{"id":13732,"date":"2026-08-31T19:52:12","date_gmt":"2026-08-31T17:52:12","guid":{"rendered":"https:\/\/www.tablaosflamencos.com\/?p=13732"},"modified":"2026-08-31T20:17:04","modified_gmt":"2026-08-31T18:17:04","slug":"sara-baras-seville-2026-infinita-biennial","status":"publish","type":"post","link":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html","title":{"rendered":"Sara Baras in Seville 2026: Infinita and her return to the Biennial"},"content":{"rendered":"<section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Sara Baras returns to the Seville Biennial fourteen years later<\/h2>\n<p><strong>Sara Baras returns to the Seville Flamenco Biennial in 2026<\/strong> with one of the most anticipated events of the 24th edition: the <strong>world premiere of <em>Infinita<\/em><\/strong>, her twentieth production and a declaration of love for Andalusia built through dance, memory, folklore and the identity of its eight provinces.<\/p>\n<p>The C\u00e1diz-born dancer will take over the <strong>Teatro de la Maestranza on 11, 12 and 13 September 2026, always at 8:00 pm<\/strong>. This is not just another visit. The Biennial has presented this return as one of the major stories of the edition and as the opening of the Maestranza programme within the festival, as well as the start of the theatre\u2019s stage season.<\/p>\n<p>The fact that gives the reunion its true scale is the time that has passed: <strong>fourteen years since her last Biennial<\/strong>. In 2012 she brought to the same stage <em>La Pepa<\/em>, also for three nights, and the 5,100 tickets put on sale sold out.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p style=\"text-align: center; font-size: 58px; line-height: 1; margin-bottom: 10px;\"><strong>14<\/strong><\/p>\n<h3 style=\"text-align: center;\">years later<\/h3>\n<p style=\"text-align: center;\"><strong>11, 12 and 13 September 2026<\/strong><\/p>\n<p style=\"text-align: center;\">8:00 pm \u00b7 Teatro de la Maestranza<\/p>\n<p style=\"text-align: center;\"><strong>World premiere of <em>Infinita<\/em><\/strong><\/p>\n<p style=\"text-align: center;\">Direction, script and choreography: Sara Baras<\/p>\n<p style=\"text-align: center;\">Original music: Keko Baldomero<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><blockquote>\n<p><strong>Quick answer:<\/strong> Sara Baras presents <em>Infinita<\/em> at the Seville Flamenco Biennial on <strong>11, 12 and 13 September 2026 at 8:00 pm<\/strong> at the Teatro de la Maestranza. It is a world premiere created for the Biennial, a tribute to Andalusia through eight women representing its eight provinces, and marks the artist\u2019s return to the festival fourteen years after <em>La Pepa<\/em> (2012).<\/p>\n<\/blockquote>\n<p><strong>Last updated: 31 August 2026.<\/strong> All three performances of <em>Infinita<\/em> are listed among the sold-out shows of this edition. Availability may change if seats are released, so it is always worth checking the official channels.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-hwrapper valign_top wrap stack_on_mobiles align_center\" style=\"--hwrapper-gap:1.2rem\"><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026.html\"><span class=\"w-btn-label\">Complete guide to the 2026 Biennial<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.labienal.com\/programa-general\/teatro-de-la-maestranza\/sara-baras\"><span class=\"w-btn-label\">See the official Infinita page<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-3\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Contents of this guide<\/h2>\n<ul>\n<li><a href=\"#regreso-bienal\">Sara Baras\u2019s return to the Biennial<\/a><\/li>\n<li><a href=\"#fechas-infinita\">Infinita dates, time and venue<\/a><\/li>\n<li><a href=\"#que-es-infinita\">What is Infinita?<\/a><\/li>\n<li><a href=\"#ocho-provincias\">Eight women for Andalusia\u2019s eight provinces<\/a><\/li>\n<li><a href=\"#flamenco-folclore\">From folklore to flamenco: the musical landscapes<\/a><\/li>\n<li><a href=\"#equipo-artistico\">Direction, choreography and original music<\/a><\/li>\n<li><a href=\"#sara-baras-bienal\">Sara Baras and the Biennial: from 1994 to 2026<\/a><\/li>\n<li><a href=\"#entradas-infinita\">Tickets, prices and sold-out performances<\/a><\/li>\n<li><a href=\"#maestranza-infinita\">Why the Maestranza is the stage for the return<\/a><\/li>\n<li><a href=\"#despues-sevilla\">Where Infinita can be seen after Seville<\/a><\/li>\n<li><a href=\"#faq-infinita\">Frequently asked questions<\/a><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"regreso-bienal\">Sara Baras\u2019s return to the Biennial: why it is one of the big stories of 2026<\/h2>\n<p>When the programme for the 24th Biennial was presented in February, Sara Baras\u2019s name was tied to an idea that went far beyond booking a large-scale production: <strong>the return of one of flamenco dance\u2019s international stars after fourteen years away<\/strong>.<\/p>\n<p>The organisers have turned that reunion into one of the symbolic pillars of the edition. <em>Infinita<\/em> does not arrive in Seville after premiering at another theatre or as just another stop on a tour. <strong>It was created for the Biennial and will have its world premiere here.<\/strong><\/p>\n<p>That exclusive creative character matters. The 2026 Biennial wants much of its programme to function as an event in itself, not simply as a succession of shows. In Sara Baras\u2019s case, the commitment is reinforced by three consecutive performances in the Main Hall of the Teatro de la Maestranza.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>A return with memory: from <em>La Pepa<\/em> to <em>Infinita<\/em><\/h2>\n<p>The last time Sara Baras took part in the Biennial was in <strong>September 2012<\/strong>. She presented <em>La Pepa<\/em>, a production inspired by the 1812 Constitution of C\u00e1diz, whose bicentenary had just been celebrated.