{"id":14003,"date":"2026-09-02T00:28:39","date_gmt":"2026-09-01T22:28:39","guid":{"rendered":"https:\/\/www.tablaosflamencos.com\/?p=14003"},"modified":"2026-09-02T00:56:13","modified_gmt":"2026-09-01T22:56:13","slug":"most-spectacular-venues-seville-flamenco-biennial-2026","status":"publish","type":"post","link":"https:\/\/www.tablaosflamencos.com\/en\/most-spectacular-venues-seville-flamenco-biennial-2026.html","title":{"rendered":"The most spectacular venues of the Seville Flamenco Biennial 2026"},"content":{"rendered":"<section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>When the city also becomes part of the show<\/h2>\n<p>The <strong>Seville Flamenco Biennial 2026<\/strong> cannot be understood only through the artists who take the stage. An essential part of its personality lies in the venues chosen for each production. During the 24th edition, held from <strong>9 September to 3 October 2026<\/strong>, flamenco will fill historic theatres, monumental courtyards, a former artillery factory, a traditional communal courtyard, a Baroque church and even the bullring of one of Seville\u2019s most recognisable buildings.<\/p>\n<p>The official programme is spread across <strong>11 venues<\/strong>, but some turn the architecture itself into an inseparable part of the performance. Watching a recital in the Patio de la Monter\u00eda at the Real Alc\u00e1zar, listening to flamenco singing at midday inside San Luis de los Franceses or ending the night beneath the open sky at Hotel Triana is a very different experience from attending a large-scale production at the Teatro de la Maestranza.<\/p>\n<p>This guide selects the <strong>most spectacular venues of the Seville Flamenco Biennial 2026<\/strong>, explains what makes them different and highlights which shows are scheduled at each one.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p style=\"text-align: center; font-size: 58px; line-height: 1; margin-bottom: 10px;\"><strong>11<\/strong><\/p>\n<h3 style=\"text-align: center;\">official venues<\/h3>\n<p style=\"text-align: center;\"><strong>7 especially distinctive settings<\/strong><\/p>\n<p style=\"text-align: center;\">Heritage, architecture and flamenco<\/p>\n<p style=\"text-align: center;\">From <strong>9 September to 3 October 2026<\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><blockquote>\n<p><strong>Quick answer:<\/strong> if you are looking for the most special settings of the 2026 Biennial, the standouts include the <strong>Patio de la Monter\u00eda at the Real Alc\u00e1zar<\/strong> for its monumental setting, <strong>San Luis de los Franceses<\/strong> for its intimate Baroque atmosphere, the <strong>Royal Artillery Factory<\/strong> for its industrial architecture, <strong>Hotel Triana<\/strong> for its traditional communal-courtyard atmosphere, the <strong>Real Maestranza Bullring<\/strong> for the major gala on 10 September, the restored <strong>Teatro Lope de Vega<\/strong> for its historic return and the <strong>Teatro de la Maestranza<\/strong> for the largest-scale productions.<\/p>\n<\/blockquote>\n<p><strong>Last updated: 1 September 2026.<\/strong> Programming, access arrangements and ticket availability may change. Always check the official information for each performance.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-hwrapper valign_top wrap stack_on_mobiles align_center\" style=\"--hwrapper-gap:1.2rem\"><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026.html\"><span class=\"w-btn-label\">Complete guide to the 2026 Biennial<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial\"><span class=\"w-btn-label\">See all our Biennial news<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>The most spectacular venues of the 2026 Biennial at a glance<\/h2>\n<div style=\"overflow-x: auto;\">\n<table>\n<thead>\n<tr>\n<th>Venue<\/th>\n<th>What makes it special<\/th>\n<th>Featured programme<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>Real Alc\u00e1zar \u00b7 Patio de la Monter\u00eda<\/strong><\/td>\n<td>Historic palace and large open-air monumental courtyard<\/td>\n<td>Israel Fern\u00e1ndez, Rancapino Chico and <em>Xerezan\u00edas<\/em><\/td>\n<\/tr>\n<tr>\n<td><strong>Royal Artillery Factory<\/strong><\/td>\n<td>18th-century industrial architecture and contemporary language<\/td>\n<td>Ana