that in 1996 marked a turning point in her career.<\/p>\n<p>This will not be just another date on the calendar. The organisers present it as a <strong>One-off Night<\/strong> and as the official closing event of an edition that began on 9 September and, for almost a month, will have filled Seville\u2019s theatres, monuments, courtyards and heritage venues with singing, dance and guitar.<\/p>\n<p>Carmen Linares will not be alone. She will share the stage with <strong>Marina Heredia, Mar\u00eda Terremoto and Roc\u00edo Luna<\/strong> on vocals, and with <strong>Rafaela Carrasco<\/strong> on dance, in a production that looks both to the memory of women in flamenco and to the generations that continue that legacy today.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>Key details<\/h3>\n<ul>\n<li><strong>Show:<\/strong> <em>Perlas a millares<\/em><\/li>\n<li><strong>Date:<\/strong> 3 October 2026<\/li>\n<li><strong>Time:<\/strong> 20:00<\/li>\n<li><strong>Venue:<\/strong> Teatro de la Maestranza<\/li>\n<li><strong>Format:<\/strong> One-off Night<\/li>\n<li><strong>Occasion:<\/strong> 30th anniversary of <em>Antolog\u00eda de la mujer en el cante<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><blockquote>\n<p><strong>Quick answer:<\/strong> Carmen Linares will close the 2026 Seville Flamenco Biennial on Saturday 3 October at 20:00 at the Teatro de la Maestranza with <em>Perlas a millares<\/em>, joined by Marina Heredia, Mar\u00eda Terremoto, Roc\u00edo Luna and Rafaela Carrasco. The show celebrates 30 years of <em>Antolog\u00eda de la mujer en el cante<\/em>, one of the landmark works of her career.<\/p>\n<\/blockquote>\n<p><strong>Last updated: 2 September 2026.<\/strong> Ticket availability and some production details may change. Always check the official information.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-hwrapper valign_top wrap stack_on_mobiles align_center\" style=\"--hwrapper-gap:1.2rem\"><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026.html\"><span class=\"w-btn-label\">Complete guide to the 2026 Biennial<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026-unique-nights.html\"><span class=\"w-btn-label\">Biennial One-off Nights<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-3 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Contents of this guide<\/h2>\n<ul>\n<li><a href=\"#clausura\">Why this closing night has special significance<\/a><\/li>\n<li><a href=\"#antologia\">30 years of <em>Antolog\u00eda de la mujer en el cante<\/em><\/a><\/li>\n<li><a href=\"#artistas\">The guest artists<\/a><\/li>\n<li><a href=\"#programa\">What will be sung in <em>Perlas a millares<\/em><\/a><\/li>\n<li><a href=\"#equipo\">Artistic and musical team<\/a><\/li>\n<li><a href=\"#maestranza\">Teatro de la Maestranza as the setting for the closing night<\/a><\/li>\n<li><a href=\"#entradas\">Tickets and practical advice<\/a><\/li>\n<li><a href=\"#faq\">Frequently asked questions<\/a><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-3 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"clausura\">A closing night devoted to memory<\/h2>\n<p>Choosing Carmen Linares to close the 2026 Biennial carries meaning far beyond the prestige of her name. The singer belongs to a generation that was decisive in the modernisation and international projection of flamenco, and her career has intersected with some of the genre\u2019s central chapters over recent decades.<\/p>\n<p>The closing night also arrives after an edition with a particularly strong focus on singing. The Biennial itself has highlighted the presence of more than one hundred voices in its programme, from major masters to young performers. Giving the final night to Carmen Linares reinforces that idea of continuity: a historic figure who makes room for and shares repertoire with artists from different generations.<\/p>\n<p><em>Perlas a millares<\/em> therefore works both as the end of the festival and as a gesture of transmission. It does not simply revisit an old album: it returns to a repertoire built from the voices and styles of essential women in flamenco and brings it back onto a major contemporary stage.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>The final major event of the 24th Biennial<\/h3>\n<p>The 3 October performance will be the final event in the general programme. The day before, the Biennial will have hosted its last premieres at other venues around the city; the following night, the Maestranza will concentrate the institutional and artistic closing of the edition.<\/p>\n<p>That is why the show has been included among the <strong>One-off Nights<\/strong>, the series that brings together productions conceived as unrepeatable events. In this case, its exceptional character rests on the anniversary, the gathering of artists and the historical weight of the repertoire.