<\/p>\n<p>The Maestranza also reserved three nights for the company then: <strong>14, 15 and 16 September 2012<\/strong>. The 5,100 seats available for those performances sold out.<\/p>\n<p>The comparison with 2026 is inevitable. Fourteen years later she returns to the same theatre, again for three days and again with demand strong enough to sell out before the Biennial begins. But the artistic starting point is very different: while <em>La Pepa<\/em> looked at a specific historical episode, <em>Infinita<\/em> turns its gaze toward <strong>all of Andalusia, the artist\u2019s maturity and the heritage carried through flamenco<\/strong>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"fechas-infinita\">Sara Baras in Seville 2026: dates, time and Teatro de la Maestranza<\/h2>\n<div style=\"overflow-x: auto;\">\n<table>\n<thead>\n<tr>\n<th>Date<\/th>\n<th>Time<\/th>\n<th>Show<\/th>\n<th>Venue<\/th>\n<th>Status<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>Friday 11 September<\/strong><\/td>\n<td>8:00 pm<\/td>\n<td><em>Infinita<\/em> \u00b7 world premiere<\/td>\n<td>Teatro de la Maestranza<\/td>\n<td>Sold out<\/td>\n<\/tr>\n<tr>\n<td><strong>Saturday 12 September<\/strong><\/td>\n<td>8:00 pm<\/td>\n<td><em>Infinita<\/em><\/td>\n<td>Teatro de la Maestranza<\/td>\n<td>Sold out<\/td>\n<\/tr>\n<tr>\n<td><strong>Sunday 13 September<\/strong><\/td>\n<td>8:00 pm<\/td>\n<td><em>Infinita<\/em><\/td>\n<td>Teatro de la Maestranza<\/td>\n<td>Sold out<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<p>&nbsp;<\/p>\n<p>All three performances are part of the <strong>24th Seville Flamenco Biennial<\/strong>, held from 9 September to 3 October. The performance on the 11th is the world premiere of the work and opens the Teatro de la Maestranza programme within the festival.<\/p>\n<p>Before that, on <strong>10 September<\/strong>, the Biennial holds the major gala <em>El mundo por montera<\/em> at the Plaza de Toros de la Real Maestranza. It is therefore more accurate to understand <em>Infinita<\/em> as the Maestranza\u2019s major stage opening and one of the inaugural events of the edition, rather than as the chronologically first activity of the whole festival.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"que-es-infinita\">What is <em>Infinita<\/em>?<\/h2>\n<p><em>Infinita<\/em> begins with a question that Sara Baras herself poses when presenting the project: <strong>how to give back to the land everything that land has given an artist<\/strong>.<\/p>\n<p>The answer is a show dedicated to Andalusia. It does not aim to build a literal guide to its provinces or a collection of regional postcards. The approach is more theatrical and emotional: to observe a land through its differences and seek the common heartbeat that unites them.<\/p>\n<p>The work is also the <strong>twentieth show in the company\u2019s career<\/strong>. That fact places the premiere at a moment of reflection and maturity. After decades taking flamenco to international stages, Baras now uses her own land as creative material.<\/p>\n<p>The production works with dance, music, set design, lighting and costumes to move through Andalusian identities, landscapes, movements and memories.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>A show about Andalusia, but also about maturity<\/h2>\n<p>In interviews ahead of the premiere, Sara Baras has linked <em>Infinita<\/em> to a stage in her life in which she experiences dance differently. Maturity is not presented as giving up physical power, but as a way of <strong>managing energy, listening to the body and deciding more consciously where to place each gesture<\/strong>.<\/p>\n<p>That approach fits the philosophy the artist has explained for the production: after a life devoted to flamenco, art is understood less and less simply as display and more and more as an act of giving.<\/p>\n<p>That is why <em>Infinita<\/em> can be read on two levels. The first is collective: Andalusia as a territory of eight identities. The second is personal: a dancer returning to the Biennial after fourteen years and using that return to ask herself what she has received and what she wants to give back.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"ocho-provincias\">Eight women for Andalusia\u2019s eight provinces<\/h2>\n<p>At the conceptual core of <em>Infinita<\/em> are <strong>eight women who embody Andalusia\u2019s eight provinces<\/strong>. Each has her own personality, rhythm, landscape and way of seeing.<\/p>\n<p>The idea avoids presenting Andalusia as a uniform identity. C\u00e1diz is not Granada; Huelva is not Ja\u00e9n; Almer\u00eda is not Seville. There is sea, mountain, countryside, borderland, city, rural memory and a multitude of accents. The production seeks to bring those differences onto the stage without losing the sense of belonging to the same cultural territory.<\/p>\n<p>Women serve as the vehicle for that representation. This is not unusual in Baras\u2019s career, which has built productions around female characters and worlds such as <em>Juana la Loca<\/em>, <em>Mariana Pineda<\/em> or <em>Carmen<\/em>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>An Andalusia that does not end at its borders<\/h2>\n<p>One of the most interesting aspects of the project is that Andalusian identity is not presented as something closed. The company\u2019s international experience runs through the concept of the work: <strong>roots travel<\/strong> and can remain part of a person far from their place of origin.<\/p>\n<p>Sara Baras has spent decades performing in Europe, the Americas and Asia. Her way of representing Andalusia has therefore been shaped both from within and from a distance.