Morales and Pablo Mart\u00edn Caminero\u2019s trilogy<\/td>\n<\/tr>\n<tr>\n<td><strong>San Luis de los Franceses<\/strong><\/td>\n<td>Baroque setting, intimate acoustics and midday performances<\/td>\n<td>Six Unique Matin\u00e9es<\/td>\n<\/tr>\n<tr>\n<td><strong>Hotel Triana<\/strong><\/td>\n<td>Historic communal courtyard, open patio and flamenco memory<\/td>\n<td>Three late-night performances from 17 to 19 September<\/td>\n<\/tr>\n<tr>\n<td><strong>Real Maestranza Bullring<\/strong><\/td>\n<td>Large historic open-air venue<\/td>\n<td>Gala <em>El mundo por montera<\/em>, 10 September<\/td>\n<\/tr>\n<tr>\n<td><strong>Teatro Lope de Vega<\/strong><\/td>\n<td>Neo-Baroque theatre from 1929, reopened after restoration<\/td>\n<td>Dorantes, Arc\u00e1ngel, Riqueni, Aurora Vargas, Mayte Mart\u00edn&#8230;<\/td>\n<\/tr>\n<tr>\n<td><strong>Teatro de la Maestranza<\/strong><\/td>\n<td>Large stage designed for major productions<\/td>\n<td>Sara Baras, Israel Galv\u00e1n, Jos\u00e9 Merc\u00e9, Farruquito and the Biennial finale<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"real-alcazar\">1. Patio de la Monter\u00eda at the Real Alc\u00e1zar: flamenco before centuries of history<\/h2>\n<p>The <strong>Real Alc\u00e1zar of Seville<\/strong> is one of those places where visitors need a few seconds to decide where to look first. The palace complex traces its origins back to the 10th century and was transformed over centuries, accumulating Islamic, Mud\u00e9jar, Gothic, Renaissance and Baroque layers.<\/p>\n<p>The Biennial uses the <strong>Patio de la Monter\u00eda<\/strong>, a large open space facing the extraordinary fa\u00e7ade of Peter I\u2019s Mud\u00e9jar Palace. At night, with the monument illuminated and the Giralda visible from certain angles, the setting gains a presence that is difficult to reproduce in a conventional theatre.<\/p>\n<p>Here, heritage is not a neutral backdrop. The scale of the courtyard, the stone, the open sky and even the approach into the complex make the performance an experience directly tied to Seville.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>What to see at the Real Alc\u00e1zar during the 2026 Biennial<\/h2>\n<p>The programme concentrates three consecutive nights:<\/p>\n<ul>\n<li><strong>14 September:<\/strong> Israel Fern\u00e1ndez presents <em>De oro y marfil<\/em>.<\/li>\n<li><strong>15 September:<\/strong> Rancapino Chico premieres <em>Pizarra<\/em>.<\/li>\n<li><strong>16 September:<\/strong> <em>Xerezan\u00edas<\/em> brings together Luis El Zambo, Dolores Agujetas, Antonio de la Malena, Manuel Valencia and Las Tatas de Jerez.<\/li>\n<\/ul>\n<p>The selection makes sense in a space like this: recitals and encounters where the strength lies in the presence of the performers, the singing and the guitar, without any need to fill the courtyard with scenery.<\/p>\n<p><strong>Ideal for:<\/strong> anyone who wants to experience a Biennial night in an unmistakably Sevillian monumental setting.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"artilleria\">2. Royal Artillery Factory: industrial heritage for the most contemporary flamenco<\/h2>\n<p>The <strong>Royal Artillery Factory<\/strong> offers a completely different experience. Its origins go back to the Morel family\u2019s bronze foundry in the 16th century, although the large building seen today mainly took shape during the 18th century and received a major boost under Charles III.<\/p>\n<p>Its halls, vaults, courtyards, former foundry areas and industrial scale make the Artillery Factory one of the city\u2019s most powerful heritage spaces. After decades connected to military production, it is now being recovered as a major cultural venue.<\/p>\n<p>The building\u2019s raw character works particularly well with projects exploring new languages. Where San Luis encourages contemplation, the Artillery Factory offers depth, texture, shadow and an almost cinematic atmosphere.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>What the 2026 Biennial programmes at the Artillery Factory<\/h2>\n<p>The 2026 edition uses the venue for two major creative strands:<\/p>\n<ul>\n<li><strong>13 and 14 September:<\/strong> Ana Morales presents the world premiere of <em>Rapsodia. Fantas\u00eda subterr\u00e1nea<\/em>.<\/li>\n<li><strong>22 September:<\/strong> <em>Trilog\u00eda. Al toque<\/em>, by Pablo Mart\u00edn Caminero.