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"antologia\">30 years of <em>Antolog\u00eda de la mujer en el cante<\/em><\/h2>\n<p>In 1996 Carmen Linares released <em>Antolog\u00eda de la mujer en el cante<\/em>, a project that recovered and reinterpreted repertoires associated with great women singers from flamenco history. The recording appeared at a particularly fertile moment for flamenco, when works of strong aesthetic renewal coexisted with a growing awareness of recorded memory and tradition.<\/p>\n<p>The Biennial itself recalls that the album featured guitarists such as <strong>Vicente Amigo, Tomatito, Rafael Riqueni and Mora\u00edto<\/strong>, among others. The album became a central reference in Carmen Linares\u2019s discography and one of the most frequently cited works when discussing the role of women in the history of flamenco singing.<\/p>\n<p>Thirty years later, <em>Perlas a millares<\/em> returns to that material not as a literal recreation, but as a stage tribute. Carmen Linares selects essential styles from the album and shares them with present-day voices that represent different paths within flamenco.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>Why was that album important?<\/h3>\n<p>The value of the work lies both in its repertoire and in its concept. The anthology focused attention on women singers and creators who had often remained scattered across oral memory, historic recordings or specialist references.<\/p>\n<p>Names such as <strong>Ni\u00f1a de los Peines, La Mejorana, La Trini, La Serneta, La Repompa and Perla de C\u00e1diz<\/strong> were connected within a single artistic discourse. Carmen Linares did not merely quote those repertoires: she reinterpreted them through her own personality, helping new generations to listen to and study them again.<\/p>\n<p>The 30th-anniversary celebration at the Biennial once again places that female genealogy at centre stage.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"artistas\">Carmen Linares with Marina Heredia, Mar\u00eda Terremoto, Roc\u00edo Luna and Rafaela Carrasco<\/h2>\n<p>One of the main attractions of <em>Perlas a millares<\/em> is the gathering of artists. Carmen Linares is the central figure, but the show is conceived as a dialogue between generations.<\/p>\n<p><strong>Marina Heredia<\/strong> brings one of the most recognisable voices in contemporary flamenco and will arrive at the closing night after headlining her own concert with the Royal Seville Symphony Orchestra on 1 October. <strong>Mar\u00eda Terremoto<\/strong> represents a line directly connected to Jerez\u2019s singing tradition. <strong>Roc\u00edo Luna<\/strong>, winner of the L\u00e1mpara Minera in 2023, embodies an even younger generation and appears in this edition sharing the stage with one of the great masters of flamenco singing.<\/p>\n<p>The dance will be performed by <strong>Rafaela Carrasco<\/strong>, an experienced choreographer and dancer whose presence expands the show beyond the recital format. The meeting of singing, guitar and dance reinforces the idea of a living anthology translated into the stage language of 2026.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"programa\">The programme: a journey through styles and historic women singers<\/h2>\n<p>The Biennial\u2019s official programme outlines an especially wide-ranging journey. The repertoire includes <strong>Lucena fandangos and ronde\u00f1a<\/strong>, linked to Dolores de la Huerta and Concha la Pe\u00f1aranda; <strong>alegr\u00edas and cantinas<\/strong> associated with Ni\u00f1a de los Peines, La Mejorana and Rosario la del Colorao; and <strong>tientos<\/strong> from the orbit of Pastora Pav\u00f3n.<\/p>\n<p>There will also be <strong>bamberas and Huelva fandangos<\/strong>, an instrumental section, <strong>grana\u00edna, malague\u00f1a and taranta<\/strong>, as well as <strong>buler\u00eda por sole\u00e1<\/strong>, tangos, seguiriyas, buler\u00edas and ton\u00e1s.<\/p>\n<p>The programme does not aim to represent every flamenco form, but to recover a selection of styles linked to women who left a decisive mark on flamenco singing. The variety also gives the guest artists different spaces within the show.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>Some of the women referenced in the repertoire<\/h3>\n<ul>\n<li>Ni\u00f1a de los Peines<\/li>\n<li>La Mejorana<\/li>\n<li>Rosario la del Colorao<\/li>\n<li>Mar\u00eda la Conejilla<\/li>\n<li>Juana Mar\u00eda<\/li>\n<li>T\u00eda Marina Habichuela<\/li>\n<li>La Trini<\/li>\n<li>La Serneta<\/li>\n<li>La Moreno<\/li>\n<li>La Jilica de Marchena<\/li>\n<li>La Repompa<\/li>\n<li>Perla de C\u00e1diz<\/li>\n<li>Antonia Pozo<\/li>\n<li>Juana Cruz<\/li>\n<\/ul>\n<p>The title <em>Perlas a millares<\/em> is especially fitting for a production built precisely from this accumulation of voices, styles and memories.