{"id":13685,"date":"2026-08-31T19:04:44","date_gmt":"2026-08-31T17:04:44","guid":{"rendered":"https:\/\/www.tablaosflamencos.com\/?p=13685"},"modified":"2026-08-31T19:23:49","modified_gmt":"2026-08-31T17:23:49","slug":"seville-flamenco-biennial-2026-unique-matinees","status":"publish","type":"post","link":"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026-unique-matinees.html","title":{"rendered":"Unique Matinees at the 2026 Seville Flamenco Biennial: Programme, Dates and San Luis de los Franceses"},"content":{"rendered":"<section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Unique Matinees at the 2026 Biennial: midday flamenco in a Baroque jewel<\/h2>\n<p>The <strong>Unique Matinees at the 2026 Seville Flamenco Biennial<\/strong> form one of the most distinctive series of the 24th edition. Six performances, always at <strong>12:00 noon<\/strong>, will turn the church of <strong>San Luis de los Franceses<\/strong> into a meeting place for flamenco and early music over three weekends.<\/p>\n<p>The programme brings together <strong>Pedro El Grana\u00edno, Alejandro Hurtado and Encarna Anillo<\/strong>, each with two performances and guest musicians associated with historical instruments and repertoires. Daniel Oyarz\u00e1bal\u2019s harpsichord, Enrike Solin\u00eds\u2019s guitar and Miguel Rinc\u00f3n\u2019s lute enter into dialogue with flamenco singing and guitar.<\/p>\n<p>This is not simply a different time slot within the programme. The Biennial presents the matinees as an experience of <strong>intimate, unhurried listening<\/strong>, in which the architecture, morning light, silence and acoustics of San Luis become part of the performance itself.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p style=\"text-align: center; font-size: 64px; line-height: 1; margin-bottom: 10px;\"><strong>6<\/strong><\/p>\n<h3 style=\"text-align: center;\">Unique Matinees<\/h3>\n<p style=\"text-align: center;\"><strong>12, 13, 19, 20, 26 and 27 September<\/strong><\/p>\n<p style=\"text-align: center;\">All at <strong>12:00 noon<\/strong><\/p>\n<p style=\"text-align: center;\">Church of San Luis de los Franceses<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><blockquote>\n<p><strong>Quick answer:<\/strong> the Unique Matinees at the 2026 Biennial are six morning performances at San Luis de los Franceses. Pedro El Grana\u00edno presents <em>Pan de oro<\/em> on 12 and 13 September; Alejandro Hurtado presents <em>Devenir de la guitarra<\/em> on 19 and 20 September; and Encarna Anillo presents <em>Camino de flores<\/em> on 26 and 27 September. All begin at 12:00 noon and explore, from different perspectives, the dialogue between flamenco, early music and heritage.<\/p>\n<\/blockquote>\n<p><strong>Last updated: 31 August 2026.<\/strong> Ticket availability may change. Always check the current status of each performance on the Biennial\u2019s official website.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-hwrapper valign_top wrap stack_on_mobiles align_center\" style=\"--hwrapper-gap:1.2rem\"><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026.html\"><span class=\"w-btn-label\">Complete guide to the 2026 Biennial<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial\"><span class=\"w-btn-label\">See all our Biennial news<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-3\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Contents of this guide<\/h2>\n<ul>\n<li><a href=\"#que-son-matines\">What are the Unique Matinees?<\/a><\/li>\n<li><a href=\"#calendario-matines\">Full calendar<\/a><\/li>\n<li><a href=\"#pan-de-oro\">Pedro El Grana\u00edno: Pan de oro<\/a><\/li>\n<li><a href=\"#devenir-guitarra\">Alejandro Hurtado: Devenir de la guitarra<\/a><\/li>\n<li><a href=\"#camino-flores\">Encarna Anillo: Camino de flores<\/a><\/li>\n<li><a href=\"#san-luis\">Why San Luis de los Franceses is part of the performance<\/a><\/li>\n<li><a href=\"#flamenco-musica-antigua\">Flamenco and early music<\/a><\/li>\n<li><a href=\"#entradas-matines\">Tickets and availability<\/a><\/li>\n<li><a href=\"#como-llegar\">How to get there and practical tips<\/a><\/li>\n<li><a href=\"#faq-matines\">Frequently asked questions<\/a><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"que-son-matines\">What are the Biennial\u2019s Unique Matinees?<\/h2>\n<p>The Unique Matinees bring the Biennial\u2019s concept of a one-off event into a format different from the <a href=\"https:\/\/www.tablaosflamencos.com\/noches-unicas-bienal-flamenco-sevilla-2026.html\"><strong>Unique Nights<\/strong><\/a>. Instead of large theatres, late-night sessions or bigger productions, the focus here is on <strong>proximity, contemplation and attentive listening<\/strong>.