<\/li>\n<li><strong>23 September:<\/strong> <em>Trilog\u00eda. Al baile<\/em>, featuring Mar\u00eda Moreno.<\/li>\n<li><strong>24 September:<\/strong> <em>Trilog\u00eda. Al cante<\/em>, with David Carpio.<\/li>\n<\/ul>\n<p>The dialogue between a historic industrial complex and experimental stage works makes this venue one of the clearest examples of how the Biennial refuses to separate tradition from the avant-garde.<\/p>\n<p><strong>Ideal for:<\/strong> anyone looking for a visually powerful experience and contemporary creative flamenco.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"san-luis\">3. San Luis de los Franceses: six matin\u00e9es inside a Baroque jewel<\/h2>\n<p>The <strong>Church of San Luis de los Franceses<\/strong> is probably the most intimate and ornate venue on this list. The complex, built between <strong>1699 and 1731<\/strong> to a design by <strong>Leonardo de Figueroa<\/strong>, is considered one of Seville\u2019s finest examples of mature Baroque architecture.<\/p>\n<p>Its architecture was designed to envelop the visitor. Altarpieces, painting, sculpture, light and proportions work together, making any musical performance feel very different from a conventional concert-hall recital.<\/p>\n<p>The Biennial also takes advantage of a special circumstance: performances begin at <strong>12:00 noon<\/strong>. Daylight and the small-scale format completely change the usual rhythm of a festival largely associated with the night.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>The Unique Matin\u00e9es at San Luis<\/h2>\n<p>San Luis hosts six performances in dialogue with the world of early music:<\/p>\n<ul>\n<li><strong>12 and 13 September:<\/strong> Pedro El Grana\u00edno, <em>Pan de oro<\/em>, with Daniel Oyarz\u00e1bal.<\/li>\n<li><strong>19 and 20 September:<\/strong> Alejandro Hurtado, <em>Devenir de la guitarra<\/em>, with Enrike Solin\u00eds.<\/li>\n<li><strong>26 and 27 September:<\/strong> Encarna Anillo, <em>Camino de flores<\/em>, with Miguel Rinc\u00f3n.<\/li>\n<\/ul>\n<p>We have prepared a dedicated guide with the programme and key details of the <a href=\"https:\/\/www.tablaosflamencos.com\/matines-unicas-bienal-flamenco-sevilla-2026.html\"><strong>Unique Matin\u00e9es at the 2026 Biennial<\/strong><\/a>.<\/p>\n<p><strong>Ideal for:<\/strong> those who prefer proximity, natural acoustics, heritage and unhurried listening.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"hotel-triana\">4. Hotel Triana: a traditional communal courtyard beneath the open sky<\/h2>\n<p>The name can be misleading. Today, <strong>Hotel Triana<\/strong> does not operate as a tourist hotel. It was built for the 1929 Ibero-American Exposition to accommodate visitors, but it never fulfilled that purpose and eventually became a <strong>traditional communal residence<\/strong>.<\/p>\n<p>Its U-shaped structure around a large courtyard preserves the communal logic of so many traditional residences in Triana. The building, listed as a Site of Cultural Interest, has maintained a particularly strong relationship with the Biennial and with the district\u2019s flamenco memory.<\/p>\n<p>Here the formal distance of a theatre disappears. The courtyard, galleries, interior fa\u00e7ades and open sky create an atmosphere that recalls how much of flamenco\u2019s social history unfolded in shared spaces, courtyards, gatherings and celebrations.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>The return of Hotel Triana in 2026<\/h2>\n<p>After four years away from the programme, the venue returns with three consecutive nights conceived as <strong>late-night performances<\/strong> of the Biennial:<\/p>\n<ul>\n<li><strong>17 September:<\/strong> <em>Mujeres gitanas<\/em>, with Remedios Amaya, Montse Cort\u00e9s, La Fabi and other artists.<\/li>\n<li><strong>18 September:<\/strong> <em>Uvitas negras<\/em>, linked to the 75th anniversary of Pe\u00f1a Pozo de las Penas.<\/li>\n<li><strong>19 September:<\/strong> <em>Andaluc\u00eda en el Tiempo<\/em>, with artists from different Andalusian provinces.<\/li>\n<\/ul>\n<p>All three are conceived as <a href=\"https:\/\/www.tablaosflamencos.com\/noches-unicas-bienal-flamenco-sevilla-2026.html\"><strong>Unique Nights<\/strong><\/a>, encounters designed to happen in an unrepeatable way.