{"id":14102,"date":"2026-09-03T00:15:18","date_gmt":"2026-09-02T22:15:18","guid":{"rendered":"https:\/\/www.tablaosflamencos.com\/?p=14102"},"modified":"2026-09-03T01:31:06","modified_gmt":"2026-09-02T23:31:06","slug":"jose-merce-flamenco-biennial-2026-toquen-a-rebato","status":"publish","type":"post","link":"https:\/\/www.tablaosflamencos.com\/en\/jose-merce-flamenco-biennial-2026-toquen-a-rebato.html","title":{"rendered":"Jos\u00e9 Merc\u00e9 at the Flamenco Biennial 2026: Toquen a rebato"},"content":{"rendered":"<section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Jos\u00e9 Merc\u00e9 returns to the Biennial with a wake-up call for flamenco singing<\/h2>\n<p>On <strong>20 September 2026<\/strong>, Jos\u00e9 Merc\u00e9 will return to the Teatro de la Maestranza as part of the 24th Seville Flamenco Biennial with <strong><em>Toquen a rebato<\/em><\/strong>, one of this edition\u2019s Unique Nights. This recital is conceived as more than a simple retrospective of his hits or a conventional presentation of a repertoire: the Biennial itself describes it as an encounter between one of the most recognisable voices in contemporary flamenco and three young guitarists set to play an important role in flamenco guitar today.<\/p>\n<p>The idea has a history. Ten years earlier, in 2016, Merc\u00e9 closed that edition of the Biennial at the same theatre, accompanied by Tomatito, Pepe Habichuela and Alfredo Lagos. The success of that evening inspired this new project. In 2026, the format returns with a different generational perspective: <strong>David de Arahal, Jos\u00e9 del Tomate and Manuel Cerpa<\/strong> will play guitar, while Merc\u00e9 revisits the styles of flamenco singing in which he excels through the eyes of \u201cthose who are coming next\u201d.<\/p>\n<p>The idea neatly captures one of the tensions running through flamenco today: how to preserve an artistic memory without turning it into a museum piece. <em>Toquen a rebato<\/em> seems to be built around precisely that question.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h3>Jos\u00e9 Merc\u00e9 at the Biennial 2026: quick facts<\/h3>\n<ul>\n<li><strong>Show:<\/strong> <em>Toquen a rebato<\/em>.<\/li>\n<li><strong>Artist:<\/strong> Jos\u00e9 Merc\u00e9.<\/li>\n<li><strong>Date:<\/strong> Sunday 20 September 2026.<\/li>\n<li><strong>Time:<\/strong> 20:00.<\/li>\n<li><strong>Venue:<\/strong> Teatro de la Maestranza, Seville.<\/li>\n<li><strong>Format:<\/strong> Unique Night at the 24th Flamenco Biennial.<\/li>\n<li><strong>Guitars:<\/strong> David de Arahal, Jos\u00e9 del Tomate and Manuel Cerpa.<\/li>\n<li><strong>Percussion:<\/strong> David del Gasolina.<\/li>\n<li><strong>Backing vocals and handclaps:<\/strong> V\u00edctor Carrasco, Chicharito de Jerez, Jorge Bautista and Merce Garc\u00eda.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top hor_flip\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>What does \u201cToquen a rebato\u201d mean?<\/h2>\n<p>The title was not chosen by chance. The Biennial explains that <strong>\u201cToquen a rebato\u201d refers, on the one hand, to a sole\u00e1 by Juanito Mojama<\/strong>, a flamenco singer whom Jos\u00e9 Merc\u00e9 deeply admires. At the same time, \u201ctocar a rebato\u201d is a traditional Spanish expression associated with an urgent alarm, historically sounded through a rapid ringing of bells or beating of drums.<\/p>\n<p>The show turns that expression into an artistic statement. The alarm Merc\u00e9 raises can be summed up in a question: <strong>what happens if flamenco singing is lost?<\/strong> Faced with that possibility, the response is not simply to look back. The project places Merc\u00e9 alongside a new generation of guitarists, allowing this musical heritage to be passed on live, on stage.<\/p>\n<p>The title therefore works on several levels. It recalls a historic flamenco singer, draws on everyday language and, at the same time, issues a contemporary call to defend flamenco singing as a living heritage. Merc\u00e9\u2019s \u201cringing of the bell\u201d seeks not to freeze flamenco in time, but to pass repertoire, experience and a particular understanding of the genre on to younger musicians.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>A return that looks directly back to the Biennial of 2016<\/h2>\n<p>The comparison with 2016 is essential to understanding the show. That year, Jos\u00e9 Merc\u00e9 gave a much-remembered closing performance at the Teatro de la Maestranza, accompanied by <strong>Tomatito, Pepe Habichuela and Alfredo Lagos<\/strong>, three names representing different generations and schools of flamenco guitar.<\/p>\n<p>A decade later, the Biennial returns to the idea but changes the perspective. Merc\u00e9 remains at the centre of the singing, while the guitars pass into the hands of three performers born between 1998 and 2003. The contrast is deliberate: a voice with decades of stage experience and an extensive discography enters into dialogue with guitarists who represent the genre\u2019s continuity.