<\/p>\n<p><em>Infinita<\/em> tries to turn that experience into stage language. The land appears as an origin, but also as portable memory. That is why the show seeks an outlook open to the world rather than a folkloric representation closed in on itself.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"flamenco-folclore\">From folklore to flamenco: the musical landscapes of <em>Infinita<\/em><\/h2>\n<p>The presentation of the show itself speaks of <strong>bridges between flamenco and folklore<\/strong>. Music, choreography, set design, lighting and costumes explore those territories without rigidly separating the popular, the traditional and the flamenco.<\/p>\n<p>The announced journey passes through very different forms and references:<\/p>\n<ul>\n<li>romance and fandango,<\/li>\n<li>taranto and malague\u00f1a,<\/li>\n<li>verdial and serrana,<\/li>\n<li>trilla and aceitunera,<\/li>\n<li>grana\u00edna and sole\u00e1,<\/li>\n<li>sevillanas and tanguillo,<\/li>\n<li>alegr\u00edas and buler\u00edas.<\/li>\n<\/ul>\n<p>Not all of these forms belong to the same sphere or have the same history. That is precisely part of the proposal: <strong>to listen for the connections between Andalusia\u2019s popular repertoires and the languages flamenco has developed<\/strong>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Is it a fusion of flamenco and folklore?<\/h2>\n<p>The word \u201cfusion\u201d may be too limited. <em>Infinita<\/em> seems less interested in mixing genres from the outside than in exploring areas of contact that already exist within Andalusian culture.<\/p>\n<p>Verdiales, trillas, fandangos, sevillanas and tanguillos have historically coexisted in a territory where the boundaries between popular celebration, song, dance and flamenco have never been completely impermeable.<\/p>\n<p>The show uses that material as a choreographic and musical starting point. The result is not intended to give a history lesson or establish closed genealogies, but to build an <strong>emotional map of Andalusia through movement and comp\u00e1s<\/strong>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"equipo-artistico\">Direction, script, choreography and music of <em>Infinita<\/em><\/h2>\n<p>The creation bears the direct signature of <strong>Sara Baras in the direction, script and choreography<\/strong>. The original music was composed by <strong>Keko Baldomero<\/strong>, the company\u2019s musical director and a regular collaborator in building the sound world of its productions.<\/p>\n<p>That creative control helps explain why <em>Infinita<\/em> is presented as an especially personal work. It is not simply a choreography starring Baras, but a project whose idea, dramatic structure and movement language emerge from her own vision.<\/p>\n<p>The artist\u2019s official website stresses that all the languages of the production\u2014music, choreography, set design, lighting and costumes\u2014take part in this journey through Andalusia\u2019s eight identities. The aim is for each province to have its own colour and personality without breaking the unity of the show.<\/p>\n<p>The production also comes after <em>Vuela<\/em> (2024), Sara Baras\u2019s tribute to Paco de Luc\u00eda, and is presented as the twentieth title of a private company that has spent nearly three decades touring internationally.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"sara-baras-bienal\">Sara Baras and the Biennial: a relationship that began in 1994<\/h2>\n<p>Sara Baras\u2019s history with the Biennial began long before she became one of the most recognisable figures in international flamenco. The biography published by the organisers places her <strong>first appearance at the festival in 1994<\/strong>, at a time when her individual career was beginning to establish itself.<\/p>\n<p>By then she had worked in companies and projects with artists such as Merche Esmeralda and Antonio Canales and had already toured Japan, France, New York and various European countries.<\/p>\n<p>In 1998 she founded Ballet Flamenco Sara Baras and premiered <em>Sensaciones<\/em>, beginning a long body of original work that would be followed by <em>Sue\u00f1os<\/em>, <em>Juana la Loca<\/em>, <em>Mariana Pineda<\/em>, <em>Sabores<\/em>, <em>Carmen<\/em>, <em>Esencia<\/em>, <em>La Pepa<\/em>, <em>Medusa<\/em>, <em>Sombras<\/em>, <em>Alma<\/em>, <em>Vuela<\/em> and other titles.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>From a young bailaora to an international figure<\/h2>\n<p>The 2026 return also makes it possible to measure how Sara Baras\u2019s place in flamenco has changed. The artist who came to the Biennial in the 1990s is now a <strong>National Dance Award winner, recipient of the Gold Medal of Andalusia and the Gold Medal for Merit in the Fine Arts, and an Olivier Award winner<\/strong>, among other honours.<\/p>\n<p>Her company has turned large-scale flamenco into a language that can travel to international theatres without abandoning the centrality of dance and comp\u00e1s.<\/p>\n<p>That is why the Biennial has presented <em>Infinita<\/em> as a return with institutional and artistic weight. It is not simply about bringing back an artist absent from the festival since 2012: it is about welcoming her back at a moment of maturity, with a new work and with Seville as the starting point for her next creative stage.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"entradas-infinita\">Tickets for Sara Baras in Seville 2026: prices and sold-out performances<\/h2>\n<p>Tickets for the 2026 Biennial went on sale on <strong>11 February<\/strong>. The festival\u2019s general price range runs from inexpensive seats at some venues up to the <strong>75 euros<\/strong> that the organisers themselves identify as the maximum price for Sara Baras in Patio A of the Teatro de la Maestranza.