<\/p>\n<p><strong>Ideal for:<\/strong> anyone who wants to experience one of the most flamenco-filled and least conventional atmospheres of the entire Biennial.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"plaza-toros\">5. Real Maestranza Bullring: a gala that fills the entire arena<\/h2>\n<p>The <strong>Real Maestranza de Caballer\u00eda Bullring<\/strong> is one of Seville\u2019s great architectural icons. Construction in masonry began in the 18th century and the complex was finally completed in 1881, after a process lasting more than a century.<\/p>\n<p>Its golden sand arena, white-and-ochre arcades and circular scale create an image radically different from any theatre. For a flamenco production, it also means confronting a huge open-air space with the audience surrounding the stage.<\/p>\n<p>In 2026 the Biennial uses the bullring for a single major event, reinforcing its sense of occasion.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2><em>El mundo por montera<\/em>: the major gala on 10 September<\/h2>\n<p>On <strong>10 September at 21:30<\/strong>, the Bullring hosts the 24th Biennial Gala <em>El mundo por montera<\/em>, with Jos\u00e9 Merc\u00e9, Jos\u00e9 de la Tomasa, Martirio, Arc\u00e1ngel, La Tremendita, \u00c1ngeles Toledano, El Perrete, Manuel de la Tomasa and the Ballet Flamenco de Andaluc\u00eda directed by Patricia Guerrero.<\/p>\n<p>The event takes place one day after the opening proclamation on 9 September and serves as one of the edition\u2019s major public openings. You can find more information in our guide to <a href=\"https:\/\/www.tablaosflamencos.com\/inauguracion-bienal-flamenco-sevilla-2026.html\"><strong>how the 2026 Biennial will open<\/strong><\/a>.<\/p>\n<p><strong>Ideal for:<\/strong> anyone looking for scale, a major-event atmosphere and a large open-air night in a symbol of Seville.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"lope-vega\">6. Teatro Lope de Vega: the great return of the 2026 Biennial<\/h2>\n<p>The <strong>Teatro Lope de Vega<\/strong> adds an extra emotional dimension to this edition. Built for the Ibero-American Exposition of <strong>1929<\/strong>, the Neo-Baroque building formed part of the former Seville Pavilion alongside the Casino de la Exposici\u00f3n.<\/p>\n<p>After being closed for building work, the theatre reopens to the public in time for the Biennial. The comprehensive restoration has cost more than <strong>\u20ac9.5 million<\/strong> and makes its return one of Seville\u2019s cultural events of the year.<\/p>\n<p>This is not just any festival venue. The Lope has been linked to the history of the Biennial for decades, and its reopening restores one of the theatres that best represents flamenco\u2019s theatrical dimension in the city.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>A programme worthy of the reopening<\/h2>\n<p>The first artist to step onto the restored stage will be <strong>Dorantes<\/strong>, on 12 September, with the world premiere of <em>Fractal Arcano<\/em>. He will be followed by Arc\u00e1ngel, Antonio Reyes, Rafael Riqueni with Tim Ries, Aurora Vargas and Juana Amaya, David Coria, Mayte Mart\u00edn, Alfonso Losa and others.<\/p>\n<p>The mix of world premieres, unique nights and artists from different generations makes the Lope one of the venues with the most complete programme of the entire edition.<\/p>\n<p>Its historic-theatre aesthetic also offers an experience very different from the modern Teatro Central or the large scale of the Maestranza.<\/p>\n<p><strong>Ideal for:<\/strong> anyone who values classical theatre, the history of the Biennial and the symbolism of attending its reopening.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"teatro-maestranza\">7. Teatro de la Maestranza: the stage for large-scale productions<\/h2>\n<p>The <strong>Teatro de la Maestranza<\/strong> represents the most contemporary and technically ambitious side of this selection. Opened in 1991 and designed by architects Aurelio del Pozo and Luis Mar\u00edn, it was conceived as a large multipurpose auditorium and later adapted its stage house to meet the demands of opera and other major productions.