<\/p>\n<p>This is therefore more than a nostalgic repeat of the 2016 evening. <strong>The concept is revisited to explore what has changed in ten years<\/strong>: how a younger generation listens to Merc\u00e9\u2019s singing, how it accompanies him and what it can learn from an artist who has experienced both traditional flamenco and its reach towards wider audiences.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top hor_flip\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Jos\u00e9 Merc\u00e9\u2019s three guitarists at the Biennial 2026<\/h2>\n<p>The guitar is one of the main attractions of <em>Toquen a rebato<\/em>. Each accompanist brings a different background and a particular relationship with tradition.<\/p>\n<p><strong>David de Arahal<\/strong>, born in 2000, is one of the most prominent young voices in Seville\u2019s guitar scene. Despite his age, his career has already brought him alongside major artists, and the Biennial itself presents him as a musician who has earned a place among the greats.<\/p>\n<p><strong>Jos\u00e9 del Tomate<\/strong>, born in Almer\u00eda in 1998, belongs to one of flamenco\u2019s great guitar dynasties. He is Tomatito\u2019s son and also looks to his uncle Ni\u00f1o Miguel as a reference. His presence creates a particularly evocative link with the 2016 show, in which Tomatito himself accompanied Merc\u00e9.<\/p>\n<p><strong>Manuel Cerpa<\/strong>, born in Chipiona in 2003, is the youngest of the three. His involvement has a different dimension because he already regularly tours with Jos\u00e9 Merc\u00e9. There is therefore an existing artistic relationship that may bring a different kind of rapport from that of a one-off encounter.<\/p>\n<p>Together, the three ensure that the \u201cnew generation\u201d is more than an abstract category: these are three guitarists with different origins, schools and connections to flamenco singing.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>What to expect to hear in \u201cToquen a rebato\u201d<\/h2>\n<p>The Biennial has not published a fixed, song-by-song repertoire, which is understandable for a flamenco recital of this kind, but it does offer clear indications of the musical direction. The programme promises a journey through <strong>the flamenco styles in which Jos\u00e9 Merc\u00e9 excels<\/strong>, reinterpreted from the young guitarists\u2019 perspective.<\/p>\n<p>Two reference points seem inevitable. The first is <strong>buler\u00edas from Jerez<\/strong>, natural territory for a singer born in the Santiago district and deeply connected to the Jerez tradition. The second is <strong>alegr\u00edas<\/strong>. The organisers also suggest that there will be room for a few nods to the biggest hits of his career.<\/p>\n<p>This suggests a recital that will not draw a rigid line between the more orthodox Merc\u00e9 and the artist who brought flamenco to mass audiences. Indeed, one of the distinctive features of his career has been his ability to move between these worlds without giving up his identity as a flamenco singer.<\/p>\n<p>The evening\u2019s interest will therefore lie less in discovering an unheard list of pieces than in observing <strong>how the accompaniment changes when three young guitarists enter a repertoire that Merc\u00e9 has been singing for decades<\/strong>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top hor_flip\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>The evening\u2019s full line-up<\/h2>\n<p>Although the three guitars draw much of the attention, <em>Toquen a rebato<\/em> will feature a larger ensemble. The official artistic credits list <strong>Jos\u00e9 Merc\u00e9 on vocals<\/strong>, accompanied by David de Arahal, Jos\u00e9 del Tomate and Manuel Cerpa on guitar.<\/p>\n<p>The rhythm section is completed by <strong>David del Gasolina<\/strong> on caj\u00f3n and percussion. <strong>V\u00edctor Carrasco, Chicharito de Jerez, Jorge Bautista and Merce Garc\u00eda<\/strong>will provide backing vocals and handclaps.<\/p>\n<p>This line-up points to a show able to move between stripped-back moments of voice and guitar and passages with greater rhythmic drive. In a repertoire where buler\u00edas are expected to play an important role, the handclap and backing-vocal team is far from secondary: it could become an essential part of the evening\u2019s musical structure.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Jos\u00e9 Merc\u00e9 and the passing on of flamenco singing<\/h2>\n<p>The idea of passing on a tradition carries particular weight when Jos\u00e9 Merc\u00e9 is the central figure. Born Jos\u00e9 Soto Soto in Jerez de la Frontera in 1955, he comes from a long flamenco lineage: he is the great-grandson of Paco de la Luz, the nephew of Manuel Soto \u201cSordera\u201d and the cousin of Vicente Soto \u201cSordera\u201d.