<\/p>\n<p>At the end of August, the Biennial\u2019s management confirmed that more than thirty shows in the edition were already sold out and listed <strong><em>Infinita<\/em> among the performances with no availability<\/strong>. All three dates therefore rank among the major sell-outs before the festival begins.<\/p>\n<p>That does not mean a last-minute seat can never appear. Large productions may see returns, allocation adjustments or occasional seat releases. If you want to try, the only reliable reference is the official ticketing linked from the Biennial and the Teatro de la Maestranza.<\/p>\n<p>Avoid paying inflated prices through unofficial channels. If no tickets remain, the Biennial has dozens of other shows and Seville maintains a daily programme of tablaos and flamenco venues during those dates.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-hwrapper valign_top wrap stack_on_mobiles align_center\" style=\"--hwrapper-gap:1.2rem\"><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026-sold-out-tickets-what-to-see.html\"><span class=\"w-btn-label\">What to do if there are no tickets left<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-in-seville\"><span class=\"w-btn-label\">See flamenco in Seville<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"maestranza-infinita\">Teatro de la Maestranza, the stage for the return<\/h2>\n<p>The <strong>Teatro de la Maestranza<\/strong> is one of the Biennial\u2019s largest and most prominent venues and in 2026 hosts many of its large-scale productions.<\/p>\n<p>The fact that <em>Infinita<\/em> premieres there also has a biographical resonance. It was the stage for <em>La Pepa<\/em> at the 2012 Biennial and, fourteen years later, is once again the venue chosen for the reunion.<\/p>\n<p>The theatre\u2019s later Biennial programme includes Ca\u00f1izares with the Royal Seville Symphony Orchestra, Jos\u00e9 Merc\u00e9, Manuel Li\u00f1\u00e1n, Israel Galv\u00e1n, Farruquito, Marina Heredia and the closing production <em>Perlas a Millares<\/em>. <em>Infinita<\/em> therefore opens a sequence of major names that makes the Maestranza one of the main centres of gravity of the edition.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Practical tips for the performances on 11, 12 and 13 September<\/h2>\n<ul>\n<li><strong>Check your date.<\/strong> All three performances start at 8:00 pm.<\/li>\n<li><strong>Arrive in good time.<\/strong> A premiere with this level of anticipation will draw large crowds at the entrances.<\/li>\n<li><strong>Check the entry conditions.<\/strong> If you manage to obtain a last-minute released seat, always confirm that it comes through the official channel.<\/li>\n<li><strong>Do not confuse the Real Maestranza with the Teatro de la Maestranza.<\/strong> The gala on the 10th is at the bullring; Sara Baras performs at the theatre.<\/li>\n<li><strong>See what comes next.<\/strong> On the 11th, 12th and 13th there are other Biennial performances at different venues across Seville.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"despues-sevilla\">Where can <em>Infinita<\/em> be seen after Seville?<\/h2>\n<p>The world premiere will be at the Biennial, but <em>Infinita<\/em> will then continue to other theatres. Dates already announced include <strong>M\u00e1laga, Pamplona and Jerez de la Frontera<\/strong>.<\/p>\n<p>Teatro Cervantes in M\u00e1laga has scheduled four performances from 24 to 27 October; Baluarte in Pamplona will host the show on 20 December; and Teatro Villamarta in Jerez will stage it on 29 and 30 December.<\/p>\n<p>For audiences in Seville, however, the September performances have a unique value: they are the first public performances of the work and the place where audiences will discover for the first time how Sara Baras\u2019s journey through the eight Andalusias takes shape on stage.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-3\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 style=\"text-align: center;\">A premiere that brings together return, memory and new creation<\/h2>\n<p style=\"text-align: center;\"><em>Infinita<\/em> brings together almost all the ingredients that turn a Biennial performance into an event: a world premiere, an artist with enormous international reach, three nights at the Maestranza, a long absence and a work conceived specifically to look toward Andalusia.<\/p>\n<p style=\"text-align: center;\">The interest lies not only in seeing whether Sara Baras can still fill a major theatre\u2014the box office has already answered that question\u2014but in discovering what an artist with decades of stage experience does when she decides to turn her own land into choreographic material.<\/p>\n<p style=\"text-align: center;\">Fourteen years separate <em>La Pepa<\/em> from <em>Infinita<\/em>. Seville will have three nights to measure everything that has changed between the two productions and everything that, in Sara Baras\u2019s dance, continues to beat with the same pulse.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-hwrapper valign_top wrap stack_on_mobiles align_center\" style=\"--hwrapper-gap:1.2rem\"><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial\"><span class=\"w-btn-label\">See all Biennial news<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026.html\"><span class=\"w-btn-label\">See the complete programme<\/span><\/a><\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-3\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"faq-infinita\" style=\"text-align: center;\">Frequently asked questions about Sara Baras and <em>Infinita<\/em> in Seville<\/h2>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-tabs accordion toggle_style_1 has_scrolling\" style=\"--sections-title-size:inherit;--sections-gap:0.5rem;\"><div class=\"w-tabs-sections titles-align_none icon_chevron cpos_right\"><div class=\"w-tabs-section\" id=\"i25f\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-i25f\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">When does Sara Baras perform in Seville in 2026?