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"equipo\">The musical team of <em>Perlas a millares<\/em><\/h2>\n<p>Musical direction is by <strong>Carmen Linares<\/strong>. On guitar will be <strong>Salvador Guti\u00e9rrez<\/strong> and <strong>Edu Esp\u00edn<\/strong>; <strong>Pablo Su\u00e1rez<\/strong> will be on piano and <strong>Dani Su\u00e1rez<\/strong> on percussion.<\/p>\n<p>Backing vocals and handclaps will be provided by <strong>Ana Mar\u00eda Gonz\u00e1lez<\/strong> and <strong>Rosario Amador<\/strong>. Sound design will be by \u00c1lvaro Barco and Miguel Torroja, while lighting will be by Antonio Valiente. Lourdes Garc\u00eda is responsible for production and <strong>Miguel Esp\u00edn Pacheco<\/strong> for artistic coordination.<\/p>\n<p>It is a team designed to support a large-scale production without losing the project\u2019s centre of gravity: flamenco singing and the memory carried by this repertoire.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"maestranza\">Teatro de la Maestranza, the setting for the closing night<\/h2>\n<p>The <strong>Teatro de la Maestranza<\/strong> will be one of the main centres of gravity of the 2026 Biennial. Sara Baras, Jos\u00e9 Merc\u00e9, Israel Galv\u00e1n, Farruquito, Marina Heredia and other artists will appear on its stage before Carmen Linares\u2019s closing performance.<\/p>\n<p>Its technical capacity and scale make it possible to stage productions that require a large stage box, complex lighting and strong acoustics. For a closing show such as <em>Perlas a millares<\/em>, the venue also brings a ceremonial dimension that fits the tribute and end-of-edition character.<\/p>\n<p>If you want to compare this venue with other stages in the programme, see our guide to the <a href=\"https:\/\/www.tablaosflamencos.com\/espacios-espectaculares-bienal-flamenco-sevilla-2026.html\">most spectacular venues of the 2026 Biennial<\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"entradas\">Tickets and advice for attending the closing night<\/h2>\n<p>The performance is scheduled for <strong>Saturday 3 October at 20:00<\/strong>. As this is the closing event and a One-off Night, it is best not to leave ticket buying until the last minute.<\/p>\n<p>Demand has been very high for several of the Biennial\u2019s main shows, and the Teatro de la Maestranza hosts some of the events with the greatest drawing power. Before buying, always check current availability and the specific seating area through the official channels.<\/p>\n<p>To compare prices, discounts and sales conditions, see our guide to <a href=\"https:\/\/www.tablaosflamencos.com\/bienal-flamenco-2026-entradas-precios-descuentos.html\">2026 Biennial tickets, prices and discounts<\/a>. If a particular show appears sold out, we have also prepared a guide on <a href=\"https:\/\/www.tablaosflamencos.com\/bienal-flamenco-2026-entradas-agotadas-que-ver.html\">what to do if you cannot find tickets for the Biennial<\/a>.<\/p>\n<p>And if you plan to continue the evening in Seville, you can also see our selection for <a href=\"https:\/\/www.tablaosflamencos.com\/flamenco-en-sevilla\">watching flamenco in Seville<\/a> outside the festival\u2019s official programme.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-hwrapper valign_top wrap stack_on_mobiles align_center\" style=\"--hwrapper-gap:1.2rem\"><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026-tickets-prices-discounts.html\"><span class=\"w-btn-label\">Tickets, prices and discounts<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-in-seville\"><span class=\"w-btn-label\">See flamenco in Seville<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 style=\"text-align: center;\">A coherent way to close the Biennial<\/h2>\n<p style=\"text-align: center;\">The 2026 closing night is not conceived as a summary of the edition, but as an artistic statement in its own right. Carmen Linares returns to the album that transformed her career and turns it into a collective celebration of the women who built an essential part of flamenco singing.<\/p>\n<p style=\"text-align: center;\">The presence of Marina Heredia, Mar\u00eda Terremoto, Roc\u00edo Luna and Rafaela Carrasco keeps the tribute from being trapped in nostalgia. The result points elsewhere: showing how a historic repertoire can continue to pass from one generation to another without losing depth or identity.<\/p>\n<p style=\"text-align: center;\">After almost a month of programming, <em>Perlas a millares<\/em> will provide the final comp\u00e1s of the 24th Biennial. And it will do so by looking back to explain precisely why that past remains alive in flamenco today.