<\/p>\n<p>His own life story is built on a succession of learning experiences and stages. As a child, he sang in the choir of the Bas\u00edlica de La Merced \u2014 hence his stage name \u2014, appeared at the Jueves Flamencos in Jerez and moved to Madrid at a very young age, where he worked at Torres Bermejas. Throughout his career, he has been accompanied by guitarists such as Manolo Sanl\u00facar and Paco de Luc\u00eda, later becoming one of the singers capable of bringing flamenco to very broad audiences.<\/p>\n<p>That journey makes the Biennial\u2019s decision to place him at the heart of an intergenerational project particularly fitting. <strong>Merc\u00e9 appears not only as a performer, but as a link in a chain<\/strong>: someone who inherited a tradition, transformed it over the course of his career and now brings it into contact with musicians beginning to build their own.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top hor_flip\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>A Unique Night at the Teatro de la Maestranza<\/h2>\n<p>The Biennial classifies <em>Toquen a rebato<\/em> as a <strong>Unique Night<\/strong>. The term identifies shows conceived as distinctive, one-off events within this edition, rather than simply stops on a conventional tour presented in Seville.<\/p>\n<p>In 2026, the Biennial has brought together 26 projects under this designation. Jos\u00e9 Merc\u00e9 also takes part in another of them: the gala <em>El mundo por montera<\/em>, scheduled for 10 September at the Plaza de Toros de la Real Maestranza. However, <em>Toquen a rebato<\/em> is his own headline event within the programme.<\/p>\n<p>The chosen venue is the <strong>Teatro de la Maestranza<\/strong>, one of the Biennial 2026\u2019s major stages and a place with a special connection to the singer\u2019s recent history at the festival. Returning to the very theatre that hosted the 2016 evening strengthens the sense of this show as a conversation between two moments separated by a decade.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Where Jos\u00e9 Merc\u00e9 fits into the programme for 20 September<\/h2>\n<p>Sunday 20 September will be an especially busy day at the Biennial. Before Merc\u00e9\u2019s recital, there will be a Unique Matinee featuring <strong>Alejandro Hurtado with Enrique Solin\u00eds<\/strong> at San Luis de los Franceses, while <strong>Manuel de la Luz and Manuel Im\u00e1n<\/strong> will present <em>Manos que hablan<\/em> at Espacio Turina at 19:00. Later, the Teatro Alameda will host the Gala del Circuito Andaluz de J\u00f3venes Flamencos.<\/p>\n<p>In this context, <em>Toquen a rebato<\/em> takes the main evening slot at the Teatro de la Maestranza, at <strong>20:00<\/strong>. Visitors planning several days at the Biennial should check the times carefully, as some events overlap partly or entirely.<\/p>\n<p>You can also consult our <a href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026-unique-nights.html\">complete guide to the Unique Nights at the Biennial 2026<\/a> and our <a href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026.html\">general guide to Seville\u2019s Flamenco Biennial 2026<\/a> to place this recital within the full calendar.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top hor_flip\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Who might find this show especially interesting?<\/h2>\n<p><em>Toquen a rebato<\/em> works on several levels and can appeal to different audiences. For those familiar with Jos\u00e9 Merc\u00e9\u2019s career, the interest lies in seeing how he revisits his usual territory with three guitars from another generation. For lovers of flamenco guitar, the evening offers a rare opportunity to hear three young guitarists in dialogue with the same singer within a shared artistic concept.<\/p>\n<p>It can also be a good choice for anyone wishing to discover flamenco singing through a highly recognisable artist. For decades, Merc\u00e9 has combined deeply flamenco repertoires with a gift for communication that has helped him reach audiences beyond the traditional circle of enthusiasts.<\/p>\n<p>And for those who followed the Biennial in 2016, there is an added attraction: <strong>comparing two evenings built around the same idea, separated by ten years and two different generations of guitarists<\/strong>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Practical tips for attending<\/h2>\n<p><strong>Check availability in advance.<\/strong> The Biennial describes the recital as a Unique Night, so this is its only date in the official programme.<\/p>\n<p><strong>Keep the overlapping events on 20 September in mind.