<\/p>\n<p>At the Biennial it is the natural venue for shows requiring space, stage machinery, large capacity and advanced technical possibilities. In contrast to the heritage character of the Alc\u00e1zar or San Luis, here the focus is on what can be built on stage.<\/p>\n<p>That does not mean it lacks identity: its relationship with music and the performing arts in Seville since Expo \u201992 has made it one of Spain\u2019s major theatres.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Sara Baras, Israel Galv\u00e1n, Farruquito and the finale<\/h2>\n<p>The Maestranza programme is one of the strongest of 2026. Sara Baras opens its cycle on <strong>11, 12 and 13 September<\/strong> with the world premiere of <em>Infinita<\/em>, her return to the Biennial fourteen years later. You can find all the details in our guide to <a href=\"https:\/\/www.tablaosflamencos.com\/sara-baras-sevilla-2026-infinita-bienal.html\"><strong>Sara Baras in Seville 2026<\/strong><\/a>.<\/p>\n<p>The theatre will then welcome Ca\u00f1izares with the ROSS, Jos\u00e9 Merc\u00e9, Manuel Li\u00f1\u00e1n, Israel Galv\u00e1n, Farruquito and Marina Heredia, among others. On <strong>3 October<\/strong> it will also host <em>Perlas a Millares<\/em>, the production that closes the 24th edition.<\/p>\n<p><strong>Ideal for:<\/strong> anyone who wants to see the largest-scale productions and some of the biggest names on the bill.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"como-elegir\">Which venue should you choose? The experience changes completely<\/h2>\n<p>There is no universal \u201cbest\u201d venue. The choice depends more on the kind of experience you want than on any architectural ranking.<\/p>\n<div style=\"overflow-x: auto;\">\n<table>\n<thead>\n<tr>\n<th>If you are looking for&#8230;<\/th>\n<th>Choose&#8230;<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>The most impressive monumental setting<\/td>\n<td><strong>Real Alc\u00e1zar<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Intimacy, acoustics and Baroque heritage<\/td>\n<td><strong>San Luis de los Franceses<\/strong><\/td>\n<\/tr>\n<tr>\n<td>A flamenco atmosphere of courtyard and neighbourhood<\/td>\n<td><strong>Hotel Triana<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Industrial architecture and contemporary creation<\/td>\n<td><strong>Royal Artillery Factory<\/strong><\/td>\n<\/tr>\n<tr>\n<td>A major open-air night<\/td>\n<td><strong>Real Maestranza Bullring<\/strong><\/td>\n<\/tr>\n<tr>\n<td>A newly restored historic theatre<\/td>\n<td><strong>Teatro Lope de Vega<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Major productions and maximum stage capacity<\/td>\n<td><strong>Teatro de la Maestranza<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"resto-espacios\">The other official venues of the 2026 Biennial<\/h2>\n<p>The selection above does not mean the remaining venues are secondary. The Biennial also uses spaces with clearly defined artistic roles:<\/p>\n<ul>\n<li><strong>Teatro Central:<\/strong> the main territory for stage creation and avant-garde flamenco.<\/li>\n<li><strong>Espacio Turina:<\/strong> especially well suited to guitar, music and smaller-scale recitals.<\/li>\n<li><strong>Teatro Alameda:<\/strong> hosts premieres, young creators and proposals centred on singing, dance and guitar.<\/li>\n<li><strong>CaixaForum Sevilla:<\/strong> adds family programming with <em>Tirititr\u00e1n<\/em>.<\/li>\n<\/ul>\n<p>Taken together, the organisation presents the city as a large open stage in which each venue plays a different role in the story of the edition.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Real Maestranza and Teatro de la Maestranza: they are not the same place<\/h2>\n<p>It is a fairly common confusion, and in 2026 it is worth avoiding because both venues have major programming.<\/p>\n<p>The <strong>Real Maestranza de Caballer\u00eda Bullring<\/strong> is the historic venue in the Arenal district where the gala <em>El mundo por montera<\/em> takes place on 10 September.<\/p>\n<p>The <strong>Teatro de la Maestranza<\/strong>, also located by the river but in a different building, is the major theatre opened in 1991 where Sara Baras, Jos\u00e9 Merc\u00e9, Israel Galv\u00e1n, Farruquito and other artists perform.<\/p>\n<p>Before attending a performance, always check the full venue name printed on your ticket.