<\/p>\n<p>The 24th Biennial schedules six events between 12 and 27 September. In fact, they are <strong>three artistic proposals, each presented on two consecutive mornings<\/strong>. All take place at 12:00 noon in the church of San Luis de los Franceses.<\/p>\n<p>The series also builds a bridge with the <strong>Seville Early Music Festival (FeM\u00c0S)<\/strong>. The idea is to treat flamenco as music capable of engaging with a historically informed perspective, incorporating musicians and instruments associated with early repertoires without turning the result into superficial fusion.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>A format designed for a different way of listening<\/h2>\n<p>The organisers themselves describe these performances as an invitation to slow down. The scale of the venue and the daytime schedule make it possible to move away from the logic of a large evening show and focus on the detail of the singing and guitar.<\/p>\n<p>San Luis de los Franceses is not merely a backdrop. Its layout, Baroque ornamentation, morning light and ceremonial character shape the experience.<\/p>\n<p>This suits the three chosen projects particularly well: Pedro El Grana\u00edno\u2019s deep and solemn singing, Alejandro Hurtado\u2019s historical perspective on the guitar and Encarna Anillo\u2019s emotional journey.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"calendario-matines\">Calendar of the 2026 Biennial Unique Matinees<\/h2>\n<div style=\"overflow-x: auto;\">\n<table>\n<thead>\n<tr>\n<th>Date<\/th>\n<th>Time<\/th>\n<th>Artist<\/th>\n<th>Show<\/th>\n<th>Featured collaboration<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>12 September<\/strong><\/td>\n<td>12:00<\/td>\n<td>Pedro El Grana\u00edno<\/td>\n<td><em>Pan de oro<\/em><\/td>\n<td>Daniel Oyarz\u00e1bal, harpsichord<\/td>\n<\/tr>\n<tr>\n<td><strong>13 September<\/strong><\/td>\n<td>12:00<\/td>\n<td>Pedro El Grana\u00edno<\/td>\n<td><em>Pan de oro<\/em><\/td>\n<td>Daniel Oyarz\u00e1bal, harpsichord<\/td>\n<\/tr>\n<tr>\n<td><strong>19 September<\/strong><\/td>\n<td>12:00<\/td>\n<td>Alejandro Hurtado<\/td>\n<td><em>Devenir de la guitarra<\/em><\/td>\n<td>Enrike Solin\u00eds<\/td>\n<\/tr>\n<tr>\n<td><strong>20 September<\/strong><\/td>\n<td>12:00<\/td>\n<td>Alejandro Hurtado<\/td>\n<td><em>Devenir de la guitarra<\/em><\/td>\n<td>Enrike Solin\u00eds<\/td>\n<\/tr>\n<tr>\n<td><strong>26 September<\/strong><\/td>\n<td>12:00<\/td>\n<td>Encarna Anillo<\/td>\n<td><em>Camino de flores<\/em><\/td>\n<td>Miguel Rinc\u00f3n, lute<\/td>\n<\/tr>\n<tr>\n<td><strong>27 September<\/strong><\/td>\n<td>12:00<\/td>\n<td>Encarna Anillo<\/td>\n<td><em>Camino de flores<\/em><\/td>\n<td>Miguel Rinc\u00f3n, lute<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<p>&nbsp;<\/p>\n<p>All six performances take place at the <strong>Church of San Luis de los Franceses<\/strong>. The official programme and ticket links can be found on <a href=\"https:\/\/www.labienal.com\/programa-general\/iglesia-san-luis-de-los-franceses\" target=\"_blank\" rel=\"noopener\"><strong>the Biennial page dedicated to this venue<\/strong><\/a>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"pan-de-oro\">Pedro El Grana\u00edno and Daniel Oyarz\u00e1bal: <em>Pan de oro<\/em><\/h2>\n<p><strong>12 and 13 September \u00b7 12:00 noon<\/strong><\/p>\n<p>Pedro El Grana\u00edno opens the series with a project created especially for the Biennial. <em>Pan de oro<\/em> seeks a solemn, intimate atmosphere in which flamenco singing meets the sound of the harpsichord.<\/p>\n<p>The artistic line-up brings together <strong>Pedro El Grana\u00edno on vocals, Daniel Oyarz\u00e1bal on harpsichord, Rosa Escobar on viola and Patrocinio Hijo on guitar<\/strong>. The presence of strings, harpsichord and guitar creates an unusual soundscape around a voice particularly associated with flamenco\u2019s deepest registers.<\/p>\n<p>The announced repertoire moves through <strong>grana\u00edna, malague\u00f1a, sole\u00e1, fandangos and saeta<\/strong>, among other forms. These styles may find an especially fitting context in the contemplative atmosphere of San Luis.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Why <em>Pan de oro<\/em> fits San Luis<\/h2>\n<p>The concept does not try to turn flamenco singing into Baroque music. What is interesting is precisely the preservation of each identity and observing what happens when voice, guitar and an instrument such as the harpsichord share a space steeped in historical resonance.<\/p>\n<p>The title <em>Pan de oro<\/em> also creates an inevitable association with the visual richness of the church itself. In a space where altarpieces, paintings and architecture work together to create a sensory experience, the project transfers that sense of solemnity into sound.