<\/strong> If you want to combine several shows, pay particular attention to the Espacio Turina performance starting at 19:00 and the day\u2019s other activities.<\/p>\n<p><strong>Allow plenty of time to arrive at the Teatro de la Maestranza.<\/strong> It is one of the festival\u2019s largest and most important venues, and the surrounding area can get busy on days with a packed programme.<\/p>\n<p><strong>Do not necessarily expect a \u201cgreatest hits\u201d concert.<\/strong> The official information focuses on a journey through the flamenco styles in which Merc\u00e9 excels and on his musical conversation with the three guitarists. There may be nods to popular songs from his career, but the show\u2019s concept is essentially rooted in flamenco.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top hor_flip\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-3\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Frequently asked questions about Jos\u00e9 Merc\u00e9 at the Biennial 2026<\/h2>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-tabs accordion toggle_style_1 has_scrolling\" style=\"--sections-title-size:inherit;--sections-gap:0.5rem;\"><div class=\"w-tabs-sections titles-align_none icon_plus cpos_left\"><div class=\"w-tabs-section\" id=\"ld93\" itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-ld93\" aria-expanded=\"false\"><h3 class=\"w-tabs-section-title\" itemprop=\"name\">When does Jos\u00e9 Merc\u00e9 perform at the Flamenco Biennial 2026?<\/h3><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-ld93\" itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"><div class=\"w-tabs-section-content-h i-cf\" itemprop=\"text\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Jos\u00e9 Merc\u00e9 presents <em>Toquen a rebato<\/em> on Sunday 20 September 2026 at 20:00.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"bed7\" itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-bed7\" aria-expanded=\"false\"><h3 class=\"w-tabs-section-title\" itemprop=\"name\">Where does Toquen a rebato take place?<\/h3><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-bed7\" itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"><div class=\"w-tabs-section-content-h i-cf\" itemprop=\"text\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The recital takes place at the Teatro de la Maestranza in Seville, one of the main venues of the 24th Flamenco Biennial.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"s00d\" itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-s00d\" aria-expanded=\"false\"><h3 class=\"w-tabs-section-title\" itemprop=\"name\">Which guitarists accompany Jos\u00e9 Merc\u00e9?<\/h3><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-s00d\" itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"><div class=\"w-tabs-section-content-h i-cf\" itemprop=\"text\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>He is accompanied by David de Arahal, Jos\u00e9 del Tomate and Manuel Cerpa, three young guitarists with different backgrounds and career paths.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"e139\" itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-e139\" aria-expanded=\"false\"><h3 class=\"w-tabs-section-title\" itemprop=\"name\">What does the title Toquen a rebato mean?<\/h3><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-e139\" itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"><div class=\"w-tabs-section-content-h i-cf\" itemprop=\"text\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The title refers to a sole\u00e1 by Juanito Mojama and also to the traditional Spanish expression \u201ctocar a rebato\u201d, an urgent call of alarm. The show uses that idea as a symbolic warning about the risk of losing flamenco singing and as a gesture of passing it on to a new generation.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"w288\" itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-w288\" aria-expanded=\"false\"><h3 class=\"w-tabs-section-title\" itemprop=\"name\">Which flamenco styles will Jos\u00e9 Merc\u00e9 sing?<\/h3><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-w288\" itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"><div class=\"w-tabs-section-content-h i-cf\" itemprop=\"text\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The Biennial has not published a fixed repertoire, but it announces a journey through the flamenco styles in which Merc\u00e9 excels. It specifically mentions buler\u00edas from Jerez, alegr\u00edas and possible nods to some of his hits.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"p394\" itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-p394\" aria-expanded=\"false\"><h3 class=\"w-tabs-section-title\" itemprop=\"name\">Is this a new Jos\u00e9 Merc\u00e9 production?