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"consejos\">Practical tips if you want to discover the Biennial through its venues<\/h2>\n<ul>\n<li><strong>Do not choose only by artist.<\/strong> In this edition, some projects are specifically conceived to enter into dialogue with their venue.<\/li>\n<li><strong>Check whether the performance is indoors or outdoors.<\/strong> The Real Alc\u00e1zar, Hotel Triana and the Bullring offer a very different experience from enclosed theatres.<\/li>\n<li><strong>Allow for travel time.<\/strong> Although many venues are in the centre or relatively close together, the Biennial is spread across Arenal, Triana, San Bernardo, Cartuja, Macarena and other parts of the city.<\/li>\n<li><strong>Check the exact entrance point.<\/strong> At monumental buildings, the entrance for a performance may not be the same as the entrance used for ordinary tourist visits.<\/li>\n<li><strong>Arrive with time to spare.<\/strong> Especially on premiere nights, at major galas and in heritage venues.<\/li>\n<li><strong>Combine formats.<\/strong> One of the best ways to understand the edition is to attend a matin\u00e9e, a recital in a monument and a major theatrical production.<\/li>\n<\/ul>\n<p>If you are spending several days in Seville, our guide to <a href=\"https:\/\/www.tablaosflamencos.com\/primer-fin-semana-bienal-flamenco-sevilla-2026.html\"><strong>what to see on the first weekend of the 2026 Biennial<\/strong><\/a> can help you build a complete itinerary.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-hwrapper valign_top wrap stack_on_mobiles align_center\" style=\"--hwrapper-gap:1.2rem\"><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026.html\"><span class=\"w-btn-label\">Programme and complete guide<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-in-seville\"><span class=\"w-btn-label\">See flamenco in Seville<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"por-que-importan\" style=\"text-align: center;\">The Biennial is also remembered for where it happened<\/h2>\n<p style=\"text-align: center;\">A major festival could simply book artists and distribute them among theatres. The Seville Biennial does something more interesting: it uses the city itself as part of the festival\u2019s language.<\/p>\n<p style=\"text-align: center;\">In 2026 that idea is especially clear. The return of the Lope de Vega after its restoration, the recovery of Hotel Triana, the creative use of the Royal Artillery Factory, the Baroque matin\u00e9es at San Luis, the nights at the Alc\u00e1zar and the major gala in the Bullring create a flamenco geography that could only happen in Seville.<\/p>\n<p style=\"text-align: center;\">So when two shows interest you equally, look at the venue too. At the Biennial, sometimes <strong>the venue is the artist that does not appear on the poster<\/strong>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"fuentes\">Sources and update<\/h2>\n<p>To prepare this guide, we cross-checked the <a href=\"https:\/\/www.labienal.com\/espacios\" target=\"_blank\" rel=\"noopener\"><strong>official list of venues for the 24th Biennial<\/strong><\/a>, the <a href=\"https:\/\/www.labienal.com\/programa-general\/programacion-por-espacios\" target=\"_blank\" rel=\"noopener\"><strong>official programme by venue<\/strong><\/a> and heritage information published by Seville City Council, ICAS, the Real Alc\u00e1zar, the Real Maestranza and the Teatro de la Maestranza.<\/p>\n<p><strong>Information reviewed on 1 September 2026.<\/strong> Dates, times, access arrangements and availability may be changed by the organisers.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-3\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"faq\" style=\"text-align: center;\">Frequently asked questions about the venues of the Seville Flamenco Biennial 2026<\/h2>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-tabs accordion toggle_style_1 has_scrolling\" style=\"--sections-title-size:inherit;--sections-gap:0.5rem;\"><div class=\"w-tabs-sections titles-align_none icon_chevron cpos_right\"><div class=\"w-tabs-section\" id=\"m357\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-m357\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">How many venues does the Seville Flamenco Biennial 2026 have?