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-i25f\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Sara Baras presents <em>Infinita<\/em> on <strong>11, 12 and 13 September 2026 at 8:00 pm<\/strong> at the Teatro de la Maestranza, as part of the 24th Seville Flamenco Biennial.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"b377\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-b377\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Is Infinita a premiere?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-b377\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Yes. The performance on 11 September will be the <strong>world premiere<\/strong> of <em>Infinita<\/em>. The show was created for the Biennial and will then continue its tour at other theatres.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"p490\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-p490\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">What is Infinita about?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-p490\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p><em>Infinita<\/em> is a tribute to Andalusia built through <strong>eight women representing its eight provinces<\/strong>. The production uses flamenco, folklore, music, choreography, set design, lighting and costumes to explore the differences and the shared pulse of Andalusian identity.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"i571\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-i571\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Who directs and choreographs Infinita?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-i571\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p><strong>Sara Baras is responsible for the direction, script and choreography.<\/strong> The original music is by Keko Baldomero, the company\u2019s musical director.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"w691\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-w691\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">How many years had Sara Baras been away from the Biennial?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-w691\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Her last participation was in 2012 with <em>La Pepa<\/em>. Therefore, <em>Infinita<\/em> marks her return to the Biennial <strong>fourteen years later<\/strong>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"g798\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-g798\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Where was Sara Baras\u2019s last Biennial appearance before 2026?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-g798\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>In 2012 she presented <em>La Pepa<\/em> at the <strong>Teatro de la Maestranza<\/strong>, the same stage she returns to in 2026. The three performances that year sold out all 5,100 seats put on sale.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"b89e\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-b89e\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Are there tickets for Sara Baras at the 2026 Biennial?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-b89e\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>As of 31 August 2026, <em>Infinita<\/em> is listed among the Biennial shows that are <strong>sold out<\/strong> . It is worth checking the official channels in case last-minute seats are released and avoiding unauthorised resale.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"i975\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-i975\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">How much did tickets cost?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-i975\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The Biennial reports that the maximum ticket price in 2026 reaches <strong>75 euros<\/strong> specifically for Sara Baras\u2019s show, for Patio A seats at the Teatro de la Maestranza.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"ma43\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-ma43\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Can Infinita be seen in other cities?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-ma43\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Yes. After the Seville premiere, performances have been announced, among other cities, in <strong>M\u00e1laga, Pamplona and Jerez de la Frontera<\/strong> during the final quarter of 2026.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Sources and updates<\/h2>\n<p>To prepare this guide we cross-checked information from the <a href=\"https:\/\/www.labienal.com\/noticias\/sara-baras-regresa-a-la-bienal-con-el-estreno-absoluto-de-201cinfinita201d\" target=\"_blank\" rel=\"noopener\"><strong>Seville Flamenco Biennial<\/strong><\/a>, the <a href=\"https:\/\/www.labienal.com\/programa-general\/teatro-de-la-maestranza\/sara-baras\" target=\"_blank\" rel=\"noopener\"><strong>official page for <em>Infinita<\/em><\/strong><\/a>, the <a href=\"https:\/\/www.teatrodelamaestranza.es\/es\/detalle\/508\/sara-baras\/\" target=\"_blank\" rel=\"noopener\"><strong>Teatro de la Maestranza<\/strong><\/a> and the <a href=\"https:\/\/sarabarasvuela.com\/infinita\/\" target=\"_blank\" rel=\"noopener\"><strong>official Sara Baras website<\/strong><\/a>.<\/p>\n<p><strong>Information reviewed on 31 August 2026.<\/strong> Times, ticket availability and access conditions may be changed by the organisers.