<\/h3><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-p394\" itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"><div class=\"w-tabs-section-content-h i-cf\" itemprop=\"text\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The Biennial presents it as a Unique Night. The concept revisits the format of Merc\u00e9\u2019s 2016 recital at the Maestranza with three great guitarists, now developing it alongside a new generation of flamenco guitarists.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"r48a\" itemscope itemprop=\"mainEntity\" itemtype=\"https:\/\/schema.org\/Question\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-r48a\" aria-expanded=\"false\"><h3 class=\"w-tabs-section-title\" itemprop=\"name\">Does Jos\u00e9 Merc\u00e9 take part in any other shows at the Biennial 2026?<\/h3><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-r48a\" itemscope itemprop=\"acceptedAnswer\" itemtype=\"https:\/\/schema.org\/Answer\"><div class=\"w-tabs-section-content-h i-cf\" itemprop=\"text\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Yes. He also takes part in <em>El mundo por montera<\/em>, the gala of the 24th Biennial scheduled for 10 September at the Plaza de Toros de la Real Maestranza.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>A bell ringing between memory and the future<\/h2>\n<p><em>Toquen a rebato<\/em> has a simple premise, but one that is especially fruitful for a Biennial: to bring Jos\u00e9 Merc\u00e9\u2019s experience face to face with three young approaches to the guitar. The recital looks back to Juanito Mojama, to Jerez, to Merc\u00e9\u2019s own history and to that evening in 2016, while keeping the tribute from turning into nostalgia.<\/p>\n<p>The key lies in passing the tradition on. David de Arahal, Jos\u00e9 del Tomate and Manuel Cerpa appear as more than accompanists: they are part of the artistic premise. They are \u201cthose who are coming next\u201d, while Merc\u00e9 brings a voice that already belongs to flamenco\u2019s collective memory.<\/p>\n<p>On 20 September, the Teatro de la Maestranza will be where these two time frames meet. If the call of alarm warns that flamenco singing could be lost, the very existence of the show suggests a response: <strong>flamenco singing lives on when it is heard, shared and passed from one pair of hands to another<\/strong>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top hor_flip\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Sources consulted<\/h2>\n<ul>\n<li><a href=\"https:\/\/www.labienal.com\/programa-general\/teatro-de-la-maestranza\/jose-merce\" target=\"_blank\" rel=\"noopener\">Seville Flamenco Biennial \u2014 Jos\u00e9 Merc\u00e9, <em>Toquen a rebato<\/em><\/a>.<\/li>\n<li><a href=\"https:\/\/www.labienal.com\/noticias\/la-bienal-viste-de-flamenco-al-teatro-de-la-maestranza\" target=\"_blank\" rel=\"noopener\">Flamenco Biennial \u2014 Teatro de la Maestranza programme<\/a>.<\/li>\n<li><a href=\"https:\/\/www.labienal.com\/noticias\/la-bienal-presenta-26-noches-unicas-espectaculos-irrepetibles-que-solo-podran-vivirse-en-sevilla\" target=\"_blank\" rel=\"noopener\">Flamenco Biennial \u2014 26 Unique Nights in 2026<\/a>.<\/li>\n<li><a href=\"https:\/\/www.labienal.com\/noticias\/la-bienal-de-flamenco-situa-el-cante-en-el-corazon-de-su-xxiv-edicion-con-mas-de-un-centenar-de-voces\" target=\"_blank\" rel=\"noopener\">Flamenco Biennial \u2014 flamenco singing at the 24th edition<\/a>.<\/li>\n<\/ul>\n<p><small>Information reviewed on 2 September 2026. Times, availability and admission conditions may change; check the official information before attending.<\/small><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"<p>Jos\u00e9 Merc\u00e9 returns to Seville\u2019s Flamenco Biennial on 20 September 2026 with Toquen a rebato, a Unique Night at the Teatro de la Maestranza alongside David de Arahal, Jos\u00e9 del Tomate and Manuel Cerpa.<\/p>\n","protected":false},"author":1,"featured_media":14099,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"wpai_generated_summary":"","_ayudawp_aiss_exclude":false,"_ayudawp_aiss_exclude_summary":false,"_ayudawp_aiss_summary":"","_ayudawp_aiss_summary_provider":"","_ayudawp_aiss_summary_hash":"","footnotes":""},"categories":[1427,371],"tags":[1233,1234,1881,1236,1882],"class_list":["post-14102","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-flamenco-biennial","category-flamenco-news","tag-bienal-2026","tag-bienal-de-flamenco","tag-jose-merce-en","tag-sevilla","tag-toquen-a-rebato-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.4 (Yoast SEO v28.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Jos\u00e9 Merc\u00e9 at the Biennial 2026: Toquen a rebato<\/title>\n<meta name=\"description\" content=\"Jos\u00e9 Merc\u00e9 presents Toquen a rebato on 20 September at the Biennial 2026. 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