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-m357\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The programme for the 24th Biennial is spread across <strong>11 venues<\/strong> in Seville, including theatres, monuments, historic courtyards and cultural centres.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"k44d\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-k44d\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Which is the most monumental venue of the 2026 Biennial?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-k44d\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The <strong>Patio de la Monter\u00eda at the Real Alc\u00e1zar<\/strong> is probably the most exceptional monumental setting thanks to its historic surroundings and the open-air performances facing the Mud\u00e9jar Palace.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"z54f\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-z54f\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Where are the Unique Matin\u00e9es held?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-z54f\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The six Unique Matin\u00e9es are held at the <strong>Church of San Luis de los Franceses<\/strong> on 12, 13, 19, 20, 26 and 27 September, always at 12:00.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"t630\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-t630\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">What is Hotel Triana?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-t630\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>It is a building constructed for the 1929 Ibero-American Exposition that never operated as a hotel and was converted into a <strong>traditional communal residence<\/strong>. Its courtyard is one of the Biennial\u2019s most characterful venues and one of those most closely connected to flamenco memory.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"r702\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-r702\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">When does the Teatro Lope de Vega reopen?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-r702\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The Lope de Vega reopens to the public for the 2026 Biennial after a comprehensive restoration. The first Biennial performance on its stage will be <em>Fractal Arcano<\/em>, by Dorantes, on <strong>12 September<\/strong>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"k7d3\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-k7d3\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Are the Real Maestranza Bullring and the Teatro de la Maestranza the same venue?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-k7d3\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>No. They are two different buildings. The <strong>Real Maestranza Bullring<\/strong> hosts the major gala on 10 September; the <strong>Teatro de la Maestranza<\/strong> hosts Sara Baras, Israel Galv\u00e1n, Jos\u00e9 Merc\u00e9, Farruquito and other large-scale productions.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"z8c0\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-z8c0\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Which venue is best for avant-garde flamenco?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-z8c0\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The <strong>Royal Artillery Factory<\/strong> and the <strong>Teatro Central<\/strong> are two of the venues most closely associated with experimentation and contemporary languages in the 2026 programme.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"w9b2\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-w9b2\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Where can I check the programme by venue?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-w9b2\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The official Biennial website has a section dedicated to <strong>programming by venue<\/strong>. You can also use our complete guide to the Seville Flamenco Biennial 2026 to plan your visit.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"<p>Discover the most spectacular venues of the Seville Flamenco Biennial 2026: Real Alc\u00e1zar, Maestranza, San Luis, Hotel Triana, the Artillery Factory and 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