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"<p>Sara Baras returns to the Seville Flamenco Biennial after 14 years with Infinita: world premiere, dates, concept, tickets and key details of the show.<\/p>\n","protected":false},"author":1,"featured_media":13720,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"wpai_generated_summary":"","_ayudawp_aiss_exclude":false,"_ayudawp_aiss_exclude_summary":false,"_ayudawp_aiss_summary":"","_ayudawp_aiss_summary_provider":"","_ayudawp_aiss_summary_hash":"","footnotes":""},"categories":[1427],"tags":[1232,1233,1234,1235,1388,1144,1760,1236],"class_list":["post-13732","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-flamenco-biennial","tag-agenda-flamenca","tag-bienal-2026","tag-bienal-de-flamenco","tag-festivales-flamencos","tag-flamenco-dance","tag-flamenco-en-sevilla","tag-sara-baras-en","tag-sevilla"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.3 (Yoast SEO v28.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Sara Baras in Seville 2026: Infinita at the Biennial<\/title>\n<meta name=\"description\" content=\"Sara Baras returns to the Seville Flamenco Biennial after 14 years with Infinita: world premiere, dates, concept, tickets and key details of the show.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sara Baras in Seville 2026: Infinita and her return to the Biennial\" \/>\n<meta property=\"og:description\" content=\"Sara Baras returns to the Seville Flamenco Biennial after 14 years with Infinita: world premiere, dates, concept, tickets and key details of the show.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html\" \/>\n<meta property=\"og:site_name\" content=\"Tablaos Flamencos\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/tablaosflamencos\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-31T17:52:12+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-31T18:17:04+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/que-es-un-tablao-flamenco-y-como-elegir-el-adecuado-guia-practica-01.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1072\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"Miguel Ortiz\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@tablaosflamenco\" \/>\n<meta name=\"twitter:site\" content=\"@tablaosflamenco\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Miguel Ortiz\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"19 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/sara-baras-seville-2026-infinita-biennial.html#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/sara-baras-seville-2026-infinita-biennial.html\"},\"author\":{\"name\":\"Miguel Ortiz\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en#\\\/schema\\\/person\\\/e7a9ebe14eb75a52ceabfbffb3c54f5d\"},\"headline\":\"Sara Baras in Seville 2026: Infinita and her return to the Biennial\",\"datePublished\":\"2026-08-31T17:52:12+00:00\",\"dateModified\":\"2026-08-31T18:17:04+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/sara-baras-seville-2026-infinita-biennial.html\"},\"wordCount\":3886,\"publisher\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/sara-baras-seville-2026-infinita-biennial.html#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/wp-content\\\/uploads\\\/sara-baras-en-sevilla-2026-infinita-y-su-regreso-a-la-bienal-01.avif\",\"keywords\":[\"agenda flamenca\",\"Bienal 2026\",\"Bienal de Flamenco\",\"festivales flamencos\",\"flamenco dance\",\"flamenco en Sevilla\",\"Sara Baras\",\"sevilla\"],\"articleSection\":[\"Flamenco Biennial\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/sara-baras-seville-2026-infinita-biennial.html\",\"url\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/sara-baras-seville-2026-infinita-biennial.html\",\"name\":\"Sara Baras in Seville 2026: Infinita at the Biennial\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/sara-baras-seville-2026-infinita-biennial.html#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/sara-baras-seville-2026-infinita-biennial.html#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/wp-content\\\/uploads\\\/sara-baras-en-sevilla-2026-infinita-y-su-regreso-a-la-bienal-01.avif\",\"datePublished\":\"2026-08-31T17:52:12+00:00\",\"dateModified\":\"2026-08-31T18:17:04+00:00\",\"description\":\"Sara Baras returns to the Seville Flamenco Biennial after 14 years with Infinita: world premiere, dates, concept, tickets and key details of the show.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/sara-baras-seville-2026-infinita-biennial.html#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/sara-baras-seville-2026-infinita-biennial.html\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/sara-baras-seville-2026-infinita-biennial.html#primaryimage\",\"url\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/wp-content\\\/uploads\\\/sara-baras-en-sevilla-2026-infinita-y-su-regreso-a-la-bienal-01.avif\",\"contentUrl\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/wp-content\\\/uploads\\\/sara-baras-en-sevilla-2026-infinita-y-su-regreso-a-la-bienal-01.avif\",\"width\":1920,\"height\":1279,\"caption\":\"Sara Baras en Sevilla 2026: Infinita y su regreso a la Bienal\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/sara-baras-seville-2026-infinita-biennial.html#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sara Baras in Seville 2026: Infinita and her return to the Biennial\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en#website\",\"url\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\",\"name\":\"Tablaos Flamencos\",\"description\":\"Entradas para tablaos flamencos de Espa\u00f1a\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en#organization\"},\"alternateName\":\"Tablaos Flamencos\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":[\"Organization\",\"Place\",\"EntertainmentBusiness\"],\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en#organization\",\"name\":\"Tablaos