<\/p>\n<p>For anyone wanting to hear flamenco singing on a different scale from the Biennial\u2019s large stages, this is likely to be one of the edition\u2019s most distinctive proposals.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"devenir-guitarra\">Alejandro Hurtado and Enrike Solin\u00eds: <em>Devenir de la guitarra<\/em><\/h2>\n<p><strong>19 and 20 September \u00b7 12:00 noon<\/strong><\/p>\n<p>A week later, the guitar takes centre stage. <strong>Alejandro Hurtado<\/strong> proposes a journey connecting different periods and languages of the Spanish and flamenco guitar, with the special collaboration of <strong>Enrike Solin\u00eds<\/strong> and in collaboration with FeM\u00c0S.<\/p>\n<p>The programme combines Hurtado\u2019s own compositions with works associated with key figures in guitar history. It includes references to <strong>Francisco T\u00e1rrega, Ram\u00f3n Montoya and Ni\u00f1o Ricardo<\/strong>, alongside grana\u00edna, alegr\u00edas, farruca, seguiriya, zapateado, taranta, habanera, panaderos, lullaby and buler\u00edas.<\/p>\n<p>Solin\u00eds also introduces a dialogue with historical guitar repertoires, opening another window onto the instrument\u2019s evolution.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>A short history of the guitar within the Biennial<\/h2>\n<p><em>Devenir de la guitarra<\/em> fits particularly well with one of the major themes of the 2026 edition: the concert guitar. At San Luis, however, the approach becomes almost archaeological.<\/p>\n<p>Alejandro Hurtado does not offer only a recital of his own compositions. The programme lets us hear how techniques, forms and sensibilities from different periods have shaped the guitar we now identify with flamenco.<\/p>\n<p>Enrike Solin\u00eds\u2019s collaboration reinforces this historical reading. Rather than a simple opposition between \u201cearly guitar\u201d and \u201cflamenco guitar\u201d, the matinee invites us to understand the instrument as a continuum full of crossings, transformations and borrowings.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"camino-flores\">Encarna Anillo and Miguel Rinc\u00f3n: <em>Camino de flores<\/em><\/h2>\n<p><strong>26 and 27 September \u00b7 12:00 noon<\/strong><\/p>\n<p>Encarna Anillo closes the Unique Matinees with a much more narrative and autobiographical project. <em>Camino de flores<\/em> traces different emotional stages of her life and links them to different flamenco forms and <strong>Bach flower essences<\/strong>.<\/p>\n<p>The programme moves through alegr\u00edas de C\u00f3rdoba, marianas and tientos, petenera, seguiriya, fandango, milonga, sole\u00e1 de C\u00e1diz and buler\u00eda. Each song represents a state: childhood and innocence, disappointment, despair, anxiety, love, transformation or celebration.<\/p>\n<p>The singer will be accompanied by <strong>Andr\u00e9s Hern\u00e1ndez \u201cPituquete\u201d on guitar<\/strong>, Roberto Ja\u00e9n and Diego Montoya on palmas, with the collaboration of <strong>lutenist Miguel Rinc\u00f3n<\/strong> in the dialogue with early music.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>A recital conceived as a life journey<\/h2>\n<p>The organisers present <em>Camino de flores<\/em> as a journey in which flamenco acts at once as memory, roots and a tool for transformation. The sequence of flamenco forms is not based only on musical criteria: it structures the artist\u2019s personal story.<\/p>\n<p>The choice of San Luis strengthens this introspective dimension. If <em>Pan de oro<\/em> plays with solemnity and <em>Devenir de la guitarra<\/em> with the history of the instrument, here the relationship with the space is emotional and almost ritual.<\/p>\n<p>At the end of August, the Biennial confirmed that <strong>Encarna Anillo\u2019s performances were sold out<\/strong>. Availability for the rest of the series should be checked directly through the official channels because it may change as the dates approach.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-3\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"san-luis\" style=\"text-align: center;\">San Luis de los Franceses: when the venue becomes part of the music<\/h2>\n<p style=\"text-align: center;\">The San Luis de los Franceses Monumental Complex was built between <strong>1699 and 1731<\/strong> and is considered one of the best-preserved examples of mature Baroque architecture in Seville. The project was designed by <strong>Leonardo de Figueroa<\/strong> and formed part of the former Jesuit novitiate.