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-3\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"faq\" style=\"text-align: center;\">Frequently asked questions about Carmen Linares and <em>Perlas a millares<\/em><\/h2>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-tabs accordion toggle_style_1 has_scrolling\" style=\"--sections-title-size:inherit;--sections-gap:0.5rem;\"><div class=\"w-tabs-sections titles-align_none icon_chevron cpos_right\"><div class=\"w-tabs-section\" id=\"t566\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-t566\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">When is Carmen Linares performing at the 2026 Biennial?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-t566\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Carmen Linares will perform on Saturday 3 October 2026 at 20:00 at the Teatro de la Maestranza.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"n663\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-n663\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Is Perlas a millares the closing show of the Biennial?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-n663\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Yes. It is the final event in the general programme and the Biennial presents it as the closing show of its 24th edition.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"r750\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-r750\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">What does Perlas a millares celebrate?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-r750\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>It celebrates the 30th anniversary of <em>Antolog\u00eda de la mujer en el cante<\/em>, the album released by Carmen Linares in 1996.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"g821\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-g821\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Which artists will accompany Carmen Linares?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-g821\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Guests will include Marina Heredia, Mar\u00eda Terremoto and Roc\u00edo Luna on vocals, and Rafaela Carrasco on dance.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"c8eb\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-c8eb\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Which flamenco forms appear in the programme?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-c8eb\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The programme includes, among others, fandangos, ronde\u00f1a, alegr\u00edas, cantinas, tientos, bamberas, grana\u00edna, malague\u00f1a, taranta, buler\u00eda por sole\u00e1, tangos, seguiriyas, buler\u00edas and ton\u00e1s.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"o9c5\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-o9c5\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Where does the show take place?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-o9c5\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>At the Teatro de la Maestranza in Seville, one of the main large-scale venues of the 2026 Biennial.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"uac0\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-uac0\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Is it a One-off Night?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-uac0\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Yes. The Biennial includes <em>Perlas a millares<\/em> within its One-off Nights programme.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"tbd6\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-tbd6\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Where can I buy tickets?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-tbd6\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Tickets should be purchased through the official channels of the Biennial and the Teatro de la Maestranza. Check availability and prices before travelling.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>Sources and updates<\/h3>\n<p>Information checked against the official programme of the 24th Seville Flamenco Biennial and the listing for <em>Perlas a millares<\/em>. Details reviewed on 2 September 2026. The organisers may change times, availability or production details.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"<p>Carmen Linares will close the 2026 Seville Flamenco Biennial with Perlas a millares, a one-off night marking 30 years of Antolog\u00eda de la mujer en el 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