Flamencos\",\"alternateName\":\"Tablaos Flamencos\",\"url\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\",\"logo\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/sara-baras-seville-2026-infinita-biennial.html#local-main-organization-logo\"},\"image\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/sara-baras-seville-2026-infinita-biennial.html#local-main-organization-logo\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/tablaosflamencos\",\"https:\\\/\\\/x.com\\\/tablaosflamenco\",\"https:\\\/\\\/mastodon.social\\\/@tablaosflamencos\",\"https:\\\/\\\/www.instagram.com\\\/tablaosflamencos\",\"https:\\\/\\\/tiktok.com\\\/@tablaosflamencos\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/109408238\\\/\"],\"description\":\"Venta de entradas para espect\u00e1culos flamencos\",\"legalName\":\"Tablaos Flamencos\",\"foundingDate\":\"2015-01-01\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"1\",\"maxValue\":\"10\"},\"address\":{\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/sara-baras-seville-2026-infinita-biennial.html#local-main-place-address\"},\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"37.3868072\",\"longitude\":\"-5.993280299999999\"},\"telephone\":[\"+34623787787\"],\"contactPoint\":{\"@type\":\"ContactPoint\",\"telephone\":\"+34623787787\",\"email\":\"info@tablaosflamencos.com\"},\"openingHoursSpecification\":{\"@type\":\"OpeningHoursSpecification\",\"dayOfWeek\":[\"Monday\",\"Tuesday\",\"Wednesday\",\"Thursday\",\"Friday\",\"Saturday\",\"Sunday\"],\"opens\":\"00:00\",\"closes\":\"23:59\"},\"email\":\"info@tablaosflamencos.com\",\"priceRange\":\"$$$\",\"currenciesAccepted\":\"\u20ac\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en#\\\/schema\\\/person\\\/e7a9ebe14eb75a52ceabfbffb3c54f5d\",\"name\":\"Miguel Ortiz\",\"description\":\"Miguel Ortiz es un empresario flamenco, con una s\u00f3lida trayectoria dentro del sector. Ha presidido entidades culturales vinculadas al flamenco y, cuenta con un amplio recorrido profesional en la gesti\u00f3n y promoci\u00f3n de espect\u00e1culos y tablaos flamencos. Su pasi\u00f3n por la historia y el arte flamenco se refleja en cada art\u00edculo, donde combina experiencia, criterio y un profundo respeto por la tradici\u00f3n.\",\"sameAs\":[\"https:\\\/\\\/www.tablaosflamencos.com\",\"https:\\\/\\\/www.instagra.com\\\/miguelortizfe\",\"https:\\\/\\\/www.linkedin.com\\\/in\\\/miguelortizf\\\/\"],\"birthDate\":\"1984-11-22\",\"gender\":\"hombre\",\"knowsLanguage\":[\"espa\u00f1ol\",\"ingl\u00e9s\"],\"jobTitle\":\"Empresario flamenco\"},{\"@type\":\"PostalAddress\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/sara-baras-seville-2026-infinita-biennial.html#local-main-place-address\",\"streetAddress\":\"C\\\/ Alemanes, 19\",\"addressLocality\":\"Sevilla\",\"postalCode\":\"41004\",\"addressRegion\":\"Sevilla\",\"addressCountry\":\"ES\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/en\\\/sara-baras-seville-2026-infinita-biennial.html#local-main-organization-logo\",\"url\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/wp-content\\\/uploads\\\/tablaos-flamencos-06-3.webp\",\"contentUrl\":\"https:\\\/\\\/www.tablaosflamencos.com\\\/wp-content\\\/uploads\\\/tablaos-flamencos-06-3.webp\",\"width\":600,\"height\":620,\"caption\":\"Tablaos Flamencos\"}]}<\/script>\n<meta name=\"geo.placename\" content=\"Sevilla\" \/>\n<meta name=\"geo.position\" content=\"37.3868072;-5.993280299999999\" \/>\n<meta name=\"geo.region\" content=\"Spain\" \/>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Sara Baras in Seville 2026: Infinita at the Biennial","description":"Sara Baras returns to the Seville Flamenco Biennial after 14 years with Infinita: world premiere, dates, concept, tickets and key details of the show.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html","og_locale":"en_US","og_type":"article","og_title":"Sara Baras in Seville 2026: Infinita and her return to the Biennial","og_description":"Sara Baras returns to the Seville Flamenco Biennial after 14 years with Infinita: world premiere, dates, concept, tickets and key details of the show.","og_url":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html","og_site_name":"Tablaos Flamencos","article_publisher":"https:\/\/www.facebook.com\/tablaosflamencos","article_published_time":"2026-08-31T17:52:12+00:00","article_modified_time":"2026-08-31T18:17:04+00:00","og_image":[{"width":1920,"height":1072,"url":"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/que-es-un-tablao-flamenco-y-como-elegir-el-adecuado-guia-practica-01.webp","type":"image\/webp"}],"author":"Miguel Ortiz","twitter_card":"summary_large_image","twitter_creator":"@tablaosflamenco","twitter_site":"@tablaosflamenco","twitter_misc":{"Written by":"Miguel Ortiz","Est. reading time":"19 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html#article","isPartOf":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html"},"author":{"name":"Miguel Ortiz","@id":"https:\/\/www.tablaosflamencos.com\/en#\/schema\/person\/e7a9ebe14eb75a52ceabfbffb3c54f5d"},"headline":"Sara Baras in Seville 2026: Infinita and her return to the Biennial","datePublished":"2026-08-31T17:52:12+00:00","dateModified":"2026-08-31T18:17:04+00:00","mainEntityOfPage":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html"},"wordCount":3886,"publisher":{"@id":"https:\/\/www.tablaosflamencos.com\/en#organization"},"image":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html#primaryimage"},"thumbnailUrl":"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/sara-baras-en-sevilla-2026-infinita-y-su-regreso-a-la-bienal-01.avif","keywords":["agenda flamenca","Bienal 2026","Bienal de Flamenco","festivales flamencos","flamenco dance","flamenco en Sevilla","Sara Baras","sevilla"],"articleSection":["Flamenco