<\/p>\n<p style=\"text-align: center;\">Its artistic programme combines architecture, sculpture and painting with a strong symbolic and theatrical purpose. That Baroque character is especially important in the matinees: the space was conceived to surround visitors and create a sensory experience.<\/p>\n<p style=\"text-align: center;\">The Biennial makes deliberate use of these qualities. Midday light, the intimate scale and the silence of the church transform the way a voice or guitar is heard. That is why the Unique Matinees could not simply be moved to another venue without losing an important part of their meaning.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"flamenco-musica-antigua\">Flamenco and early music: what is this series trying to achieve?<\/h2>\n<p>One of the most interesting aspects of the matinees is that the Biennial does not use the Baroque simply as visual scenery. There is genuine collaboration with the world of <strong>early music<\/strong>.<\/p>\n<p>Harpsichordist Daniel Oyarz\u00e1bal, Enrike Solin\u00eds and lutenist Miguel Rinc\u00f3n introduce sounds that are not normally part of a conventional flamenco recital. But each project uses this encounter differently.<\/p>\n<ul>\n<li><strong><em>Pan de oro<\/em><\/strong> seeks solemnity and introspection around the singing.<\/li>\n<li><strong><em>Devenir de la guitarra<\/em><\/strong> looks at the history and transformation of the instrument.<\/li>\n<li><strong><em>Camino de flores<\/em><\/strong> uses the timbral dialogue within an emotional narrative.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Are these Baroque concerts with flamenco?<\/h2>\n<p>Not exactly. Flamenco remains at the centre of all three proposals. Early music acts as a counterpart and allows us to hear differently elements already present in singing and guitar: ornamentation, tension, repetition, improvisation, resonance and ceremonial character.<\/p>\n<p>This approach avoids a simplistic idea of \u201cfusion\u201d. The series is closer to a conversation between traditions, periods and ways of understanding music.<\/p>\n<p>For audiences interested both in the <strong>history of flamenco<\/strong> and in the evolution of its languages, these six performances offer a perspective unlike the rest of the programme.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"entradas-matines\">Tickets for the 2026 Biennial Unique Matinees<\/h2>\n<p>Tickets are managed through the official pages for each show on the Biennial website. Availability can change quickly because of the venue\u2019s limited capacity and intimate nature.<\/p>\n<p>Demand has been particularly high for months before the festival begins. The Biennial had already confirmed several San Luis performances as sold out in spring and, on 26 August, specifically announced that <strong><em>Camino de flores<\/em>, by Encarna Anillo, was sold out<\/strong>.<\/p>\n<p>For that reason, check the page for the exact date rather than relying on old lists. If an official purchase option appears, verify availability there at that moment.<\/p>\n<p>If the matinee you wanted is full, see our guide to <a href=\"https:\/\/www.tablaosflamencos.com\/bienal-flamenco-2026-entradas-agotadas-que-ver.html\"><strong>what to do when there are no tickets left for the Biennial<\/strong><\/a>. The programme is extensive and there are other performances, free activities and flamenco options throughout the city.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-hwrapper valign_top wrap stack_on_mobiles align_center\" style=\"--hwrapper-gap:1.2rem\"><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026-sold-out-tickets-what-to-see.html\"><span class=\"w-btn-label\">What to do if tickets are sold out<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/flamenco-in-seville\"><span class=\"w-btn-label\">See flamenco in Seville<\/span><\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"como-llegar\">How to get to San Luis de los Franceses<\/h2>\n<p>The monumental complex is located at <strong>37 Calle San Luis<\/strong>, in Seville\u2019s historic centre, north of the Calle Feria axis and relatively close to the Basilica of La Macarena.<\/p>\n<p>According to information from the venue itself, several TUSSAM bus routes can take you close to the area, including lines <strong>02, 14, 27, 32 and C1<\/strong>.<\/p>\n<p>If you are walking from the monumental centre, allow enough time for the journey. The matinees start at 12:00 noon, and admission to a Biennial performance should not be confused with a standard tourist visit to the monument.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-6 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>Tips for enjoying a matinee<\/h2>\n<ul>\n<li><strong>Arrive early.<\/strong> The format invites you to enter without rushing and settle in before it begins.