Biennial"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html","url":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html","name":"Sara Baras in Seville 2026: Infinita at the Biennial","isPartOf":{"@id":"https:\/\/www.tablaosflamencos.com\/en#website"},"primaryImageOfPage":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html#primaryimage"},"image":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html#primaryimage"},"thumbnailUrl":"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/sara-baras-en-sevilla-2026-infinita-y-su-regreso-a-la-bienal-01.avif","datePublished":"2026-08-31T17:52:12+00:00","dateModified":"2026-08-31T18:17:04+00:00","description":"Sara Baras returns to the Seville Flamenco Biennial after 14 years with Infinita: world premiere, dates, concept, tickets and key details of the show.","breadcrumb":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html#primaryimage","url":"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/sara-baras-en-sevilla-2026-infinita-y-su-regreso-a-la-bienal-01.avif","contentUrl":"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/sara-baras-en-sevilla-2026-infinita-y-su-regreso-a-la-bienal-01.avif","width":1920,"height":1279,"caption":"Sara Baras en Sevilla 2026: Infinita y su regreso a la Bienal"},{"@type":"BreadcrumbList","@id":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.tablaosflamencos.com\/en"},{"@type":"ListItem","position":2,"name":"Sara Baras in Seville 2026: Infinita and her return to the Biennial"}]},{"@type":"WebSite","@id":"https:\/\/www.tablaosflamencos.com\/en#website","url":"https:\/\/www.tablaosflamencos.com\/en","name":"Tablaos Flamencos","description":"Entradas para tablaos flamencos de Espa\u00f1a","publisher":{"@id":"https:\/\/www.tablaosflamencos.com\/en#organization"},"alternateName":"Tablaos Flamencos","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.tablaosflamencos.com\/en?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":["Organization","Place","EntertainmentBusiness"],"@id":"https:\/\/www.tablaosflamencos.com\/en#organization","name":"Tablaos Flamencos","alternateName":"Tablaos Flamencos","url":"https:\/\/www.tablaosflamencos.com\/en","logo":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html#local-main-organization-logo"},"image":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html#local-main-organization-logo"},"sameAs":["https:\/\/www.facebook.com\/tablaosflamencos","https:\/\/x.com\/tablaosflamenco","https:\/\/mastodon.social\/@tablaosflamencos","https:\/\/www.instagram.com\/tablaosflamencos","https:\/\/tiktok.com\/@tablaosflamencos","https:\/\/www.linkedin.com\/company\/109408238\/"],"description":"Venta de entradas para espect\u00e1culos flamencos","legalName":"Tablaos Flamencos","foundingDate":"2015-01-01","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"1","maxValue":"10"},"address":{"@id":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html#local-main-place-address"},"geo":{"@type":"GeoCoordinates","latitude":"37.3868072","longitude":"-5.993280299999999"},"telephone":["+34623787787"],"contactPoint":{"@type":"ContactPoint","telephone":"+34623787787","email":"info@tablaosflamencos.com"},"openingHoursSpecification":{"@type":"OpeningHoursSpecification","dayOfWeek":["Monday","Tuesday","Wednesday","Thursday","Friday","Saturday","Sunday"],"opens":"00:00","closes":"23:59"},"email":"info@tablaosflamencos.com","priceRange":"$$$","currenciesAccepted":"\u20ac"},{"@type":"Person","@id":"https:\/\/www.tablaosflamencos.com\/en#\/schema\/person\/e7a9ebe14eb75a52ceabfbffb3c54f5d","name":"Miguel Ortiz","description":"Miguel Ortiz es un empresario flamenco, con una s\u00f3lida trayectoria dentro del sector. Ha presidido entidades culturales vinculadas al flamenco y, cuenta con un amplio recorrido profesional en la gesti\u00f3n y promoci\u00f3n de espect\u00e1culos y tablaos flamencos. Su pasi\u00f3n por la historia y el arte flamenco se refleja en cada art\u00edculo, donde combina experiencia, criterio y un profundo respeto por la tradici\u00f3n.","sameAs":["https:\/\/www.tablaosflamencos.com","https:\/\/www.instagra.com\/miguelortizfe","https:\/\/www.linkedin.com\/in\/miguelortizf\/"],"birthDate":"1984-11-22","gender":"hombre","knowsLanguage":["espa\u00f1ol","ingl\u00e9s"],"jobTitle":"Empresario flamenco"},{"@type":"PostalAddress","@id":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html#local-main-place-address","streetAddress":"C\/ Alemanes, 19","addressLocality":"Sevilla","postalCode":"41004","addressRegion":"Sevilla","addressCountry":"ES"},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.tablaosflamencos.com\/en\/sara-baras-seville-2026-infinita-biennial.html#local-main-organization-logo","url":"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/tablaos-flamencos-06-3.webp","contentUrl":"https:\/\/www.tablaosflamencos.com\/wp-content\/uploads\/tablaos-flamencos-06-3.webp","width":600,"height":620,"caption":"Tablaos Flamencos"}]},"geo.placename":"Sevilla","geo.position":{"lat":"37.3868072","long":"-5.993280299999999"},"geo.region":"Spain"},"_links":{"self":[{"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/posts\/13732","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/comments?post=13732"}],"version-history":[{"count":1,"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/posts\/13732\/revisions"}],"predecessor-version":[{"id":13771,"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/posts\/13732\/revisions\/13771"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/media\/13720"}],"wp:attachment":[{"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/media?parent=13732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/categories?post=13732"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tablaosflamencos.com\/en\/wp-json\/wp\/v2\/tags?post=13732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}