<\/li>\n<li><strong>Check the exact date.<\/strong> Each show is repeated on Saturday and Sunday, but availability may differ.<\/li>\n<li><strong>Do not schedule another activity too tightly.<\/strong> Allow time to leave the venue and explore the area.<\/li>\n<li><strong>Make the most of the neighbourhood.<\/strong> San Luis, Feria, the Alameda and La Macarena make it easy to build a cultural and food itinerary around the performance.<\/li>\n<li><strong>Check the programme for the same day.<\/strong> A matinee can be combined with other Biennial performances later in the afternoon or evening.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2>How to combine the Unique Matinees with the rest of the Biennial<\/h2>\n<p>The 12:00 noon start makes this series one of the easiest ways to build a full Biennial day. After a matinee there is plenty of time for lunch, a rest and another performance in the afternoon or evening.<\/p>\n<p>On <strong>12 September<\/strong>, for example, the day continues with events at Espacio Turina, Teatro Lope de Vega, Teatro de la Maestranza and Teatro Alameda. On <strong>20 September<\/strong>, after Alejandro Hurtado, the programme includes Manuel de la Luz and Manuel Im\u00e1n, Jos\u00e9 Merc\u00e9 and the Gala of the Andalusian Young Flamenco Artists Circuit. On <strong>27 September<\/strong>, after Encarna Anillo, the programme continues with Dani de Mor\u00f3n, <em>Fue tu querer<\/em> and Est\u00e9vez \/ Pa\u00f1os y Compa\u00f1\u00eda.<\/p>\n<p>That said, the advantage of a matinee is precisely the chance to experience it at a different pace. It is not worth leaving San Luis already thinking about the next dash between theatres.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge color_alternate with_shape\"><div class=\"l-section-shape type_zigzag pos_top\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-shape type_zigzag pos_bottom\" style=\"height:3vmin;\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 64 8\" preserveAspectRatio=\"none\" width=\"100%\" height=\"100%\">\r\n\t<path fill=\"currentColor\" d=\"M64 8 L0 8 L0 0 L20 7.9 L40 3 L48 5 L64 0 Z\"\/>\r\n<\/svg><\/div><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-3\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 style=\"text-align: center;\">Three weekends to discover another side of the Biennial<\/h2>\n<p style=\"text-align: center;\">The Unique Matinees occupy only a small place numerically within a huge programme, but they sum up one of the most interesting ideas of the 24th Biennial: flamenco does not always need to increase the volume or scale to create an event.<\/p>\n<p style=\"text-align: center;\">Here, the luxury lies in proximity. A voice opposite a harpsichord. A flamenco guitar listening to its own history. A lute alongside autobiographical singing. All of it inside one of Seville\u2019s most exceptional Baroque spaces and in broad daylight.<\/p>\n<p style=\"text-align: center;\">If tickets are still available for any of the dates during your trip, this is a series well worth considering. And if they are already sold out, the Biennial itself offers many other ways to build a complete flamenco day.<\/p>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-hwrapper valign_top wrap stack_on_mobiles align_center\" style=\"--hwrapper-gap:1.2rem\"><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial\"><span class=\"w-btn-label\">Visit the Biennial landing page<\/span><\/a><\/div><div class=\"w-btn-wrapper align_none\"><a class=\"w-btn us-btn-style_1\" href=\"https:\/\/www.tablaosflamencos.com\/en\/seville-flamenco-biennial-2026-unique-nights.html\"><span class=\"w-btn-label\">See Unique Nights 2026<\/span><\/a><\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section><section class=\"l-section wpb_row height_huge\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><div class=\"vc_col-sm-3\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><h2 id=\"faq-matines\" style=\"text-align: center;\">Frequently asked questions about the 2026 Biennial Unique Matinees<\/h2>\n<\/div><\/div><div class=\"w-separator size_medium\"><\/div><div class=\"w-tabs accordion toggle_style_1 has_scrolling\" style=\"--sections-title-size:inherit;--sections-gap:0.5rem;\"><div class=\"w-tabs-sections titles-align_none icon_chevron cpos_right\"><div class=\"w-tabs-section\" id=\"rffa\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-rffa\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">How many Unique Matinees are there at the 2026 Seville Flamenco Biennial?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-rffa\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>There are <strong>six performances<\/strong>, corresponding to three shows, each presented on two consecutive days.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"f107\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-f107\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">When are the Unique Matinees held?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-f107\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>They take place on <strong>12, 13, 19, 20, 26 and 27 September 2026<\/strong>. All performances begin at 12:00 noon.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"a1f0\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-a1f0\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Where are they held?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-a1f0\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>All Unique Matinees take place at the <strong>Church of San Luis de los Franceses<\/strong>, on Calle San Luis in Seville.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"t2e4\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-t2e4\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Which artists are taking part?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-t2e4\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Pedro El Grana\u00edno presents <em>Pan de oro<\/em> with Daniel Oyarz\u00e1bal; Alejandro Hurtado presents <em>Devenir de la guitarra<\/em> with Enrike Solin\u00eds; and Encarna Anillo presents <em>Camino de flores<\/em> with the collaboration of lutenist Miguel Rinc\u00f3n.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"l3b2\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-l3b2\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">How are the matinees related to early music?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-l3b2\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>The series creates a dialogue between flamenco and historical music through musicians and instruments such as the harpsichord and lute, as well as collaboration with the Seville Early Music Festival.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"x497\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-x497\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Are the Unique Matinees part of the Unique Nights?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-x497\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>No. They are a separate additional series. The Unique Nights have their own calendar within the Biennial programme.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"o56a\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-o56a\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">Are any performances sold out?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-o56a\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>Yes. Demand for the series has been very high. At the end of August, the Biennial specifically confirmed that both performances of <em>Camino de flores<\/em>, by Encarna Anillo, were sold out. Always check current availability for each date on the official website.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"w-tabs-section\" id=\"n63e\"><button type=\"button\" class=\"w-tabs-section-header\" aria-controls=\"content-n63e\" aria-expanded=\"false\"><div class=\"w-tabs-section-title\">What time do the matinees begin?<\/div><div class=\"w-tabs-section-control\"><\/div><\/button><div  class=\"w-tabs-section-content\" id=\"content-n63e\"><div class=\"w-tabs-section-content-h i-cf\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p>They all begin at <strong>12:00 noon<\/strong>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"vc_col-sm-1\/5 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"<p>Complete guide to the Unique Matinees at the 2026 Seville Flamenco Biennial: dates, programme, artists, San Luis de los Franceses, tickets and practical information.<\/p>\n","protected":false},"author":1,"featured_media":13683,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"wpai_generated_summary":"","_ayudawp_aiss_exclude":false,"_ayudawp_aiss_exclude_summary":false,"_ayudawp_aiss_summary":"","_ayudawp_aiss_summary_provider":"","_ayudawp_aiss_summary_hash":"","footnotes":""},"categories":[1427],"tags":[1232,1233,1234,1235,1144,1236,1729],"class_list":["post-13685","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-flamenco-biennial","tag-agenda-flamenca","tag-bienal-2026","tag-bienal-de-flamenco","tag-festivales-flamencos","tag-flamenco-en-sevilla","tag-sevilla","tag-unique-matinees"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.3 (Yoast SEO v28.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ 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